Inspired by Art: Fighting Goliath is a collection of art throughout the ages, around the story of David. This volume focuses on the epic battle with Goliath. These amazing sculptures, paintings, etchings, and manuscript illustrations inspired the author to write The David Chronicles, a series of three volumes, the first of which is the novel Rise to Power, where she imagines the battle with Goliath. Besides being an artist and having worked as an architect, she taught art history, and this collection served as the basis for a semester-long course analyzing the contrasts in viewpoints around the biblical story. The book is arranged not by artist, nor by artistic style or era, but rather by moment-by-moment in the story, blow--by-blow, as imagined by various artists: Michelangelo, Bernini, Dali, Adrea del Verrocchio, Donatello, Titian, Rembrandt, Lorenzo Ghiberti, Rubens, Degas, and Barry Moser, to name but a few.

Inspired by Art: The Edge of Revolt is a collection of art throughout the ages, around the story of David. This volume focuses on the rape of his daughter Tamar by her half-brother Amnon; the assassination of Amnon at the hands of her brother Absalom; and Absalom’s revolt, trying to topple David from his throne. These amazing sculptures, paintings, etchings, and manuscripts inspired the author to write The David Chronicles, a series of three volumes, the second of which is A Peek at Bathsheba, where she imagines the love affair and the ensuing scandal. Besides being an artist and having worked as an architect, she taught art history, and this collection served as the basis for a study course analyzing the contrasts in viewpoints around the biblical story. This collection is arranged not by artist, nor by artistic style or era, but rather by the story moment-by-moment, blow-by-blow, as imagined by various artists. Rembrandt, Michelangelo, Chagall, Frederic Lord Leighton and Jan Steen to name but a few.

Why do underdogs succeed so much more than we expect? How do the weak outsmart the strong? In David and Goliath Malcolm Gladwell, no.1 bestselling author of The Tipping Point, Blink, Outliers and What the Dog Saw, takes us on a scintillating and surprising journey through the hidden dynamics that shape the balance of power between the small and the mighty. From the conflicts in Northern Ireland, through the tactics of civil rights leaders and the problem of privilege, Gladwell demonstrates how we misunderstand the true meaning of advantage and disadvantage. When does a traumatic childhood work in someone's favour? How can a disability leave someone better off? And do you really want your child to go to the best school he or she can get into? David and Goliath draws on the stories of remarkable underdogs, history, science, psychology and on Malcolm Gladwell's unparalleled ability to make the connections others miss. It's a brilliant, illuminating book that overturns conventional thinking about power and advantage. 'A global phenomenon... there is, it seems, no subject over which he cannot scatter some magic dust' Observer

Inspired by Art: Fall of a Giant is a collection of art throughout the ages, around the story of David. This volume focuses on the aftermath of the victory over Goliath. These amazing sculptures, paintings, etchings, and manuscript illustrations inspired the author to write The David Chronicles, a series of three volumes, the first of which is the novel Rise to Power, where she imagines this victory. Besides being an artist and having worked as an architect, she taught art history, and this collection served as the basis for a semester-long course analyzing the contrasts in viewpoints around the biblical story. This collection is arranged not by artist, nor by artistic style or era, but rather by moment-by-moment in the story, blow--by-blow, as imagined by various artists: Ghiberti, Guercino, Caravaggio, Filippo Lippi, Gustave Doré, Rembrandt, and Chagall, to name but a few.

Inspired by Art: The Last Concubine is a collection of art throughout the ages, around the story of David. This volume focuses on the last concubine, Abishag, the rivalry between his sons, Adonijah and Solomon, and the transition of power to his chosen heir, ensuring his legacy for future generations. These amazing sculptures, paintings, etchings, and manuscripts inspired the author to write The David Chronicles, a series of three volumes, the second of which is A Peek at Bathsheba, where she imagines the love affair and the ensuing scandal. Besides being an artist and having worked as an architect, she taught art history, and this collection served as the basis for a study course analyzing the contrasts in viewpoints around the biblical story. This collection is arranged not by artist, nor by artistic style or era, but rather by the story moment-by-moment, blow-by-blow, as imagined by various artists. Rembrandt, Michelangelo, Chagall, Picasso, and Jan Steen to name but a few.

Inspired by Art: A Peek at Bathsheba is a collection of art throughout the ages, around the story of David. This volume focuses on the most torrid love affair ever told: David’s forbidden love affair with Bathsheba and his attempt to cover it up. These amazing sculptures, paintings, etchings, and manuscripts inspired the author to write The David Chronicles, a series of three volumes, the second of which is A Peek at Bathsheba, where she imagines the love affair and the ensuing scandal. Besides being an artist and having worked as an architect, she taught art history, and this collection served as the basis for a research course analyzing the contrasts in viewpoints around the biblical story. This collection is arranged not by artist, nor by artistic style or era, but rather by the story moment-by-moment, blow-by-blow, as imagined by various artists. Rembrandt, Michelangelo, Chagall, Picasso, and Jan Steen to name but a few.

