Drawing on more than a half-century of research and teaching, Dennis Showalter presents a fresh perspective on the German Army during World War I. Showalter surveys an army at the heart of a national identity, driven by – yet also defeated by – warfare in the modern age, which struggled to capitalize on its victories and ultimately forgot the lessons of its defeat. Exploring the internal dynamics of the German Army and detailing how the soldiers coped with the many new forms of warfare, Showalter shows how the army's institutions responded to, and how Germany itself was changed by war. Detailing the major campaigns on the Western and Eastern fronts and the forgotten war fought in the Middle East and Africa, this comprehensive volume examines the army's operational strategy, the complexities of campaigns of movement versus static trench warfare, and the effects of changes in warfare.

The Angels are coming. The Host wants to know what the Academy was trying to hide and why the Fallen agreed to it. They want the Instrument of War, the one thing that can tip the Eternity War in their favour and put an end to the stalemate. Any impact on the Academy staff, students or buildings is just collateral damage. Mitch would like to forget that the last year ever happened, but that doesn’t seem likely with Little Red Riding Hood now teaching Teratology. The vampire isn’t quite as terrifying as he first thought, but she’s not the only monster at the Academy. The Fallen are spying on everyone, the new Principal is an angel and there’s an enchanting exchange student with Faerie blood. Angry and nervous of the angels surrounding him, Mitch tries to put the pieces together. He knows that Hayley is the Archangel Gabriel. He knows that she can determine the course of the Eternity War. He also knows that the Fallen will do anything to hide Gabriel from the Host – even allowing an innocent girl to be kidnapped. Instrument of War continues from Instrument of Peace, the first book in the Symphony of the Cursed trilogy, as Mitch, Hayley and Nikola return for their final year in the International Academy of Magic at Lake Moawhango in New Zealand. Review comments for Book I, Instrument of Peace: “a refreshingly modern yet old-fashioned fantasy novel with an emphasis on entertainment … [that] has clearly been written out of love for storytelling” – Risingshadow “engrossing”, “atmospheric”, “a really good read”, “engaging characters and storyline” – Reader comments Visit bit.ly/InstrumentOfWar

An original history of music in the lives of American soldiers. Since the Civil War, music has coursed through the United States military. Soldiers have sung while marching, listened to phonographs and armed forces radio, and packed the seats at large-scale USO shows. “Reveille” has roused soldiers in the morning and “Taps” has marked the end of a long day. Whether the sounds came from brass instruments, weary and homesick singers, or a pair of heavily used earbuds, where there was war, there was music, too. Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war’s emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Whether it involves chanting “Sound off!” in basic training, switching on a phonograph or radio, or cueing up an iPod playlist while out on patrol, the sound of music has long resonated in soldiers’ wartime experiences. Now we all can finally hear it.

A uniquely accurate and reliable assessment of the Special Operations Executive (SOE). This new volume brings together leading authors to examine the organization from a range of key angles.

All too often in conflict situations, rape is referred to as a 'weapon of war', a term presented as self-explanatory through its implied storyline of gender and warring. In this provocative but much-needed book, Eriksson Baaz and Stern challenge the dominant understandings of sexual violence in conflict and post-conflict settings. Reading with and against feminist analyses of the interconnections between gender, warring, violence and militarization, the authors address many of the thorny issues inherent in the arrival of sexual violence on the global security agenda. Based on original fieldwork in the Democratic Republic of the Congo, as well as research material from other conflict zones, Sexual Violence as a Weapon of War? challenges the recent prominence given to sexual violence, bravely highlighting various problems with isolating sexual violence from other violence in war. A much-anticipated book by two acknowledged experts in the field, on an issue that has become an increasingly important security, legal and gender topic.

A brilliant, concise account of the painting often described as the most important work of art produced in the twentieth century, as part of the stunning Landmark Library series. Pablo Picasso had already accepted a commission to create a work for the Spanish Republican Pavilion in 1937 when news arrived of the bombing of the undefended Basque town of Gernika. James Attlee offers an illuminating account of the genesis, creation and complex afterlife of Picasso's Guernica. He explores the historical and cultural context from which the painting sprang and the meanings it accrued during its travels across Europe and the Americas, as well as its influence on artists both living and dead. Finally, he argues for its continuing importance as a warning of what happens when the forces of darkness go unchallenged. Praise for Guernica: 'Helps you appreciate Guernica's daring and resonance' Literary Review 'An impressive overview of the painting's conception and execution, and its subsequent life as an exhibit and a symbol... Attlee's book succeeds in showing how influential Guernica has been' Sunday Times 'Attlee digs up rich examples of the debate and devotion that invariably attended the painting... Guernica literature abounds; but this book is a worthwhile addition' Spectator

The Austrian Empire of the 18th century was the most ethnically diverse in Europe. The large number of subject peoples with their own styles of warfare gave Austrian generals the potential to have the most flexible army in Europe during the wars of the 1700s. If Austria's aristocratic generals usually failed to utilize their diverse army properly on the battlefield, Austrian units nevertheless introduced new methods of warfare that were copied by more effective armies and are in some cases still in use today. Austria's Hungarian hussars, or light cavalry, introduced a new mobility to the battlefield, with an increased role for scouting and raiding. Prussia, France and most European countries soon created hussar units, even copying the Hungarian national dress that they wore. Horse artillery was also introduced by the Austrians, but more effectively utilized by others later. The Austrian army in the field was screened by a vast swarm of Serbs, Bosnians, and Croats, who introduced principles of light infantry and guerrilla operations that many associate with the American frontier. Renowned military historian Christopher Duffy has been given unprecedented access to the Austrian archives in Vienna to bring this important multi-national army fully to life for the first time.

War as an Instrument of Policy examines the principles of war and how they may apply to the method of decision making in the higher realms of government when military and civilian leaders meet. It begins with an exploration of the emergence of a new kind of limited war beginning with the Vietnam conflict and discusses the principles of war along with typical military theory and strategy to clearly provide an understanding of the thought processes and actions behind the conducting of a war. Two contemporary examples, the Gulf War in 1990 and the South African invasion of Angola in 1987, provide the opportunity to examine the process of military decision-making on every level in these conflicts. Finally, methods of successfully and carefully employing a military methodology of decision making to capitalize on the success of war are suggested.