Devotion is a category of expression in many of the world’s religious traditions. This book looks at issues involved in academically interpreting religious devotion, as well as exploring the interpretations of religious devotion made by a sixth century poet, a twelfth century biographer, and present-day festival publics. The book focuses on the female poet-saint Kāraikkāl Ammaiyār, whose poetry is devotional in nature. It discusses the biography written on the poet six centuries after her lifetime, and suggests ways of interpreting Kāraikkāl Ammaiyār’s poetry without using the categories and events promoted by her biographer, in order to engage her own thoughts as they are communicated through the poetry attributed to her. In the same way that the biographer made the poet ‘speak’ to his present day, the book looks at how festivals held today make both the poetry and the biography relevant to the present day. By discussing how poetry, story and festival provide distinctive yet overlapping interpretations of the saint, this book reveals the selections and priorities of interpreters in the making of a living tradition. It is an accessible contribution to students and scholars of religion, Indian history and women’s studies.

An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.

This modern-day interpretation of "Introduction to the Devout Life" by Francis de Sales can gently guide readers down the clearest path imaginable into a deeper and more authentic religious life.

Pull away from the things that pull you down and find lasting encouragement for today. The women at Proverbs 31 Ministries offer 100 devotions of wit, wisdom, and encouragement for women. For twenty years the P31 team has equipped and encouraged nearly a million women to live in the power of God’s truths that apply to their everyday life. Written by women from every walk of life, you will find inspiration to live authentically and fully grounded in the Word of God. The P31 Team shares from the realities of everyday life including highs and lows, humorous stories and tender moments. You will be drawn toward the truths God offers and enabled to rise above and become all God created you to be.

Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance art. She argues that theology done as performance art stops trying to describe who God is, and starts trying to make God appear. Recognising that the act of studying theology or practicing ministry is always a performance, where the boundaries between what we see, feel, experience and learn are not just blurred but potentially invisible, Wigg-Stevenson brings together ethnographic theological fieldwork, historical and contemporary Christian theological traditions, and performance artworks themselves. A daring vision of theology which will energise anybody feeling ‘boxed in’ by the discipline, Transgressive Devotion blurs borders between orthodoxy, heterodoxy and heresy to reveal how the very act of doing theology makes God and humanity vulnerable to each other. This is theology which is a liturgy of Divine incantation. In other words: this is theology which is also prayer.

"What brings religious scholars Constance Furey, Sarah Hammerschlag, and Amy Hollywood together in Devotion is a shared conviction that "reading helps us live with and through the unknown." For them, the nature of reading raises questions fundamental to how we think about our political futures and modes of human relation. Each essay suggests different ways to characterize the object of devotion and the stance of the devout subject before it. Furey writes about devotion in terms of vivification, energy, and artifice; Hammerschlag in terms of commentary, mimicry, and fetishism; and Hollywood in terms of anarchy, antinomianism, and atopia. They are interested in literature not as providing models for ethical, political, or religious life, but as creating the site in which the possible-and the impossible-transport the reader, enabling new forms of thought, habits of mind, and modes of life. Ranging from German theologian Martin Luther to French-Jewish philosopher Sarah Kofman to American poet Susan Howe, this volume is not just a reflection on forms of devotion, it is also an enactment of devotion itself"--

Material Devotion in a South Indian Poetic World contributes new methods for the study and interpretation of material religion found within literary landscapes. The poets of Hindu devotion are known for their intimate celebration of deities, and while verses over a thousand years old are still treasured, translated, and performed, little attention has been paid to the evocative sensorial worlds referenced by these literary compositions. This book offers a material interpretation of an understudied poem that defined an entire genre of South Asian literature -Tirukkovaiyar-the 9th-century Tamil poem dedicated to Shiva. The poetry of Tamil South India invites travel across real and imagined geography, naming royal patrons, ancient temple towns, and natural landscapes. Leah Elizabeth Comeau locates the materiality of devotion to Shiva in a world unique to the South Indian vernacular and yet captivating to audiences across time, place, and tradition.

This book uses textual and material evidence -- in poetry, prayers, physiologies, sermons, church buildings and monuments, manuscript diaries and notebooks -- to explore how material things held spiritual meaning in George Herbert's poetry, and to reflect on scholarly approaches to matter and form in devotional poetry.

Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.