The iconic images of Parisian nightlife created by Henri de Toulouse-Lautrec (1864-1901) became a hallmark of the bohemian lifestyle in fin-de-siècle Paris. A man born into aristocracy but handicapped by his physical disability, Toulouse-Lautrec immersed himself in his radical art and found company in avant-garde artists, dancers, and other social outcasts in Montmartre, Paris's district of pleasure. His widely popular prints of those otherwise marginalized by society captured the nonconformist spirit of the Belle Epoque (1871-1914). While the formal influence of Japanese prints-flat forms, cropped compositions, and vibrant colors-on Toulouse-Lautrec and his contemporaries has been well studied, the shared anti-establishment hedonism that underlies both Japanese prints and Toulouse-Lautrec's work has not been examined in tandem. Rather than focusing on the visual connections between French and Japanese prints, Renegade Edo and Paris highlights the social impulses-pleasure seeking, theater going-that led to the tremendous print production in both Paris and Edo (present-day Tokyo). Drawing from the Seattle Art Museum's Japanese prints collection and from one of the most extensive private holdings of Toulouse-Lautrec prints, this catalogue presents more than 60 works to offer a critical look at the renegade spirit that permeates both Japanese prints and Toulouse-Lautrec's work

The 5th of a prestigious series of conferences, these proceedings are devoted to the latest achievements in ceramic materials and components for engines. Their purpose is to advance structural ceramics and ceramic engine technology on a worldwide scale and provide a state-of-the-art survey of this increasingly important field. The papers presented cover many aspects from basic research and development to production, properties and applications. These proceedings will be of interest to ceramists and mechanical engineers concerned with the potential use of ceramic components in engines.

The book contains the Proceedings of the 37th International Symposium on Archaeometry, 12th May 2008, Siena, Italy. The aim of the Symposium is to promote the development and use of scientific techniques in order to extract archaeological and historical information from cultural heritage and the paleoenvironment. It involves all Natural Sciences and all types of objects and materials related with human activity. Papers deal with the development and/or application of scientific techniques for extracting information related to human activities of the past, including the biological nature of man himself and the environment in which he lived. Topics include: Field Archaeology and Intergrated Site Studies; Archaeo-chronometry including recent developments in Radiocarbon Dating; Human - Environment Interactions including Geoarchaeology, Palaeoclimate studies, Landscape Archaeology, Environmental reconstructions, etc.; Bioarchaeology; Food preparation and consumption in Antiquity; the Technology and Provenance of Stone, Plaster, Pigments;Ceramics, Glazes, Glass and Vitreous Materials, Metals and Metallurgical Ceramics; and Micro/nano diagnostic techniques.

Spanning over a millennium of history, this book seeks to describe and define the evolution of the China–Southeast Asia nexus and the interactions which have shaped their shared pasts. Examining the relationships which have proven integral to connecting Northeast and Southeast Asia with other parts of the world, the contributors of the volume provide a wide-ranging historical context to changing relations in the region today – perhaps one of the most intense re-orderings occurring anywhere in the world. From maritime trading relations and political interactions to overland Chinese expansion and commerce in Southeast Asia, this book reveals rarely explored connections across the China–Southeast Asia interface. In so doing, it transcends existing area studies boundaries to present an invaluable new perspective to the field. A major contribution to the study of Asian economic and cultural interactions, this book will appeal to students and scholars of Chinese history, as well as those engaged with Southeast Asia.

Describes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.

This is an open access book. As a leading role in the global megatrend of scientific innovation, China has been creating a more and more open environment for scientific innovation, increasing the depth and breadth of academic cooperation, and building a community of innovation that benefits all. Such endeavors are making new contributions to the globalization and creating a community of shared future. To adapt to this changing world and China's fast development in the new era, The 2022 International Conference on Economics, Smart Finance and Contemporary Trade to be held in July 2022. This conference takes "bringing together global wisdom in scientific innovation to promote high-quality development" as the theme and focuses on cutting-edge research fields including Economics, Smart Finance and Contemporary Trade. This conference aims to boost development of the Greater Bay Area, expand channels of international academic exchange in science and technology, build a sharing platform of academic resources, promote scientific innovation on the global scale, strengthen academic cooperation between China and the outside world, enhance development of new energy and materials and IT, AI, and biomedicine industries. It also aims to encourage exchange of information on frontiers of research in different areas, connect the most advanced academic resources in China and the world, turn research results into industrial solutions, and bring together talents, technologies and capital to boost development.

A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR

Part adventure story, part maritime archaeological expedition, part historical look into ninth-century Chinese economy, culture, and trade, Shipwrecked is a fascinating journey back in time. Twelve centuries ago, a merchant ship—an Arab dhow—foundered on a reef just off the coast of Belitung, a small island in the Java Sea. The cargo was a remarkable assemblage of lead ingots, bronze mirrors, spice-filled jars, intricately worked vessels of silver and gold, and more than 60,000 glazed bowls, ewers, and other ceramics. The ship remained buried at sea for more than a millennium, its contents protected from erosion by their packing and the conditions of the silty sea floor. Shipwrecked explores this precious cargo and the story of the men who sailed it, with more than 250 gorgeous photographs and essays by international experts in Arab ship-building methods, pan-Asian maritime trade, ceramics, precious metalwork, and more.