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Financial market and management is a well-known concept. It is utilised in various fields like finance, forex, stock market, import-export, etc. Around the world, more and more trade activities revolve around this concept. This book is introduced to give concise information not only about financial and commodity trade and their managing authorities, but also about the problems that occur during trade situations and how to resolve the same. The salient features of this book are: Information on cryptocurrencies Trade war and its impact on economy Focus on Indian economy How globalization has changed the world's vision Role of foreign institutions Currencies' role in trade market Practical case studies and data based on governmental sources. Proper references provided in the book help researchers design their work more easily. Chapters include formats to help researchers get ideas for the development of their work. Each chapter provides specific information aimed clearly at students and researchers.

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Most of the essays in this volume developed from a series of lectures on the forms and functions of theatre in different cultures, and correspondences between them, organized by the Leiden University Department of Theatre and Film Studies. Some contributions to this volume discuss origins, forms and functions of theatre in the Far and in the Middle East, as well as how in some cases the contemporary theatre in these cultures have managed to incorporate Western theatrical elements into their local traditions. Other articles consider how such twentieth-century Western dramatists as Yeats, Brecht and Beckett have been inspired by Asian theatre forms; how Western theatre-goers have misunderstood the true nature of Russian drama; how the inspiration of the best known of those Russian playwrights has manifested itself in the work of an American film-maker; and how African dance has helped to reshape North Atlantic modern and post-modern choreography. Thus this collection is arranged to take the reader on a journey of discovery, or possibly recovery, from China to Japan, from India to Africa, from Iran to Turkey, to Russia and finally from Moscow to Manhattan. Theatre Intercontinental will be of value to scholars, teachers and students with an interest in how theatre manifests itself in various cultures, how it originated, what needs it fulfils and how it is affected by cross-cultural influences. It provides a few tentative conclusions, some thought provoking questions and, we hope, the stimulus to compare the issues raised here with theatrical cultures not covered by this book.