Interface Theology is a biannual refereed journal of theology published in print, epub and open access by ATF Press in Australia. The journal is a scholarly ecumenical and interdisciplinary publication, aiming to serve the church and its mission, promoting a broad based interpretation of Christian theology within a trinitarian context, encouraging dialogue between Christianity and other faiths, and exploring the interface between faith and culture. It is published in English for an international audience.

The Bonhoeffer Legacy: An International Journal is a fully refereed academic journal aimed principally at providing an outlet for an ever expanding Bonhoeffer scholarship in Australia, New Zealand and the South Pacific region, as well as being open to article submissions from Bonhoeffer scholars throughout the world. It also aims to elicit and encourage future and ongoing scholarship in the field. The focus of the journal, captured in the notion of 'Legacy', is on any aspect of Bonhoeffer's life, theology and political action that is relevant to his immense contribution to twentieth century events and scholarship. 'Legacy' can be understood as including those events and ideas that contributed to Bonhoeffer's own development, those that constituted his own context or those that have developed since his time as a result of his work. The editors encourage and welcome any scholarship that contributes to the journal's aims. The journal also has book reviews.

Interface Theology is a biannual refereed journal of theology published in print, epub and open access by ATF Press in Australia. The journal is a scholarly ecumenical and interdisciplinary publication, aiming to serve the church and its mission, promoting a broad based interpretation of Christian theology within a trinitarian context, encouraging dialogue between Christianity and other faiths, and exploring the interface between faith and culture. It is published in English for an international audience.

The frontiers of religion and science have always been pushed forward by curious and obsessed individuals, like: the monk who kept banned books in a secret library under the nose of the pope; the explorers who searched for the lost tribes of Israel but found a new continent instead; the eccentric doctor and a mad monk who intuited scientific truths well before future generations would prove their theories correct; the archaeologists who discovered the goddess just in time for feminism; the utopians who never quite found what they were looking for; and a current flock of priests and nuns who go wherever knowledge takes them. It is a delicious quirk of history that individuals dismissed by their contemporaries as eccentrics and troublemakers are often those with the most impact on the world. Curious Obsessions in the History of Science and Spirituality is a captivating look at the famous and the forgotten who emerged in times of extreme change and social disruption to change science and spirituality for ever. During our current Covid19 pandemic, this collection is highly relevant to a world still seeking novel answers to the human condition and also drawn to old theories long ago debunked.

The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

Most programmers' fear of user interface (UI) programming comes from their fear of doing UI design. They think that UI design is like graphic design—the mysterious process by which creative, latte-drinking, all-black-wearing people produce cool-looking, artistic pieces. Most programmers see themselves as analytic, logical thinkers instead—strong at reasoning, weak on artistic judgment, and incapable of doing UI design. In this brilliantly readable book, author Joel Spolsky proposes simple, logical rules that can be applied without any artistic talent to improve any user interface, from traditional GUI applications to websites to consumer electronics. Spolsky's primary axiom, the importance of bringing the program model in line with the user model, is both rational and simple. In a fun and entertaining way, Spolky makes user interface design easy for programmers to grasp. After reading User Interface Design for Programmers, you'll know how to design interfaces with the user in mind. You'll learn the important principles that underlie all good UI design, and you'll learn how to perform usability testing that works.

India-South Asia Interface raises the fundamental question: How does one make sense of South Asia? Conventional wisdom defines it primarily in terms of regional and international politics. The failures of the South Asian Association for Regional Cooperation (SAARC) are emblematic of that wisdom. Marking a departure from such approaches, Partha Ghosh makes the case that more than merely a political construct South Asia must be understood as a shared social consciousness. Through chapters that explore topics such as threats to democracy, religion and politics, the place of Kashmir, different conceptions of regionalism, the roles of America and China, and the issue of refugees and migrants, he demonstrates that there is no escape from reinventing the region from a people’s perspective. Only this way can South Asia retrieve its soul and replace its cynicism and despair with expectation and hope. Based primarily on Ghosh’s research articles and newspaper columns written over the last five years, the volume can be viewed as an intimate statement of his understanding of the region; an understanding that has matured through decades-long interactions with the region’s academics, politicians, and the so-called ‘man on the street’. In some sense, the volume is also a semi-autobiographical treatise, which spells out Ghosh’s systematic evolution as a confirmed South Asianist. The region’s destiny ought to be wrested, he therefore argues, from the hands of its political leaders and returned to the common men and women of the region. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.

God and the Body addresses the challenges to traditional Christianity by gay and lesbian Christians and their critics within the church. This controversial book will be welcomed for the radical new insights it provides into Christian arguments about the body.

Since Dietrich Bonhoeffers death in 1945, he has continued to fascinate and compel readers as a theologian, witness, and martyr. In this new biography, Christiane Tietz masterfully portrays the interconnectedness of Bonhoeffers life and thought, theology and politics, discipleship, witness, and resistance, tracing the path from his childhood to his imprisonment and execution. Brief, lucid, and accessible, Tietzs new account brings Bonhoeffers story and work to life in a vivid retelling, unfolding his important and widely read texts in the process. The volume also includes previously unseen pictures.