This is the screenplay from the film Inside Out released in 2014 by Boat Angel Family Films. This is a great insight into the dialogue and action that occurred during the month of shooting in Texas. The script is original.

A man, highly skilled in entering people's dreams to extract secret information, is offered a chance to implant an idea in another man's head, a practice known as inception.

(Applause Books). Television Writing from the Inside Out is a how-to book with a difference: Larry Brody is a television writer-producer who has helped shape the medium. The book is rooted in experience, and told in the breezy style that is the trademark of Brody and his award-winning website TVWriter.Com, which has helped launch the careers of many new writers. The information given by Brody and the manner in which he gives it has made him a writing guru to thousands of hopefuls. Television Writing from the Inside Out covers: what writing jobs are available; the format, structure and stages of teleplay development; tips on the writing of different genres drama, comedy, action, the television film, soap opera, animation; and sample teleplays by Brody and others, with analyses of why they were written the way they were in terms of creativity, business, production and "insider politics." Television Writing from the Inside Out presents all that Larry Brody has learned about writing, selling and surviving in the television industry. The best-kept secret in show business has been that it is a business, but Brody's readers will know the truth and armed with their new knowledge, they will have a significant edge as they set out to conquer this fascinating field.

A stunningly intimate exploration of the writer and gay cultural icon and of his lifelong search for authenticity. The story of Christopher Isherwood’s life is one of pilgrimage: away from the constraints of inheritance and empire and toward authenticity and spiritual illumination. Isherwood—the author of Goodbye to Berlin, which inspired Cabaret, and A Single Man—was born the heir to a crumbling English estate. He died an icon of gay liberation in California while his partner of thirty years, Don Bachardy, painted his death portrait. Isherwood began his career depicting the psychological wreckage of World War I. While living in Berlin, he began to write his reputation-making fiction and (with W. H. Auden) plays inspired by the city’s nightlife, its artistic underbelly, its fevered politics. When Hitler took power, he fled with his German boyfriend, who was pursued and arrested by the Gestapo. Isherwood left Europe and found work as a screenwriter in Hollywood, where he became the disciple of a Hindu monk, Swami Prabhavananda. Together they translated the Bhagavad Gita. Isherwood shed his family ghosts and became a chief instigator of the cultural shift that made gay liberation possible. Every step of the journey served his writing; one of our greatest diarists, he recorded his experiences and transformed them in fiction and memoir. Katherine Bucknell charts the quest of the restless, penetrating, blackly comic mind through books, films, foreign lands, love affairs, and collaborations toward self-understanding and happiness. Here is Christopher Isherwood Inside Out.

Cast size: medium.

Zeph's new in town. He finds a room in West Hollywood and shares the house with two ultrasleek gender illusionists who style themselves after classic movie goddesses Lauren Bacall and Rita Hayworth. A private investigator named O'Keefe stops by, and Zeph finds himself drawn into an investigation surrounding the disappearance of a porn-studio owner and one of his stars. The missing porn star is, not by coincidence, the boyfriend of one of Zeph's new housemates. Another investigation involves the drug-related murder of a club kid. O'Keefe is one of the suspects because he was the last person seen with the victim. A large, menacing drag queen, who took the rap for the murder of a dancer at a gay club in Miami, is now out on parole and is trying to track down her accomplice. She hires O'Keefe to find a "lost love." The series continues in Book 2.

This fascinating and thought-provoking read challenges readers to consider entertainers and entertainment in new ways, and highlights figures from outside the worlds of film, television, and music as influential "pop stars." Comprising approximately 100 entries from more than 50 contributors from a variety of fields, this book covers a wide historical swath of entertainment figures chosen primarily for their lasting influence on American popular culture, not their popularity. The result is a unique collection that spotlights a vastly different array of figures than would normally be included in a collection of this nature—and appeals to readers ranging from high school students to professionals researching specific entertainers. Each subject individual's influence on popular culture is analyzed from the context of his or her time to the present in a lively and engaging way and through a variety of intellectual approaches. Many entries examine commonly discussed figures' influence on popular culture in ways not normally seen—for example, the widespread appeal of Woody Allen's essay collections to other comedians; or the effect of cinematic adaptations of Tennessee Williams' plays in breaking down Hollywood censorship.

In their heyday, pulp westerns were one of America's most popular forms of entertainment. Often selling for less than 50 cents, the paperback books introduced generations to the "exploits" of Billy the Kid and Jesse James, brought to life numerous villains (usually named "Black" something, e.g., Black Bart and Black Pete), and created a West that existed only in the minds of several talented writers. It was only natural that filmmakers would look to the pulps for stories, adapting many of the works for the big screen and shaping the Western film genre. The adaptations of seven of the pulps' best writers--Ernest Haycox, Luke Short, Frank Gruber, Norman A. Fox, Louis L'Amour, Marvin H. Albert, and Clair Huffaker--are analyzed here. Insightful and humorous, the work looks at how the pulp novels and the movie adaptations reflected the times in which they were produced. It examines the cliches that became a part of the story: the rescue of the heroine, the gunfights, the evil banker or rancher ready to steal the land of the good, law-abiding citizens, and the harlot with a heart of gold. A critical examination of how the books were interpreted--or frequently misinterpreted--by filmmakers is included, along with commentary on the actors and directors who put the pulps on screen.

A man enters an abandoned movie theater and emerges in the wonderland of 1920s Los Angeles in this “ingeniously plotted” time travel adventure (Kirkus Reviews, starred review). Alys is a wealthy young dilettante in 1980s Los Angeles when he runs into the mysterious Nesselrode—who leads him into the catacombs of an empty movie house, from which he emerges in a black-and-white fantasia. This is a Los Angeles on the verge of becoming itself, a place where silent films dominate the landscape, and Alys soon finds his home in the pictures and falls in love with the seductive siren Moira Silver. But as he becomes bewitched by old Hollywood, his previous life grows more and more distant, and Alys may soon wind up trapped. Alys’s journey down the rabbit hole makes for an enthralling literary adventure from the author of The Balloonist, a National Book Award finalist and “an elegant and fastidious writer” (The New York Times Book Review). “Life and art become strangely and gloriously confused when Harris’ narrator, Alys, does some time traveling and falls in love with a star of the silent screen . . . Lyrically written.” —Kirkus Reviews (starred review)