Drawing on a wide range of disciplines—linguistics, phenomenological analysis, cultural anthropology, media studies, and intellectual history—Walter J. Ong offers a reasoned and sophisticated view of human consciousness different in many respects from that of structuralism. The essays in Interfaces of the Word are grouped around the dialectically related themes of change or alienation and growth or integration. Among the subjects Ong covers are the origins of speech in mother tongues; the rise and final erosion of nonvernacular learned languages; and the fictionalizing of audiences that is enforced by writing. Other essays treat the idiom of African talking drums, the ways new media interface with the old, and the various connections between specific literary forms and shifts in media that register in the work of Shakespeare and Milton and in movements such as the New Criticism. Ong also discusses the paradoxically nonliterary character of the Bible and the concerted blurring of fiction and actuality that marked much drama and narrative toward the close of the twentieth century.

By combining theoretical analysis and empirical investigation, this monograph investigates the status of interfaces in Minimalist linguistic theory, second language acquisition and native language attrition. Two major questions are currently under debate: (1) what exactly makes a linguistic phenomenon an ‘interface phenomenon’, and (2) what is the specific role that the interfaces play in explaining language loss and persistent problems in second language acquisition? Answers to these questions are provided by a theoretical examination of the role that economy and computational efficiency play in recent Minimalist models of the language faculty, as well as by evidence obtained in two empirical studies examining the acquisition and attrition of two interface phenomena: Spanish subject realization and word order variation. The result is a new definition of ‘interface phenomena’ which deemphasizes syntactic complexity and focuses on the effect of interface interpretive conditions on syntactic structure. This work also shows that representational deficits cannot be ruled out in the acquisition and attrition of interface structures.

This volume takes a variety of approaches to the question 'what is a word?', with particular emphasis on where in the grammar wordhood is determined. Chapters in the book all start from the assumption that structures at, above, and below the 'word' are built in the same derivational system: there is no lexicalist grammatical subsystem dedicated to word-building. This type of framework foregrounds the difficulty in defining wordhood. Questions such as whether there are restrictions on the size of structures that distinguish words from phrases, or whether there are combinatory operations that are specific to one or the other, are central to the debate. In this respect, chapters in the volume do not all agree. Some propose wordhood to be limited to entities defined by syntactic heads, while others propose that phrasal structure can be found within words. Some propose that head-movement and adjunction (and Morphological Merger, as its mirror image) are the manner in which words are built, while others propose that phrasal movements are crucial to determining the order of morphemes word-internally. All chapters point to the conclusion that the phonological domains that we call words are read off of the morphosyntactic structure in particular ways. It is the study of this interface, between the syntactic and phonological modules of Universal Grammar, that underpins the discussion in this volume.

This volume takes a variety of approaches to the question 'what is a word?', with particular emphasis on where in the grammar wordhood is determined. Chapters in the book all start from the assumption that structures at, above, and below the 'word' are built in the same derivational system: there is no lexicalist grammatical subsystem dedicated to word-building. This type of framework foregrounds the difficulty in defining wordhood. Questions such as whether there are restrictions on the size of structures that distinguish words from phrases, or whether there are combinatory operations that are specific to one or the other, are central to the debate. In this respect, chapters in the volume do not all agree. Some propose wordhood to be limited to entities defined by syntactic heads, while others propose that phrasal structure can be found within words. Some propose that head-movement and adjunction (and Morphological Merger, as its mirror image) are the manner in which words are built, while others propose that phrasal movements are crucial to determining the order of morphemes word-internally. All chapters point to the conclusion that the phonological domains that we call words are read off of the morphosyntactic structure in particular ways. It is the study of this interface, between the syntactic and phonological modules of Universal Grammar, that underpins the discussion in this volume.

An innovative exploration of the interface between grammar, meaning and form.

Within the current discussion on grammatical interfaces, the word-classes of adjective and adverb are of particular interest because they appear to be separated or joined in manifold ways at the level of word-class or syntax, with morphology playing a prominent role, especially in Romance. The volume provides typological and theoretical insights into the common or different usage of adjectives and adverbs in Romance. Diachronic change is discussed alongside with synchronic variation and the representation in grammar. The discussion turns out to be controversial, calling into question traditional assumptions such as the dogma of the invariability and the categorial status of the adverb.

This volume is an important contribution to the theoretical and empirical study of the interactions of grammatical components in Chinese and other languages. With contributions by Edward L. Keenan, Henk van Riemsdijk, Alain Rouveret, and scholars in Chinese Linguistics, this volume investigates the common structural properties that may be considered as possible candidates for UG. It addresses syntactic and semantic issues such as anaphora universals over non-isomorphic languages, the role that the forces of attraction and repulsion play in the grammar of natural languages, computational and semantic aspects of resumption, the dichotomy between inner and outer reflexive adverbials, system repairing strategies at interfaces, the v-copy construction in Chinese, the scope of disjunction, interactions between focus, negation and event quantification, null object constructions and VP-Ellipsis, child language acquisition of nominal structure, word order and referentiality as well as second language acquisition of interface properties in Chinese double NP constructions. This volume will be of interest to students and researchers of syntax, semantics, theoretical linguistics, and language acquisition, as well as scholars in Chinese linguistics.

This is both the first authoritative treatment of OOUi and a book which will help designers, developers, analysts, and many others understand and apply object-oriented analysis to user interfaces. Collins delivers a single conceptual model to guide both external and internal design of the user interface. A set of figures, examples, and case studies illustrates the development of new applications and functions & --both stand-alone and integrated & --with existing environments. Throughout, the methodology is grounded in object-oriented principles that are consistent with other object-oriented methodologies for system and database design.

Drawing on his own expertise in the humanities and on the Web, Steven Johnson not only demonstrates how interfaces - those buttons, graphics, and words on the computer screen through which we control information - influence our daily lives, but also tracks their roots back to Victorian novels, early cinema, and even medieval urban planning. The result is a lush cultural and historical tableau in which today's interfaces take their rightful place in the lineage of artistic innovation. With a distinctively accessible style, Interface Culture brings new intellectual depth to the vital discussion of how technology has transformed society, and is sure to provoke wide debate in both literary and technological circles.

Language in all its modes—oral, written, print, electronic—claims the central role in Walter J. Ong’s acclaimed speculations on human culture. After his death, his archives were found to contain unpublished drafts of a final book manuscript that Ong envisioned as a distillation of his life’s work. This first publication of Language as Hermeneutic, reconstructed from Ong’s various drafts by Thomas D. Zlatic and Sara van den Berg, is more than a summation of his thinking. It develops new arguments around issues of cognition, interpretation, and language. Digitization, he writes, is inherent in all forms of "writing," from its early beginnings in clay tablets. As digitization increases in print and now electronic culture, there is a corresponding need to counter the fractioning of digitization with the unitive attempts of hermeneutics, particularly hermeneutics that are modeled on oral rather than written paradigms. In addition to the edited text of Language as Hermeneutic, this volume includes essays on the reconstruction of Ong’s work and its significance within Ong’s intellectual project, as well as a previously unpublished article by Ong, "Time, Digitization, and Dalí's Memory," which further explores language’s role in preserving and enhancing our humanity in the digital age.