Art.

Printmaking ideas is a beautifully illustrated instructional book about printmaking at home.Ten different printmaking techniques are included, for printing onto fabric and paper. All but one of these methods can be carried out by hand, requiring no printing press.

A History of the Experimental Printmaking Institute, EPI, at Lafayette College under the founding director and master printmaker Curlee Raven Holton. Since its founding in 1996 EPI has passionately advocated for printmaking as an indispensable component of cultural and creative engagement.

This collection of the work of 48 artists represents the diverse conceptual and stylistic approaches to printmaking. Each artist focuses on a particular characteristic of printmaking -- the transferred image, the possibility of multiples, the inherent visual appearance resulting from the process. Essays on artists' works are included and focus more on aesthetics and content than on the mechanical process. Some of the featured artists include Glen Alps, Paul Berger, Joan Ross Blaedel, Byron Bratt, Eric Chesebro, Dennis Cunningham, Lockwood Dennis, and Eleanor Erskine.

A provocative examination of the artistic interpretation of twelve of Borges’s most famous stories.

"The exhibition "Beyond Printmaking" offers a wide panorama of philosophical, stylistic, conceptual, and formalistic directions of printmaking, with various approaches to the materials and techniques used, including new digital technologies. Technically, all of the works in this exhibition are 'prints', although not in the traditional sense."--p. 14.

The theme of Pressing the Limits is experimental monotype "imprinting" rather than "printmaking." "Imprinting" is more expansive, and opens the door to photographic work. "Imprinting" is also more intriguing, and conceptually seminal to the esoteric processes which are shared by all forms of printmaking. The often used term "printmaking" can tend to create the assumption of limitations, which we are battling against. Artists: Michael Costello: B.F.A. Printmaking, Art Institute of San Francisco. Owner-operator of Hand Graphics printmaking studio, a professional collaborative printmaking studio in Santa Fe, New Mexico, since 1987. Hand Graphics is considered a major center for artists creating monotypes. Mitchell Shields Marti: B.F.A. Printmaking, Rhode Island School of Design. Artist Residencies: Vermont Studio Center, 2003; Ucross Foundation, 2004. Owner-operator of Interbang Press printmaking studio, a professional collaborative printmaking studio in Santa Fe, New Mexico. Jennifer Lynch: M.F.A. Printmaking, Hunter College in New York City; B.F.A. Kansas City Art Institute. Master printer for Bob Blackburn's Printmaking Workshop and The Printmaking Center at the College of Santa Fe. Presently teaches printing techniques at the University of New Mexico, Taos Campus. Owner-operator of LynchPin Press printmaking studio, a professional collaborative printmaking studio in Taos, New Mexico. Willis F. Lee: Photographer with a particular "fascination with the connection between the intimate and the colossal." Lee's works are in the permanent collections of the Amon Carter Museum, Ft. Worth; Museum of Printing History, Houston; Museum of Fine Art, Houston; Harwood Museum, Taos; Museum of Natural History, Dallas; Museum of the Big Bend, Alpine, TX; Lajitas Museum, Lajitas, TX.