The FBI is the world's most famous law enforcement agency and also one of the world's most mysterious organizations. Only the few who were part of J. Edgar Hoover's inner circle know the truths of five decades of his authoritarian rule. In this gripping personal account, Deke DeLoach, who was privy to Hoover's thoughts and actions during the FBI's most tumultuous years, tells his insider story.

The FBI's top field agent launched a covert operation in deepest secrecy-ABSCAM. He tells about the FBI--its past, its present, and its future.

INVESTIGATIVE REPORTERS & EDITORS (IRE) BOOK AWARD WINNER • The story of the history-changing break-in at the FBI office in Media, Pennsylvania, by a group of unlikely activists—quiet, ordinary, hardworking Americans—that made clear the shocking truth that J. Edgar Hoover had created and was operating, in violation of the U.S. Constitution, his own shadow Bureau of Investigation. “Impeccably researched, elegantly presented, engaging.”—David Oshinsky, New York Times Book Review • “Riveting and extremely readable. Relevant to today's debates over national security, privacy, and the leaking of government secrets to journalists.”—The Huffington Post It begins in 1971 in an America being split apart by the Vietnam War . . . A small group of activists set out to use a more active, but nonviolent, method of civil disobedience to provide hard evidence once and for all that the government was operating outside the laws of the land. The would-be burglars—nonpro’s—were ordinary people leading lives of purpose: a professor of religion and former freedom rider; a day-care director; a physicist; a cab driver; an antiwar activist, a lock picker; a graduate student haunted by members of her family lost to the Holocaust and the passivity of German civilians under Nazi rule. Betty Medsger's extraordinary book re-creates in resonant detail how this group scouted out the low-security FBI building in a small town just west of Philadelphia, taking into consideration every possible factor, and how they planned the break-in for the night of the long-anticipated boxing match between Joe Frazier and Muhammad Ali, knowing that all would be fixated on their televisions and radios. Medsger writes that the burglars removed all of the FBI files and released them to various journalists and members of Congress, soon upending the public’s perception of the inviolate head of the Bureau and paving the way for the first overhaul of the FBI since Hoover became its director in 1924. And we see how the release of the FBI files to the press set the stage for the sensational release three months later, by Daniel Ellsberg, of the top-secret, seven-thousand-page Pentagon study on U.S. decision-making regarding the Vietnam War, which became known as the Pentagon Papers. The Burglary is an important and gripping book, a portrait of the potential power of non­violent resistance and the destructive power of excessive government secrecy and spying.

The first book ever written about FBI Director J. Edgar Hoover by a member of his personal staff—his former assistant, Paul Letersky—offers unprecedented, “clear-eyed and compelling” (Mark Olshaker, coauthor of Mindhunter) insight into an American legend. The 1960s and 1970s were arguably among America’s most turbulent post-Civil War decades. While the Vietnam War continued seemingly without end, protests and riots ravaged most cities, the Kennedys and MLK were assassinated, and corruption found its way to the highest levels of politics, culminating in Watergate. In 1965, at the beginning of the chaos, twenty-two-year-old Paul Letersky was assigned to assist the legendary FBI director J. Edgar Hoover who’d just turned seventy and had, by then, led the Bureau for an incredible forty-one years. Hoover was a rare and complex man who walked confidently among the most powerful. His personal privacy was more tightly guarded than the secret “files” he carefully collected—and that were so feared by politicians and celebrities. Through Letersky’s close working relationship with Hoover, and the trust and confidence he gained from Hoover’s most loyal senior assistant, Helen Gandy, Paul became one of the few able to enter the Director’s secretive—and sometimes perilous—world. Since Hoover’s death half a century ago, millions of words have been written about the man and hundreds of hours of TV dramas and A-list Hollywood films produced. But until now, there has been virtually no account from someone who, for a period of years, spent hours with the Director on a daily basis. Balanced, honest, and keenly observed, this “vivid, foibles-and-all portrait of the fabled scourge of gangsters, Klansmen, and communists” (The Wall Street Journal) sheds new light on one of the most powerful law enforcement figures in American history.

A biography of the former chief of the Federal Bureau of Investigation, focusing on the FBI's impact on the major law enforcement issues of the 1920s through the early 1970s.

Between 1942 and 1958, J. Edgar Hoover's Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood's alleged subversion of "the American Way" through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover's G-men on screenplays and screenings of such films as Frank Capra's It's a Wonderful Life (1946), noting that "this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters." The FBI's anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954). In J. Edgar Hoover Goes to the Movies, John Sbardellati provides a new consideration of Hollywood's history and the post-World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, through such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of "un-American" ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle at best, or, at its worst, conducive to communism at home. Those who took part in Hollywood's Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War.

About the inner structure and operations of the Federal Bureau of Investigation.

A former FBI agent, fired because of his criticism of J. Edgar Hoover, recounts his experiences with the Bureau and describes some of the excesses resulting from its over-zealous administration

In 1974, Richard Nixon resigned in disgrace. In 2020, Donald Trump was impeached. Both were investigated by the FBI, an agency under their control. How is it that the bureau is responsible for investigating the president it serves? How can it do so effectively? Nixon's FBI confronts these questions. Melissa Graves draws on groundbreaking research and personal interviews with several of the agents involved to take us back to the time of the Watergate scandal. Her new perspective on J. Edgar Hoover's last days, his successor's tenure, and the many obstacles that FBI special agents faced from both their leadership and the White House reveals the always complex and often fraught relationship between the president and the FBI ... and makes palpable the ways that history repeats itself.

Examination of how J. Edgar Hoover knew President Kennedy would be assassinated and the coverup that followed the assassination.