Inspector Hobbes and the Blood, a fast-paced comedy crime fantasy, set in the English Cotswolds, recounts the adventures of a monstrous police detective, during grave, ghoulish, goings-on. A mad pseudo vampire with the dagger of Vlad Tepes is behind robbery, and murder. It is a funny tale with a troll, human sacrifice, blood and great cooking.

Set in the Cotswolds, this is the next instalment in the adventures of Inspector Hobbes, Mrs Goodfellow and Dregs, as narrated by the still disaster-prone Andy Caplet. It is a rip roaring, funny and moving tale of Andy's infatuation with a dangerously beautiful woman, starting off during investigations into sheep deaths and the mysterious disappearance of pheasants. These incidents appear to be connected to a rash of big cat sightings, and something horrible seems to be lurking in the woods. Is Andy cursed to be always unsuccessful in love, or is the curse something much darker, something that will arouse his primeval terrors? 'Love may be on the horizon but, beware, something wicked this way comes.'

Receiving unwanted attention after foiling an armed robbery, the unhuman Inspector Hobbes takes a long-overdue camping holiday, with Andy, his accident-prone friend, and Dregs, the delinquent dog. In the bleak and dangerous Blacker Mountains, Andy stumbles across something shocking, before falling for an attractive widow, while Hobbes wonders why an old gold mine has reopened. On their return to the sleepy Cotswold town of Sorenchester, Hobbes is dumbfounded when Kathy, a reminder of his hippy days, turns up on the doorstep with her baggage. Since Hobbes has to solve a gold robbery and contemplate some perfectly ordinary rocks, Andy must entertain Kathy while trying to protect his new love from a monstrous opponent working for the sinister Sir Gerald Payne. Despite his usual blunderings and an inability to throw straight, Andy displays genuine courage. This is the third in Wilkie Martin's unhuman series of comedy cosy mysteries with a dash of fantasy and lashings of good food.

Crime, Shame and Reintegration is a contribution to general criminological theory. Its approach is as relevant to professional burglary as to episodic delinquency or white collar crime. Braithwaite argues that some societies have higher crime rates than others because of their different processes of shaming wrongdoing. Shaming can be counterproductive, making crime problems worse. But when shaming is done within a cultural context of respect for the offender, it can be an extraordinarily powerful, efficient and just form of social control. Braithwaite identifies the social conditions for such successful shaming. If his theory is right, radically different criminal justice policies are needed - a shift away from punitive social control toward greater emphasis on moralizing social control. This book will be of interest not only to criminologists and sociologists, but to those in law, public administration and politics who are concerned with social policy and social issues.

Charming trouble lies ahead for Andy Caplet. Is he being set up for blackmail by the apparently charming young woman who attempts to seduce him, or is something even more sinister afoot? Inspector Hobbes certainly believes so, and he's getting worried.

Anthropology is the study of all humans in all times in all places. But it is so much more than that. "Anthropology requires strength, valor, and courage," Nancy Scheper-Hughes noted. "Pierre Bourdieu called anthropology a combat sport, an extreme sport as well as a tough and rigorous discipline. ... It teaches students not to be afraid of getting one's hands dirty, to get down in the dirt, and to commit yourself, body and mind. Susan Sontag called anthropology a "heroic" profession." What is the payoff for this heroic journey? You will find ideas that can carry you across rivers of doubt and over mountains of fear to find the the light and life of places forgotten. Real anthropology cannot be contained in a book. You have to go out and feel the world's jagged edges, wipe its dust from your brow, and at times, leave your blood in its soil. In this unique book, Dr. Michael Wesch shares many of his own adventures of being an anthropologist and what the science of human beings can tell us about the art of being human. This special first draft edition is a loose framework for more and more complete future chapters and writings. It serves as a companion to anth101.com, a free and open resource for instructors of cultural anthropology. This 2018 text is a revision of the "first draft edition" from 2017 and includes 7 new chapters.

This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.

Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy. Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.