In this remarkable book the sculptor and writer Sidney Geist presents a revolutionary interpretation of the art of Cézanne. Geist argues that Cézanne's paintings are fertile with reflections of the artist's private world and passionate concerns. Looking at more than two hundred works, all reproduced in the book, he identifies the symbolism that gives form to a hidden significance in the paintings--concealed allusions to Cézanne himself and to his relations with his wife and mother, his father, his son, and his friend Zola, as well as a circle of colleagues including Pissarro, Frederic Bazille, and Ambroise Vollard. It is a complex pattern of symbols expressed in both secondary visual images and in verbal connections, including rebuses and puns. In reading these paintings for symbolic meaning Geist opens the way to a fuller understanding of Cézanne as well as to new ways of looking at pictures. Interpretation of this kind in its turn explains formal aspects of the paintings with a richness not possible in abstract analysis.

Interpreting Cezanne explores the style and content of Cezanne's work and analyzes the artist's own comments about painting. Greatly influenced by the landscapes of his native Provence, the Old Masters, and, most importantly, Impressionism, Cezanne had a lasting and profound influence on 20th century art. Includes 63 illustrations, 50 in color.

Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.

Paul Cezanne was one of the greatest of the French impressionist painters. This delightful book follows his son, also called Paul, as he travels to the mountains to spend a summer with his father. He discovers that his father, a very large man, paints the natural world with a passion that few can understand. But one day they meet an art dealer in a village who offers to try to sell some of the paintings in Paris ... the rest is history. The reader gains a real insight into Cezanne the man through the eyes of a child - sometimes frightening, fastidious (he won't touch other people), warm-hearted, driven by a passion for his art. And it provides a vivid introduction to Cezanne's work, with reproductions of his most famous paintings incorporated in the illustrations.

Praise for the first edition: "I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to Cezanne's concrete means and methods, and he arrives thereby at an understanding of Cezanne's art more essential than any other I have seen in print."--Clement Greenberg, Nation

A major biography--the first comprehensive new assessment to be published in decades--of the brilliant work and restless life of Paul Cezanne, the most influential painter of his time, whose vision revolutionized the role of the painter.

"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance

First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.

Only now can we see Paul Cézanne as the invisible genius at the very inception of modern art. Recent exhibitions of his early works reveal an artist very different from the serene landscapist we thought we knew. What was it that made these disturbingly dark and troubled paintings, with their violence and psychological truth, as important to him as, later, his huge series of bathers, an obsession with the nude that continued to the end? With the last full-length biography written more than a quarter century ago, the demand for a new life of Cézanne has never been greater. In Lost Earth, Philip Callow delivers it brilliantly. Using contemporary sources, exceptional biographical skills, and a poetic prose, Callow finds beneath an outwardly uneventful life a wealth of anguish and bitter struggle to overcome personal inadequacies and the insults of the critical community. For all of Cézanne's weakness and despair, Lost Earth is the story of a transcendent artist who was passionately committed to a tradition he would one day transform. Callow examines with fresh insights Cézanne's profound friendship with Émile Zola, his ingrained fear of women, his love of the outdoors that enabled him to paint the universe in an apple. Lost Earth gets to the heart of the great painter. With 8 pages of photographs and color plates.