"The book is one that horse lovers of every age cannot fail to enjoy." — The New York Times "Humorous, charming, National Velvet is a little masterpiece." — Time "Put on your not-to-be-missed list." — The New Yorker A butcher's daughter in a small Sussex town ends her nightly prayers with "Oh, God, give me horses, give me horses! Let me be the best rider in England!" The answer to fourteen-year-old Velvet Brown's plea materializes in the form of an unwanted piebald, raffled off in a village lottery, who turns out to be adept at jumping fences—exactly the sort of horse that could win the world's most famous steeplechase, the Grand National. Richly atmospheric of rural English life between the World Wars, National Velvet has enchanted generations of readers since its 1935 debut. The heroine's grit and determination, backed by the support of her eccentric and loving family, offer an inspiring example of the struggles and rewards of following a dream.

“No Natives or Dogs Allowed,” blared the storefront sign at Elizabeth Peratrovich, then a young Alaska Native Tlingit. The sting of those words would stay with her all her life. Years later, after becoming a seasoned fighter for equality, she would deliver her own powerful message: one that helped change Alaska and the nation forever. In 1945, Peratrovich stood before the Alaska Territorial Legislative Session and gave a powerful speech about her childhood and her experiences being treated as a second-class citizen. Her heartfelt testimony led to the passing of the landmark Alaska Anti-Discrimination Act, America’s first civil rights legislation. Today, Alaska celebrates Elizabeth Peratrovich Day every February 16, and she will be honored on the gold one-dollar coin in 2020. Annie Boochever worked with Elizabeth’s eldest son, Roy Peratrovich Jr., to bring Elizabeth’s story to life in the first book written for young teens on this remarkable Alaska Native woman.

From the international bestselling author of The Lost Wife and The Garden of Letters, comes a story—inspired by true events—of two women pursuing freedom and independence in Paris during WWII. As Paris teeters on the edge of the German occupation, a young French woman closes the door to her late grandmother’s treasure-filled apartment, unsure if she’ll ever return. An elusive courtesan, Marthe de Florian cultivated a life of art and beauty, casting out all recollections of her impoverished childhood in the dark alleys of Montmartre. With Europe on the brink of war, she shares her story with her granddaughter Solange Beaugiron, using her prized possessions to reveal her innermost secrets. Most striking of all are a beautiful string of pearls and a magnificent portrait of Marthe painted by the Italian artist Giovanni Boldini. As Marthe’s tale unfolds, like velvet itself, stitched with its own shadow and light, it helps to guide Solange on her own path. Inspired by the true account of an abandoned Parisian apartment, Alyson Richman brings to life Solange, the young woman forced to leave her fabled grandmother’s legacy behind to save all that she loved.

In order to find an authentic understanding of the Christian faith, Bell frees readers to consider God beyond the picture someone else painted.

From the Diary of Leonie Noirot: The perfect corset should invite its undoing . . . Lethally charming Simon Blair, Marquess of Lisburne, has reluctantly returned to London for one reason only: a family obligation. Still, he might make time for the seduction of a certain redheaded dressmaker—but Leonie Noirot hasn't time for him. She's obsessed with transforming his cousin, the dowdy Lady Gladys, into a swan. Leonie's skills can coax curves—and profits—from thin air, but his criminally handsome lordship is too busy trying to seduce her to appreciate her genius. He badly needs to learn a lesson, and the wager she provokes ought to teach him, once and for all. A great plan, in theory—but Lisburne's become a serious distraction and Leonie's usual logic is in danger of slipping away as easily as a silk chemise. Could the Season's greatest transformation be her own?

Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.

In 1964, at age 21, Gerard Malanga was already a celebrity poet-photographer in Andy Warhol's Factory; he'd starred in Warhol movies and his poetry had appeared in such prestigious literary magazines as Poetry, Art & Literature, Partisan Review and The New Yorker. This monumental retrospective volume includes all the major highlights of Malanga's previously published work, plus many new or rediscovered poems appearing here in book form for the first time.

All sorts of creatures appear in books - rabbits, dogs, mice, and even ladybirds - but there are no earwigs! Ernest decides to put this right, with surprising and hilarious results . . .