"The American sniper could be regarded as the greatest all-around rifleman the world has ever known. . . ." At the start of the war in Vietnam, the United States had no snipers; by the end of the war, Marine and army precision marksmen had killed more than 10,000 NVA and VC soldiers--the equivalent of an entire division--at the cost of under 20,000 bullets, proving that long-range shooters still had a place in the battlefield. Now noted military historian Michael Lee Lanning shows how U.S. snipers in Vietnam--combining modern technology in weapons, ammunition, and telescopes--used the experience and traditions of centuries of expert shooters to perfect their craft. To provide insight into the use of American snipers in Vietnam, Lanning interviewed men with combat trigger time, as well as their instructors, the founders of the Marine and U.S. Army sniper programs, and the generals to whom they reported. Backed by hard information and firsthand accounts, the author demonstrates how the skills these one-shot killers honed in the jungles of Vietnam provided an indelible legacy that helped save American lives in Grenada, the Gulf War, and Somalia and continues to this day with American troops in Bosnia.

The author of the acclaimed novel Scarborough weaves an unforgettable and timely dystopian tale about a near-future, where a queer Black performer and his allies join forces to rise up when an oppressive regime gathers those deemed “Other” into concentration camps. Set in a terrifyingly familiar near-future, with massive floods leading to rampant homelessness and devastation, a government-sanctioned regime called The Boots seizes on the opportunity to round up communities of color, the disabled, and the LGBTQ+ into labor camps. In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of his life, Kay joins the resistance alongside Bahadur, a transmasculine refugee, and Firuzeh, a headstrong social worker. Guiding them in the use of weapons and close-quarters combat is Beck, a rogue army officer, who helps them plan an uprising at a major televised international event. With her signature “raw yet beautiful, disturbing yet hopeful” (Booklist) prose, Catherine Hernandez creates a vision of the future that is all the more frightening because it is very possible. A cautionary tale filled with fierce and vibrant characters, Crosshairs explores the universal desire to thrive, love, and be loved for being your true self.

Based on true events, this volume chronicles the actions of a courageous young soldier fighting in World War II, the attempted capture of Adolph Hitler, and the subsequent saga of the dictator's pistol.

A chilling exposé of the threats, harassment, and worse that American abortion providers face on a daily basis-and groundbreaking remedies to stop it

The Central Intelligence Agency is under attack, and so is its top field operative, Kyle Swanson. The highly decorated former Marine Corps gunnery sergeant is attending the funeral of a friend when a terrorist blows up the grave. A week later, he narrowly survives a grenade attack in Berlin. In Washington, Congress is being told that Swanson has been turned, his private employer is corrupt, and the Agency itself cannot be trusted. Swanson is assigned to find the root of the problem and is partnered up with Luke Gibson, a skilled operative rated as being almost as good as Swanson. They are looking for assassin Nicky Marks, who also was a CIA shooter but now works for a shadowy power broker known as The Prince. But before Kyle and Luke can eliminate the threat, they must identify and find the man who wants them dead. That takes them from the pink poppy fields of Afghanistan to the jungles of Southeast Asia and the streets of America as they learn that the Prince is the ruthless kingpin of a global drug empire that uses CIA planes to transport opium and heroin. Swanson also lines up a secret partner, the beautiful widow of his friend whose grave was desecrated in Mexico, the sharpshooting former commando Beth Ledford, who has her own agenda of pure retribution. Kyle Swanson, at the worst possible moment in a combat showdown, must decide: Do you trust your partner, and if so, which one?

From the jungles of Vietnam to the unforgiving deserts of Afghanistan and Iraq, one breed of soldier has achieved legendary status in the arena of combat—the sniper. From the authors of the classic sniper chronicle One Shot-One Kill comes a new generation of true tales from some of the most expert and deadly marksmen in the world. Meet Adelbert Waldron II, whose 109 confirmed kills in Vietnam made him the most successful sniper in American military history, and Tom "Moose" Ferran, who coined the term "Fetch!", whereupon the infantry would retrieve the sniper's dead quarry. Also included are stories from snipers in Beirut, the Bosnian conflict, and both wars with Iraq—including the feat of Sergeants Joshua Hamblin and Owen Mulder, who took down thirty-two enemy soldiers in a single day outside Baghdad in 2003. The military sniper has evolved into one of the most dangerous and highly-skilled warrior professions. They suffer through weather, terrain, and enemy action, lay unmoving for days on end, and take out their targets with unerring accuracy—proving that the deadliest weapon in any battle, anywhere in the world, is a single well-aimed shot.

Now that it has become so commonplace, we rarely blink an eye at camera footage framed by the crosshairs of a sniper’s gun or from the perspective of a descending smart bomb. But how did this weaponized gaze become the norm for depicting war, and how has it influenced public perceptions? Through the Crosshairs traces the genealogy of this weapon’s-eye view across a wide range of genres, including news reports, military public relations images, action movies, video games, and social media posts. As he tracks how gun-camera footage has spilled from the battlefield onto the screens of everyday civilian life, Roger Stahl exposes how this raw video is carefully curated and edited to promote identification with military weaponry, rather than with the targeted victims. He reveals how the weaponized gaze is not only a powerful propagandistic frame, but also a prime site of struggle over the representation of state violence.

Dina von Zweck (1933-2012) was a prolific award-winning writer and painter who left a large trove of poetry. Lyrical, graceful, and eminently beguiling, their often dazzlingly concise, cryptic stanzas open larger realms and vistas. Each poem is a portal—like a window with Venetian blinds suddenly opening and revealing startling sights, then closing again. Dina’s immediately engaging poetry also serves as a portal for the rest of her voluminous literary legacy—five novels, several novella, twenty-three stage plays, numerous screen scripts, libretti, operas, and essays. Poets always have something unexpected up their sleeves, being able to perceive and materialize what otherwise eludes our imaginations, to make unlikely and confounding connections. Silly Putty non sequiturs and fractured metaphors juxtaposed with an illumined madcap juggle of tropes create whimsical fissions of logic that can suddenly make more sense than sense.

A fascinating chronicle of snipers and their role in the history of warfare covers a broad range of cultures and periods, from the English Civil Wars and the American Revolution to more recent conflicts such as Vietnam and Chechnya.

"Gun violence--whether in the form of rampage shootings, homicides, or suicides--is a possibility all campuses have to face. This book provides leaders in higher education, particularly those in student affairs, with data about past incidents, trends analysis, and background on the national debate about gun policies and how legislative decisions impact colleges. It raises issues about student psychological development, mental health, and the prevalence of alcohol and substance abuse on campus in order to better inform discussion about allowing guns on campus in multiple capacities and concludes by sharing strategies for averting gun-related tragedies and offering models for responding when they occur."--Book cover.