Ever since he was a wee mite (a termite, that is), Roberto has wanted to be an architect. Discouraged by his wood-eating family and friends, he decides to follow his dream to the big, bug city. There he meets a slew of not-so-creepy, crawly characters who spark in him the courage to build a community for them all. With stunning collage illustrations and witty text, the creator of the bestselling The Night I Followed the Dog, Private I. Guana, and When Pigasso Met Mootisse brings to life a funny and inspirational story that will encourage readers of any age to build their dreams.

Influential American architect Philip Johnson once mused, "All architecture is shelter; all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space." But with just a small swap of a key word, Johnson could well have been describing animal nests. Birds and insects are nature's premier architects, using a dizzying array of talents to build functional homes in which to live, reproduce, and care for their young. Recycling sticks, branches, grass, and mud to construct their shelters, they are undoubtedly the originators of "green architecture." A visual celebration of these natural feats of engineering and ingenuity, Architecture by Birds and Insects allows readers a peek inside a wide range of nests, offering a rare opportunity to get a sense of the materials and methods used to build them. Here, we see the kinds of places where nests are built--for instance, the house wren has been known to occupy cow skulls, flower pots, tin cans, and the pockets of hanging laundry, while the uglynest caterpillar prefers rose bushes and cherry trees. Inspired by the vast nest collection at the Field Museum, which features specimens gathered throughout North and South America, Peggy Macnamara's paintings are enhanced by text written by museum curators. This narrative provides a foundation in natural history for each painting, as well as fascinating anecdotes about the nests and their builders. Like so many natural treasures, nests are easy to ignore. But Macnamara's gorgeous paintings will undoubtedly change that. Architecture by Birds and Insects at last gives the tiniest engineers their rightful moment in the spotlight, and in so doing increases awareness and encourages the protection of birds, insects, and their habitats. Readers will never look at a Frank Gehry design, or a treetop nest, the same way again.

Discover the hidden beauty of insect anatomy

Examines the nests that birds build around the world, including illustrations of each nest type's construction, descriptions of the materials and techniques used during the process, and case studies on specific birds' habitats.

We are conditioned over time to regard environmental forces such as dust, mud, gas, smoke, debris, weeds, and insects as inimical to architecture. Much of today's discussion about sustainable and green design revolves around efforts to clean or filter out these primitive elements. While mostly the direct result of human habitation, these 'subnatural forces' are nothing new. In fact, our ability to manage these forces has long defined the limits of civilized life. From its origins, architecture has been engaged in both fighting and embracing these so-called destructive forces. In Subnature, David Gissen, author of our critically acclaimed Big and Green, examines experimental work by today's leading designers, scholars, philosophers, and biologists that rejects the idea that humans can somehow recreate a purely natural world, free of the untidy elements that actually constitute nature. Each chapter provides an examination of a particular form of subnature and its actualization in contemporary design practice. The exhilarating and at times unsettling work featured in Subnature suggests an alternative view of natural processes and ecosystems and their relationships to human society and architecture. R&Sie(n)'s Mosquito Bottleneck house in Trinidad uses a skin that actually attracts mosquitoes and moves them through the building, while keeping them separate from the occupants. In his building designs the architect Philippe Rahm draws the dank air from the earth and the gasses and moisture from our breath to define new forms of spatial experience. In his Underground House, Mollier House, and Omnisport Hall, Rahm forces us to consider the odor of soil and the emissions from our body as the natural context of a future architecture. [Cero 9]'s design for the Magic Mountain captures excess heat emitted from a power generator in Ames, Iowa, to fuel a rose garden that embellishes the industrial site and creates a natural mountain rising above the city's skyline. Subnature looks beyond LEED ratings, green roofs, and solar panels toward a progressive architecture based on a radical new conception of nature.

Contains over seventy essays in which various authors from throughout history discuss insects.