Interrogating the Image argues that movies examining the role film and television plays in the lives of their audience have created changes both in the movies themselves and in their viewers, and considers fourteen films where the moving picture is central to the narratives. Three films discussed--The Purple Rose of Cairo, Pleasantville, and The Truman Show--offer frame-breaking experiences for their characters that allow spectators to appreciate the ruptures between lived reality and media-play, delivering therapeutic payoffs that can be restorative, reconstructive, or rejective. Other examples come from the worlds of cinema (The Majestic, Matinee, Cinema Paradiso), television (Bamboozled, Network, Natural Born Killers, Medium Cool), and the sociopolitical realm where media dominates (Being There, Wag the Dog, Bob Roberts, Bulworth). Meanwhile, significant interpretive stances--reflective/reflexive, critical, and ironic--are engendered and embraced by filmmakers and audiences who create and consume these works. The result is a media-saturated culture, in transformation and best understood using cinema's interrogative resources.

How children and popular culture perceive the teacher.

Interrogating Human Origins encourages new critical engagements with the study of human origins, broadening the range of approaches to bring in postcolonial theories, and begin to explore the decolonisation of this complex topic. The collection of chapters presented in this volume creates spaces for expansion of critical and unexpected conversations about human origins research. Authors from a variety of disciplines and research backgrounds, many of whom have strayed beyond their usual disciplinary boundaries to offer their unique perspectives, all circle around the big questions of what it means to be and become human. Embracing and encouraging diversity is a recognition of the deep complexities of human existence in the past and the present, and it is vital to critical scholarship on this topic. This book constitutes a starting point for increased interrogation of the important and wide-ranging field of research into human origins. It will be of interest to scholars across multiple disciplines, and particularly to those seeking to understand our ancient past through a more diverse lens.

Police interrogation attracts debate and controversy around the world. Audio-visual recording is widely regarded as a panacea for problems in police questioning of suspects. Interrogating Images presents the first empirical study of the routine use of audio-visual recording anywhere in the world, focusing on New South Wales, Australia where such recording has been required for more than a decade. Its introduction is set in a historical account of disputes and concerns about police questioning of suspects. There is a detailed study of the participants in the interrogation process. Various styles of police interviewing are identified, showing that many assumptions about the nature and purpose of interrogation are inaccurate. A chapter assesses the impact in NSW of ‘investigative interviewing’, a questioning style very different from that used in the USA. The penultimate chapter examines the experiences and perceptions of criminal justice professionals – judges, defence lawyers, prosecutors, and police. Interrogating Images concludes by pointing to some dangers of misusing audio-visual recording. If the complete questioning process is not recorded, confessions may be rehearsed and unreliable. A second danger is the misreading of images, particularly by those who overestimate their ability to identify deception from a suspect’s ‘body language’. Audio-visual recording can be a useful tool, but it must be one part of a broader process of effectively regulating investigative practices. Interrogating Images is informative and thought provoking reading for lawyers, police investigators, academic researchers, policy-makers, legislators, students and those with an interest in police interrogation and its implications for criminal justice processes.

This immensely practical guide to PIV provides a condensed, yet exhaustive guide to most of the information needed for experiments employing the technique. This second edition has updated chapters on the principles and extra information on microscopic, high-speed and three component measurements as well as a description of advanced evaluation techniques. What’s more, the huge increase in the range of possible applications has been taken into account as the chapter describing these applications of the PIV technique has been expanded.

Visual research methods are quickly becoming key topics of interest and are now widely recognised as having the potential to evoke emphatic understanding of the ways in which other people experience their worlds. Visual, Narrative and Creative Research Methods examines the practices and value of these visual approaches as a qualitative tool in the field of social science and related disciplines. This book is concerned with the process of applying visual methods as a tool of inquiry from design, to production, to analysis and dissemination. Drawing on research projects which reflect real world situations, you will be methodically guided through the research process in detail, enabling you to examine and understand the practices and value of visual, narrative and creative approaches as effective qualitative tools. Key topics include: techniques of data production, including collage, mapping, drawing and photographs; the practicalities of application; the positioning of the researcher; interpretation of visual data; images and narratives in public spaces; evaluative analysis of creative approaches. Visual, Narrative and Creative Research Methods will be an invaluable companion for researchers, postgraduate students and other academics with an interest in visual and creative methods and qualitative research.

In the world of screen culture, teachers are unfailingly represented as charismatic figures, able to tackle the deprivations their students face and to form special relationships with them that none of their staff colleagues can. But how realistic are such representations, and-- more importantly - what do real world teachers think about their reel world counterparts? This book takes a closer look at the charismatic teacher as portrayed in films such as Blackboard Jungle, "To Sir, With Love" and "Dead Poets Society" and in television series such as Teachers. It considers the eccentric, resilient or romantic - but always charismatic- teacher in inner city schools, private or public schools and contrasts them with the views of practising teachers. "Carry on Teachers" will be essential to media and cultural studies courses but is designed as much for teachers and those coming into the profession.

Have you noticed there is a burgeoning take up of visual research in education? Are you considering using visual research as part of your next research project or revitalising your research methods course? For researchers who are new to the field of VRMs in education there is little critical literature on the subject. This book addresses the gap in the literature and brings together some of the leading educational researchers engaging and reflecting on the visual from Australia, the UK and Canada. Encapsulated in a single volume, this book sets out theoretically grounded discussions of the possibilities and challenges of the approach for educational researchers around four key themes: images of schooling, performing pedagogy, power and representation and ethical issues in educational research.

This is a book designed with the teacher educator in mind. It provides in depth examination of specific methods used effectively in self-study research. The chapters are written by researchers engaged in self-study of their practice.

Navigating the Postqualitative, New Materialist and Critical Posthumanist Terrain Across Disciplines is an accessible introductory guide to theories, paradigm shifts and key concepts in postqualitative, new materialist and critical posthumanist research. Supported by its own website, this first book in a larger series is an essential companion to the primary texts and original sources of the theorists discussed in this and other books in the series. Disrupting the theory/practice divide, the book offers a postqualitative reimagining of traditional research processes. In doing so, it guides readers through the contestation of binaries, innovative concepts, and the practical provocations that make up the postqualitative terrain. It orients the researcher in the ontological re-turn also by considering Indigenous knowledges, African, Eastern and young children’s philosophies. The style itself is postqualitative through diffractive engagements by the authors and the website includes some examples of the practical provocations described in the book that give an imaginary of how postqualitative research can be taught and enacted. This book is an essential resource for novice as well as experienced researchers working both within and across disciplines in higher education. More information and pocasts for this book can be found at https://postqualitativeresearch.com/series-overview/navigating-the-postqualitative-new-materialist-and-critical-posthumanist-terrain-across-disciplines-an-introductory-guide-2/