Inspired by a true story . . . Lisa's father has six months to live and a story to tell about a boy sent to Auschwitz—a boy who lost everything and started again. It's a story he has kept hidden—until now. But Lisa doesn't want to hear it because she has secrets too. No one at school knows she is Jewish or that her dad is sick, not even her boyfriend. But that's all about to change. And so is she. "A powerful Holocaust story of love, loss and hope."—Jayne Josem, Melbourne Holocaust Museum

They told her that her body belonged to men and her mind didn’t matter. They were wrong. “What if I don’t want to marry?” Lillian held her breath. She had never said the words out loud. “Not want to marry?” Her aunt frowned. “What else would you do?” Set in a Ugandan village, Lilian has learned to shrink herself to fit other people’s ideas of what a girl is. In her village a girl is not meant to be smarter than her brother. A girl is not meant to go to school or enjoy her body or decide who to marry. Especially if she is poor. Inspired by and written in consultation with young Ugandan women, I Am Change is the tragic but empowering story of how a young girl finds her voice and the strength to fight for change.

This field guide introduces the little-documented world of parasitic and carnivorous plants, a category of flora that is often overlooked. This title explains how these unusual plants grow and reproduce, and why they are dependent on other species in order to flourish.

The Cape Floral Kingdom is one of the most botanically rich areas on earth. This guide by two eminent botanists details 652 of the most common or conspicuous wildflowers to be found there. Descriptions of families and genera as well as the species fill this scientifically accurate, highly readable text.

“Being kissed by Karl Jager was devastating. And beautiful. War makes you do dangerous things.” Hanna Mendel liked to know what was going to happen next. She was going to be a famous concert pianist. She was going to wear her yellow dress to the dance on Saturday night. But she didn’t plan on her street being turned into a ghetto. She didn’t plan on being rounded up and thrown in a cattle truck. She didn’t plan on spending her sixteenth birthday in Auschwitz, in a wooden barrack with 200 other prisoners. Most of all, Hanna didn’t plan on falling in love with the wrong boy. What happens when a Jewish girl falls in love with the German son of the camp commander? Award-winning Australian author Suzy Zail’s young adult fiction book, The Wrong Boy, paints a story of identity, romance, hate and loyalty alongside the historical backdrop of the Holocaust. This gripping novel about a teenage girl coming to terms with first love amid the confronting realities of a war-torn world will leave readers wanting more. Short-listed in the Older Reader’s category of the 2013 Children’s Book Council of Australia Book of the Year Awards “A compelling picture of life in a prison camp from the point of view of a determined but naïve teenage girl. Recommended.” – Aussie Reviews “Four stars … From its opening page, the reader will feel empathy and heartache for those who suffered during this violent era.” – Read Plus “A roller-coaster ride … This is a must read for any teenager or adult interested in the past, the tragedy of war or what happens when humans believe they are superior.” – Kids Book Review “Compelling reading … Zail uses a deft hand.” – Buzz Words magazine “An addictive read, well-written and, in spite of the horrow, warm-hearted.” – ­Around the Bookshops

When the death of Iron Queen Sarelin Brey fractures the realm of Elira, Lysande Prior, the palace scholar and the queen's closest friend, is appointed Councillor. Publically, Lysande must choose the next monarch from amongst the city-rulers vying for the throne. Privately, she seeks to discover which ruler murdered the queen, suspecting the use of magic. Resourceful, analytical, and quiet, Lysande appears to embody the motto she was raised with: everything in its place. Yet while she hides her drug addiction from her new associates, she cannot hide her growing interest in power. She becomes locked in a game of strategy with the city-rulers - especially the erudite prince Luca Fontaine, who seems to shift between ally and rival. Further from home, an old enemy is stirring: the magic-wielding White Queen is on the move again, and her alliance with a traitor among the royal milieu poses a danger not just to the peace of the realm, but to the survival of everything that Lysande cares about

Field Guide to Wildflowers of South Africa describes more than 1 100 of the shrubs and herbs of the region, highlighting the most conspicuous species and those most likely to be encountered across the country. The emphasis is on identifying plants progressively to family, genus and species level: a novel identification aid and easy-to-use keys guide users to the correct family and genus, while individual species descriptions, accompanied by a clear photograph, distribution map and an indication of flowering season, help them to pinpoint the plant. By using the guide, wild-flower enthusiasts at all levels will now be able to accurately identify plants in any part of South africa.

The true story of students who helped quantify the horrors of the Holocaust At a middle school in a small, all white, all Protestant town in Tennessee, a special after-school class was started to teach the kids about the Holocaust, and the importance of tolerance. The students had a hard time imagining what six million was (the number of Jews the Nazis killed), so they decided to collect six million paperclips, a symbol used by the Norwegians to show solidarity with their Jewish neighbors during World War II. German journalists Dagmar and Peter Schroeder, whose involvement brought the project international attention, tell the dramatic story of how the Paper Clip Project grew, culminating in the creation of The Children's Holocaust Memorial.

"Whilst others have re-imagined the sonnet visually (for instance, Jeremy Adler's 'The Pythagorean Sonnet') I cannot think of another writer or artist who has done so with such drive, sustained imagination and diligence, taking the form to the nth degree and beyond." - Tom Jenks

Catherine Vidler's visual poems are experiments in symmetry, images flipped, repeated, fragmented, and transformed, liberated from their mimetic source contexts and re-presented as frenetic harmonies of shape and movement. - Ken Hunt Vidler's beautifully oblique, diagrammatic pieces remind us that poetry has always been a numbers game. Lost Sonnets is like walking through a forest of winter trees on a clear, moonless night. Up above there are no clouds, only comets and constellations. - Tom Jenks Lost Sonnets confidently places Vidler's writing next to Shakespearean, Petrarchan and Spenserian forms; here metrics and rhyme look beyond language into a visual form ranging across the map of potentiality. Soon we will all be writing Vidlerian sonnets. - Derek Beaulieu