Cashman is one of the few people ever to have been allowed into the inner sanctum of the U2 entourage and gain an insight into one of the biggest bands in the world.

Join me on my musical journey on the road with U2 to the 75 shows I have seen since the Zoo TV tour in 1992. Meeting Bono in Jersey, hugging Larry in Baltimore, having a drink with Larry in Providence, talking with Bono in Seattle, hugging Larry again in Pittsburgh - just to name a few.

This new and updated edition of U2 A Diary brings U2s story up to date with information about the band’s ground-breaking film, U2 3D, recording sessions for No Line on the Horizon and the story of how the album was leaked online twice before its official release, the U2 360 world tour and Bono’s back injury that forced an entire leg to be postponed and the band’s struggles to decide how to follow No Line on the Horizon and the 360 Tour with new material. Here is the complete history of U2 told exactly as it happened in day-by-day diary format. As well as following the mid-1970's birth of the band to the present day in journal form, U2: A Diary also includes new revelations and fresh insights into key moments of U2's development. Through interviews and extensive research, author Matt McGee sheds light on stories. Fully illustrated with pictures spanning the bands career, this is a fanatically detailed account of a legendary group's life!

Weaving the threads of U2's lyrics, scripture, and theology into one cord, this book tracks the Irish rock band's theological insights and perspectives through their poetry. Along this lyrical path we encounter the characters of the Drowning Man, the Wanderer, and the Sojourner. Though seemingly different, they are one and the same, and they represent each of us. If you're a U2 fan, a theologian, or both, "Religious Nuts, Political Fanatics: U2 in Theological Perspective" will offer a different angle of popular culture and theology.

A lively and lyrical picture book jaunt from actor and author John Lithgow! Oh, children! Remember! Whatever you may do, Never play music right next to the zoo. They’ll burst from their cages, each beast and each bird, Desperate to play all the music they’ve heard. A concert gets out of hand when the animals at the neighboring zoo storm the stage and play the instruments themselves in this hilarious picture book based on one of John Lithgow’s best-loved tunes.

In U2’s Songs of Trauma and Hope: “Between the Midnight and the Dawning", Ingunn Røysland and Charles Ivan Armstrong show that trauma is an important theme for U2. While this leads the band to confront extreme instances of grief and suffering, this does not prevent them to cross (in the words of their song “A Sort of Homecoming”) “the fields of mourning to a light that's in the distance.” Theories from trauma and memory studies are deployed in the examination of song lyrics and performances by U2, spanning from the early days of the band to more recent times. In their exploration of light and dark, of hope and trauma within the U2 catalogue, Røysland and Armstrong acknowledge the complexity of the songs, addressing different layers, including romantic as well as divine allegory. The authors also address the band’s troublesome lyrics, with an entire chapter devoted to “Sunday Bloody Sunday,” as well as the role of multidirectional memory and significant places, so-called lieux de mémoire, in U2’s dealings with a ranger of historical conflicts and crises. They further examine how music plays an important part in the path of healing from traumatic wounds, analysing the reception of the songs. Ultimately, it is suggested, U2 shows us how to get “through the night.”

This volume explores Irish rock's relationship to the wider world of international popular music through detailed analysis of the island's most prominent artists and bands such as U2, Van Morrison, Sinéad O'Connor, The Boomtown Rats, and Horslips - and key musical movements including the beat scene and the folk revival.

Celebrity philanthropy comes in many guises, but no single figure better encapsulates its delusions, pretensions and wrongheadedness than U2's iconic frontman, Bono-a fact neither sunglasses nor leather pants can hide. More than a mere philanthropist-indeed, he lags behind many of his peers when it comes to parting with his own money-Bono is better described as an advocate, one who has become an unwitting symbol of a complacent wealthy Western elite. The Frontman reveals how Bono moved his investments to Amsterdam to evade Irish taxes; his paternalistic and often bullying advocacy of neoliberal solutions in Africa; his multinational business interests; and his hobnobbing with Paul Wolfowitz and shock-doctrine economist Jeffrey Sachs. Carefully dissecting the rhetoric and actions of Bono the political operator, The Frontman shows him to be an ambassador for imperial exploitation, a man who has turned his attention to a world of savage injustice, inequality and exploitation-and helped make it worse.

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.