Intermediate Yoruba offers an effective guide to mastering Yoruba quickly and easily, written in the proper Yoruba-Oyo, by author Abraham Ajibade Adeleke, who was born and raised in Oyo Alaafin. Yoruba grammar is best taught in the context of the Yoruba culture. For this reason, Intermediate Yoruba covers various Yoruba cultural traditions, names, greetings, and oral traditions, as well as the use of myths, fables, and idiomatic expressions. It includes a vocabulary list, along with everyday Yoruba conversational words and phrases that, in some cases, sound like their English, French, and Spanish equivalents. This comprehensive volume is ideal for both classroom instruction and private teaching sessions. Additionally, Intermediate Yoruba includes a series of case studies and juxtaposed ethnographic materials to cover Yoruba culture thoroughly. Intended to contribute to the development of the positive study of African languages and cultures, this volume serves as a valuable resource to anyone wishing to learn about Yoruba.

it is an easy tool that teaches the rules of sentences, noun, verbs, question mark, adjectives, and adverbs; prepositions, propositions, and pronoun pronouncements; punctuation; possessives; and proofreading skills for all communication. o jẹ ọpa ti o rọrun ti o kọni awọn ofin awọn gbolohun ọrọ, nomba, awọn ọrọ ọrọ, ami ibeere, adjectives, ati awọn adverbs; awọn apejuwe, awọn igbero, ati ọrọ ọrọ; àkíyèsí; awọn oniwa; ati awọn ogbon itọnisọna fun gbogbo ibaraẹnisọrọ

This collection was compiled by an international group of scholars in recognition of Professor Yiwola Awoyale’s contributions to African language and linguistic studies. Based at University of Pennsylvania, Professor Awoyale is particularly celebrated as a great field linguist, who pays special attention to data and data documentation. This edited volume presents current research on topics concerning the syntax, semantics, phonology, applied- and socio-linguistics of African languages, providing a state-of-the-art account of contemporary issues in African linguistics today.

Since 1982, Nigeria has experienced more than ten large scale ethnic or religious riots in its major cities. These violent clashes have wreaked economic, political, and social havoc; caused an enormous number of deaths and injuries; and posed serious obstacles to Nigeria's sociopolitical development as well as retarded efforts at nation-building. The papers collected in this book serve as a critical part of an overall objective to develop and promote mechanisms for the understanding and resolution of ethnic and religious conflicts in Nigeria. Both academic and community leaders address various aspects of these conflicts, and Uwazie offers several thoughtful options for their successful resolution. Inter-Ethnic and Religious Conflict Resolution in Nigeria will interest students of African history and current affairs, scholars of anthropology and ethnicity studies, and those involved in international relations and peace studies.

The pattern of migrants maintaining strong ties with their home communities is particularly common in sub-Saharan Africa, where it has important social, cultural, political, and economic implications. This book explores the significance of hometown connections for civil society and local development in Nigeria. Rich ethnographic description and case studies illustrate the links that the Ijesa Yoruba maintain with their communities of origin - links that both help to shape social identity and contribute to local development. Trager also examines indigenous concepts of development, demonstrating how the Yoruba bring their understandings of development to efforts in their own communities. Placing her work in the context of national political and economic change, she raises questions about the motivations, implications, and consequences of local development efforts, not only for the communities and their members, but also for the larger polity.

British Vocational Qualifications is an indispensable reference for careers advisors, human resource managers, employers, teachers and students, featuring up-to-date information on over 3,500 vocational qualifications available in the United Kingdom. These include Vocational Qualifications (VQs), National Vocational Qualifications (NVQs), Scottish Vocational Qualifications (SVQs), Related Vocational Qualifications (RVQs) and apprenticeships. The directory also covers the latest developments within the fast-changing field of vocational qualifications, and details of awarding, examining and validating bodies. British Vocational Qualifications is a simple guide for anyone who needs to understand vocational education, whether researching what is available, verifying a qualification for legal purposes, or reviewing where best to study for them.

The Yoruba: A New History is the first transdisciplinary study of the two-thousand-year journey of the Yoruba people, from their origins in a small corner of the Niger-Benue Confluence in present-day Nigeria to becoming one of the most populous cultural groups on the African continent. Weaving together archaeology with linguistics, environmental science with oral traditions, and material culture with mythology, Ogundiran examines the local, regional, and even global dimensions of Yoruba history. The Yoruba: A New History offers an intriguing cultural, political, economic, intellectual, and social history from ca. 300 BC to 1840. It accounts for the events, peoples, and practices, as well as the theories of knowledge, ways of being, and social valuations that shaped the Yoruba experience at different junctures of time. The result is a new framework for understanding the Yoruba past and present.

The bata is one of the most important and representative percussion traditions of the people in southwest Nigeria, and is now learnt and performed around the world. In Cuba, their own bata tradition derives from the Yoruba bata from Africa yet has had far more research attention than its African predecessor. Although the bata is one of the oldest known Yoruba drumming traditions, the drum and its unique language are now unfamiliar to many contemporary Yoruba people. Amanda Villepastour provides the first academic study of the bata's communication technology and the elaborate coded spoken language of bata drummers, which they refer to as 'ena bata'. Villepastour explains how the bata drummers' speech encoding method links into universal linguistic properties, unknown to the musicians themselves. The analysis draws the direct links between what is spoken in Yoruba, how Yoruba is transformed in to the coded language (ena), how ena prescribes the drum strokes and, finally, how listeners (and which listeners) extract linguistic meaning from what is drummed. The description and analysis of this unique musical system adds substantially to what is known about bata drumming specifically, Yoruba drumming generally, speech surrogacy in music and coded systems of speaking. This book will appeal not only to ethnomusicologists and anthropologists, but also to linguists, drummers and those interested in African Studies.

This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 1: Diaspora Representations and the Interweaving of Cultures explores the idea that, in and from their various locations around the world, the plays of the African diaspora acknowledge and pay homage to the cultures of home, while simultaneously articulating a sense of their Africanness in their various inter-actions with their host cultures. Contributions in Diaspora Representations and the Interweaving of Cultures equally attest to the notion that the diaspora – as we see it – is not solely located outside of the African continent itself, but can be found in those performances in the continent that engage performatively with the West and other parts of the world in that process of articulating identity.