Dashing terrorist Khalil Sharivar plans to bring down the electrical grid starting at the Hungry Horse Dam in Montana. He doesn't need explosives or weapons, only a smartphone, his charm, and the perfect scapegoat-Tawny Lindholm, a beautiful small-town widow intimidated by technology. Her rigged phone is his tool of seduction and manipulation, tangling her ever more tightly into his plot. Soon the feds are chasing her and her family is in jeopardy. If Tawny can't turn the instrument back on the devil himself, she dies. In the era of runaway surveillance, if it could happen to Tawny, could it happen to you? Follow Tawny to find out! Winner of the Kindle Scout contest and the 2016 Zebulon Award, Instrument of the Devil is a fast-moving psychological thriller about a cyber-attack on the power grid that's only a keystroke away. Five-star reviews call it "a thrilling high-stakes tale" and "tense and chilling." Read it before the lights go out!

"High Fidelity" meets "Touching the Void" in the improbably heroic adventure of an amateur French horn player who quite literally blows himself back into life again.--Bob Geldof, songer/activist.

"From Brett J. Talley, the master of Lovecraftian terror, comes thirteen tales of the dark forces that lurk just beyond man's understanding. A scientist who opens a door between dimensions. A creature that devours the dead in World War I's no man's land. A fiddler who can bring forth the gods of old. These are but a few of the horrors retold in the Fiddle is the Devil's Instrument and Other Forbidden Knowledge. Read them if you must but do not forget: there are some things mankind was never meant to know." -- p.4 of cover.

Traces the history of the saxophone from its invention by the eccentric Belgian instrument maker Adolphe Sax in the 1840s to its role in the jazz genre in the twenty-first century.

“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

The key players and favorite tunes in the commercial emergence of Southern fiddling in the first half of the twentieth century are the focus of this lucid and engaging study. Drawing on such seldom-tapped resources as small regional newspapers, personal correspondence, and rare interviews with the fiddlers themselves as well as their families, Charles Wolfe conjures up vivid portraits of the individuals who fashioned this distinctly American music.

The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.

From the National Book Award-winning and National Book Critics Circle Award-winning author of The Gnostic Gospels comes a dramatic interpretation of Satan and his role on the Christian tradition. "Arresting...brilliant...this book illuminates the angels with which we must wrestle to come to the truth of our bedeviling spritual problems." —The Boston Globe With magisterial learning and the elan of a born storyteller, Pagels turns Satan’s story into an audacious exploration of Christianity’s shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.

Skip James (1902–1969) was perhaps the most creative and idiosyncratic of all blues musicians. Drawing on hundreds of hours of conversations with James himself, Stephen Calt here paints a dark and unforgettable portrait of a man untroubled by his own murderous inclinations, a man who achieved one moment of transcendent greatness in a life haunted by failure. And in doing so, Calt offers new insights into the nature of the blues, the world in which it thrived, and its fate when that world vanished.