This novel shares one womans struggle to overcome the execution caused by divorce and maintain her life in Gods eyes. From birth, Abigails destiny has been chosen for her. The Monarch of Hell has declared that she is his property. Her soul is collateral from her fathers debt to Satan. Abigails guardian angel, Gabriella, appearsbut she does not come to help. Instead, she aims to take over Abigails life and remove her from the situation Satan has placed her in. It is said she reports directly to Michael the Archangel, and her assignment is to protect Abigail. Another protector is Abigails cousin, Montana, a high-profile attorney. She also believes Satans price is too high. Abigails husband, Bishop Monroe, is considered to be the head: of Abigail. Satans purpose will be to remove the headship of Abigails householdto divorce them one from the other. He will dispatch head-hunting spirits from hellin the form of the other womanto perform the execution of Abigails marriage by removing her headship. Abigail must survive this attempted execution; her continued existence is crucial to the millions of women who are slowly bleeding to death because of the betrayal by their husbands who are demanding divorces. Bishop Monroe wants an annulment after more than twenty years of marriage to Abigail. Her crazy cousin, Montana, will take on both the bishop and the church to protect Abigail from such a disgrace.

A new examination of a classic Christian text begins with the Greek text of the Corinthians and outlines the most important theological, ethical, and socio-historical issues surrounding this seminal book.

The birth of a nation follows the lives of two white families divided by, and enduring, the American Civil War, and includes elaborate cameos of historical events such as the assassination of Abraham Lincoln.

What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bšk, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter. Brave, energetic and fresh, Biting the Error tells a whole new story about narrative. Biting the Error is edited by Mary Burger, Robert GlŸck, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.

Art therapy has been slow to embrace the critical and theoretical viewpoints, including feminism, that have made a huge impact on other areas of the humanities and social sciences. Art therapists are ideally situated, however, to respond to the growing awareness of how language, media and images influence gender inequality and the pressures that can lead to poor mental health, and diminished well being, among women. The contributors explore the ways in which gender issues can be addressed through art therapy. By being sensitive to the socio-cultural dimensions of women's lives, therapists can become more receptive to the needs of their female clients. The case studies included here illustrate how issues of class, ethnicity and gender introduce a social element into what is sometimes described as a purely personal, cathartic process. By discussing empowerment, sexuality, pregnancy and childbirth, this volume provides a comprehensive survey of women's issues within art therapy and will prompt a reevaluation of current training and practice in the field.

"In this study, Lois E. Bueler examines in broad literary historical terms what she calls the Tested Woman Plot, a "story-machine" that originated in the ancient Mediterranean world (as in the stories of Eve and Lucretia), flourished in English Renaissance drama (as in Much Ado about Nothing and The Changeling), and continued into the novels of the eighteenth and nineteenth centuries (as in Clarissa, Adam Bede, and The Scarlet Letter)." "Encyclopedic in scope, The Tested Woman Plot is a provocative look at a key narrative tradition that spans many genres and should appeal to all serious students of literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Volume 17, the first volume of The Annual published by The Analytic Press, includes John Gedo's examination of the "epistemology of transference" and Edwin Wallace's outline of a "phenomenological and minimally theoretical psychoanalysis." Studies in applied psychoanalysis focus on the art of Edvard Munch (Mavis and Harold Wylie); George Eliot's Romolo (Jerome Winer); and psychoanalysis and music (Martin Nass).

In The Liberation of Women, Roberta Hamilton explores two of the key questions that have been systematically raised by the Women's Liberation Movement: why have women occupied a subordinate position in society and how can the variation in the forms and intensity of their exploitation and oppression be explained? Within the Women's Liberation Movement there have been seen to be two different and opposed answers to these questions: a feminist answer and a Marxist one. This new work attempts to examine this debate in specific analytical terms through a study of the changing role of women during a particular historical period - the seventeenth century. In the course of less than one hundred years the rise of capitalism and the acceptance of Protestantism had separately and together radically altered every aspect of a woman's life. Can both a feminist and a Marxist analysis account for these changes? Do such accounts conflict with each other, making a choice inevitable? Do they overlap to such an extent that retaining both would be redundant? Or, finally, are they complementary, can they usefully coexist? The Liberation of Women will be of particular interest to students of history, sociology and Women's Studies and to those who have been involved in the Women's Liberation Movement. In particular, it will prove essential basic reading for an ever-growing number of courses on sexual divisions in society and the role of women.

In The Liberation of Women, Roberta Hamilton explores two of the key questions that have been systematically raised by the Women’s Liberation Movement: why have women occupied a subordinate position in society and how can the variation in the forms and intensity of their exploitation and oppression be explained? Within the Women’s Liberation Movement there have been seen to be two different and opposed answers to these questions: a feminist answer and a Marxist one. The feminist analysis has addressed itself to a patriarchal ideology, locating the source of male domination and female subordination in the biological differences between the sexes. Marxists, on the other hand, have seen the origins of female subordination in the growing phenomenon of private property, which, in their view, has made possible and necessary the exploitation of these biological differences in the modern world. This new work attempts to examine this debate in specific analytical terms through a study of the changing role of women during a particular historical period – the seventeenth century. In the course of less than one hundred years the rise of capitalism and the acceptance of Protestantism had separately and together radically altered every aspect of a woman’s life. Can both a feminist and a Marxist analysis account for these changes? Do such accounts conflict with each other, making a choice inevitable? Do they overlap to such an extent that retaining both would be redundant? Or, finally, are they complementary, can they usefully coexist? To answer these questions Roberta Hamilton tries to work out the changes that can be attributed to the emergence of capitalism (a Marxist explanation) and those that stemmed from the transformation in patriarchal ideology (a feminist explanation). The Liberation of Women will be of particular interest to students of history, sociology and Women’s Studies and to those who have been involved in the Women’s Liberation Movement. In particular, it will prove essential basic reading for an ever-growing number of courses on sexual divisions in society and the role of women.