Since the 2011 release of Goliath, Tom Gauld has solidified himself as one of the world’s most revered and critically-acclaimed cartoonists working today. From his weekly strips in the Guardian and New Scientist, to his lauded graphic novels You're All Just Jealous of My Jetpack and Mooncop, Gauld’s fascination with the intersection between history, literary criticism, and pop culture has become the crux of his work. Now in paperback, with a new cover and smaller size, Goliath is a retelling of the classic myth, this time from Goliath's side of the Valley of Elah. Goliath of Gath isn't much of a fighter. He would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: "Choose a man. Let him come to me that we may fight." Quiet moments in Goliath's life as an isolated soldier are accentuated by Gauld's trademark drawing style: minimalist scenery, geometric humans, and densely crosshatched detail. Simultaneously tragic and bleakly funny, Goliath displays a sensitive wit and a bold line--a traditional narrative reworked, remade, and revolutionized into a classic tale of Gauld’s very own.

Home. A simple word; a loaded one. You can say it in a whisper, you can say it in a cry. Expressed in poetry and prose in the voices of father and daughter, you can hear a visceral longing for an ideal place. A place never to be found again. Imagine the shock, imagine the sadness when a daughter discovers her father's work, the poetry he had never shared with anyone during the last two decades of his life. Six years after that moment of discovery, which happened in her childhood home while mourning for his passing, Uvi Poznansky presents a tender tribute: a collection of poems and prose, half of which is written by her, and half--by her father, the author, poet and artist Zeev Kachel. She has been translating his poems for nearly a year, with careful attention to rhyme and rhythm, in an effort to remain faithful to the spirit of his words. Zeev's writing is always autobiographical in nature; you can view it as an ongoing diary of his life. Uvi's writing is rarely so, especially when it comes to her prose. She is a storyteller who delights in conjuring up various figments of her imagination, and fleshing them out on paper. She sees herself chasing her characters with a pen, in an attempt to see the world from their point of view, and to capture their voices. But in some of her poems, she offers you a rare glimpse into her most guarded, intensely private moments, yearning for Home.

Come into a dark, strange world, where everything is firmly rooted in the familiar—except for some quirky detail that twists the yarn, and takes it for a spin in an unexpected direction. So prepare yourself: keep the lights on. If you like to read a horror anthology in the strain of Edgar Allan Poe, or if you like to witness the battle between the devil and God, you will enjoy outwitting the devil in this book. As befitting a dark fantasy, it is a woman--or rather, her ghost--who finds a way to outwit him.

Apart from Love is not your typical love story. All-consuming, heart-wrenching, and dark, it is an epic that starts when Ben returns to meet his father, Lenny, and his new wife, Anita. It is then that he discovers a family secret. How will they find a path out of conflicts, out of isolation, from guilt to forgiveness? My Own Voice (“As told by Anita”): Ten years ago, Anita started an affair with Lenny, in spite of knowing that he was married and that his wife was succumbing to a mysterious disease. Now married to him and carrying his child, how can she compete with Natasha’s shadow and with her brilliance in the past? Given Anita's lack of education, how can she resist his compelling wish to transform her? Can she survive his kind of love? Faced with the way he writes her as a character in his book, how can Anita find a voice of her own? And when his estranged son, Ben, comes back and lives in the same small apartment, can she keep the balance between the two men, whose desire for her is marred by guilt and blame? The White Piano (“As told by Ben”): Coming back to his childhood home after years of absence, Ben is unprepared for the secret, which is now revealed to him: his mother, Natasha, who used to be a brilliant pianist, is losing herself to early-onset Alzheimer’s, which turns the way her mind works into a riddle. His father has remarried, and his new wife, Anita, looks remarkably similar to Natasha—only much younger. In this state of being isolated, being apart from love, how will Ben react to these marital affairs, when it is so tempting to resort to blame and guilt? “In our family, forgiveness is something you pray for, something you yearn to receive—but so seldom do you give it to others.” Behind his father's back, Ben and Anita find themselves increasingly drawn to each other. They take turns using an old tape recorder to express their most intimate thoughts, not realizing at first that their voices are being captured by him. These tapes, with his eloquent speech and her slang, reveal the story from two opposite viewpoints. Dealing with the challenging prospects of the marriage of opposites, this book can be read as a standalone novel as well as part of one of family sagas best sellers. Still Life with Memories is a family saga series tinged with family saga romance, fraught with marital issues, and riddled with the difficulty of connecting fathers and sons.