Endorsed by The American Institute of Architects, this work is about integrated practice in architecture, which is the collaborative design, construction, and life-cycle management of buildings.

An "anatomical" study of building systems integration with guidelines for practical applications Through a systems approach to buildings, Integrated Buildings: The Systems Basis of Architecture details the practice of integration to bridge the gap between the design intentions and technical demands of building projects. Analytic methods are introduced that illustrate the value, benefit, and application of systems integration, as well as guidelines for selecting technical systems in the conceptual, schematic, and design development stages of projects. Landmark structures such as Eero Saarinen's John Deere Headquarters, Renzo Piano's Kansai International Airport, Glenn Murcutt's Magney House, and Richard Rogers's Lloyd's of London headquarters are presented as part of an extensive collection of case studies organized into seven categories: Laboratories Offices Pavilions Green Architecture High Tech Architecture Airport Terminals Residential Architecture Advanced material is provided on methods of integration, including an overview of integration topics, the systems basis of architecture, and the integration potential of various building systems. An expanded case study of Ibsen Nelsen's design for the Pacific Museum of Flight is used to demonstrate case study methods for tracing integration through any work of architecture. Visually enhanced with more than 300 illustrations, diagrams, and photographs, Integrated Buildings: The Systems Basis of Architecture is a valuable reference guide for architecture and civil engineering students, as well as architects, engineers, and other professionals in the construction industry.

Integrated Architecture is both a historical and contemporary work. The book was fi rst published in 1989 by Wu Liangyong, one of contemporary China’s most infl uential architects and theoreticians with the title A General Theory on Architecture. His eminence is also recognised by the international architectural community, above all, the group of architectural and urban planning theoreticians battling for a more decisive reform to the concepts, methodologies and practices presiding over the construction and requalifi cation of the contemporary metropolis. I fi rst met professor Wu Liangyong in 2005 at the Faculty of Architecture at the Tsinghua University of Beijing; his Faculty. Wu Liangyong founded the school in 1949 – at the age of 24 – together with Liang Sicheng, the father of modern Chinese architectural studies. From this moment – more than sixty-seven years ago – professor Liangyong has remained a central fi gure in Beijing’s academic community. He remains a constant source of inspiration, not only national, to education reforms and, above all, theoretical, methodological and operative research into architecture, the city and the territory. He is a rare fi gure, present throughout a lengthy historical period witness the world over to tumultuous upheavals in society and its cities. A period whose most dramatic and exalting manifestations were perhaps to be found in China; a period of war, of hope, of revolutions, of great leaps forward, of presumptions, horrors, errors, new leaps forward and incomprehensible economic growth; of irreversible social and cultural metamorphoses and – what interests us most as architects – of staggering urban growth and territorial transformations. The intellect of this minute and genteel fi gure held fast against the storms of history. The observation of events and the humanist and scientifi c principles of his personal culture continuously nourished an increasingly more effective refl ection on the meaning of architecture in today’s world. He also clearly saw its inextricable ties to the substance of the city and the impossibility to substitute the fi gure of the architect – scientist, humanist and artist. A few years after our meeting, having absorbed direct lessons from Wu’s work as an architect and theoretician, I proposed an Italian translation of an anthology of his writings. The material was to be drawn from his many books and essays on architecture and the city published continuously over the course of his incomparable career. Professor Wu Liangyong responded with a challenge: in lieu of this anthology of texts he proposed a full translation, in Italian and English, of a book published twenty years ago: 1989’s A General Theory on Architecture. Given the pace of cultural debate it would not have been out of place to imagine a book fi rmly sedimented in history. I understood, instead, that it was a milestone in the expression of Wu Liangyong’s ideas; a benchmark that, in all likelihood, served as the starting point for his later theories, even the most recent. Published in other fundamental essays, they range across the vast fi eld of human settlements, touching on all components of the man-made environment (Lucio Valerio Barbera).

The author takes a comprehensive look at projects that exemplify approaches to this field. From museums to residences, from office buildings to universities and yoga centers, this book showcases 28 examples of integrated design that cut across building types, budgets, climates, and locales.

"Ready or not, it’s high time to make BIM a part of your practice, or at least your vocabulary, and this book has as much to offer beginners as it does seasoned users of building information modeling software." —Chicago Architect The first book devoted to the subject of how BIM affects individuals and organizations working within the ever-changing construction industry, BIM and Integrated Design discusses the implementation of building information modeling software as a cultural process with a focus on the technology’s impact and transformative effect—both potentially disruptive and liberating—on the social, psychological, and practical aspects of the workplace. BIM and Integrated Design answers the questions that BIM poses to the firm that adopts it. Through thorough research and a series of case study interviews with industry leaders—and leaders in the making out from behind the monitor—BIM and Integrated Design helps you learn: Effective learning strategies for fully understanding BIM software and its use Key points about integrated design to help you promote the process to owners and your team How BIM changes not only the technology, process, and delivery but also the leadership playing field How to become a more effective leader no matter where you find yourself in the organization or on the project team How the introduction of BIM into the workforce has significant education, recruitment, and training implications Covering all of the human issues brought about or exacerbated by the advent of BIM into the architecture workplace, profession, and industry, BIM and Integrated Design shows how to overcome real and perceived barriers to its use.

This book captures and communicates the wealth of architecture experience Capgemini has gathered as a member of The Open Group – a vendor- and technology-neutral consortium formed by major industry players – in developing, deploying, and using its “Integrated Architecture Framework” (IAF) since its origination in 1993. Today, many elements of IAF have been incorporated into the new version 9 of TOGAF, the related Open Group standard. The authors, all working on and with IAF for many years, here provide a full reference to IAF and a guide on how to apply it. In addition, they describe in detail the relations between IAF and the architecture standards TOGAF and Archimate and other development or process frameworks like ITIL, CMMI, and RUP. Their presentation is targeted at architects, project managers, and process analysts who have either considered or are already working with IAF – they will find many roadmaps, case studies, checklists, and tips and advice for their daily work.

A visually engaging introduction to landscape architectural design Landscape architectural design seeks to create environments that accommodate users' varying lifestyles and needs, incorporate cultural heritage, promote sustainability, and integrate functional requirements for optimal enjoyment. Foundations of Landscape Architecture introduces the foundational concepts needed to effectively integrate space and form in landscape design. With over five hundred hand-rendered and digital drawings, as well as photographs, Foundations of Landscape Architecture illustrates the importance of spatial language. It introduces concepts, typologies, and rudimentary principles of form and space. Including designs for projects such as parks, campuses, and memorials, this text provides the core concepts necessary for designers to shape functional landscapes. Additionally, chapters discuss organizational and spatial design structures based on orthogonal forms, angular forms, and circular forms. Helping students, professionals, and lifelong learners alike, Foundations of Landscape Arch-itecture delivers a concrete understanding of landscape architectural design to inspire one's imagination for countless types of projects.

A thorough introduction to the concepts and technologies underlying the building design process enabling students to develop a holistic understanding of the process, the purpose of buildings and the specialisms and technologies involved.

The ARIS architecture developed here is described in concrete terms as an information model within the entity-relationship approach. This information model, in turn, serves as the basis for the systematic and rational application of methods in the development of information systems. Furthermore, it provides the basis for storing the enterprise's application-specific data, organization and function models. The ARIS architecture constitutes a framework within which integrated applications can be developed, optimized and converted into EDP-technical implementations. At the same time, it demonstrates how economics can examine and analyze information systems so as to translate their contents into EDP-form.

Combined and edited version of 2 separately published works: Architecture and interior design through the 18th century, and Architecture and interior design from the 19th century.