Ink and Affection Unleashed Thoughts a collecrtion of feelings and frauds. Sometimes words can ́t express the feelings that cause distress. Writing about your problems with love, hate and passion may mean more than just action. A collection of poems written with heart and soul, the love for fictional worlds, created with reality. ~Eda & Atahan

How does an extended family, bound by shared history, affection, and duty but divided by generation, gender, status, and personality, memorialize its dead? This fascinating study shows how members of the prominent Yu family passed down their personal and familial memories over five generations, through the traumatic transition from imperial to modern China and amidst the radical change and destruction of the nineteenth and twentieth centuries. Their memory writing is unusual and compelling for its quantity, variety, and resonance of themes across generations. It reflects a particular cultural moment and family, yet offers insight into universal practices of writing and remembrance. Ink and Tears begins and ends with the Yu family’s two most famous members: the late Qing writer Yu Yue and his great-great grandson Yu Pingbo, each among the most famous and prolific scholars of their respective generations. Over a span of one and a half centuries, they and their lesser-known female and male kin made use of an impressive diversity of genres—poetry, prefaces, biographies, diaries, correspondence, and strange tales—to preserve their family’s memories. During the times in which they wrote, the technologies of printing and the institutions of publication and book distribution were being transformed, and by the time of the great-grandchildren the language of education and governance, definitions of scholarship and literature, and the map of literary genres had all been remade. The Yus’ memory writing thus reveals not just how different family members remembered and mourned, but the changing tools they had with which to convey their loss. Drawing on a wealth of archival material, Rania Huntington focuses on questions of how memory was crafted, preserved, and transmitted as much as on what was remembered, tracing common tropes and shared strategies. Her beautifully observed study will interest scholars of late imperial and early Republican literature and history, as well as readers more broadly concerned with the family, women’s writing, themes of memory and bereavement, and the personal functions of literature.

Told in alternating viewpoints, new couple Erica and Thomas face the devastating aftermath of a drunken party.

“The pigments he concocts from these humble beginnings are as fun to make as they are eye-opening to work with . . . the world never quite looks the same.” —MarthaStewart.com A 2018 Best Book of the Year—The Guardian The Toronto Ink Company was founded in 2014 by designer and artist Jason Logan as a citizen science experiment to make eco-friendly, urban ink from street-harvested pigments. In Make Ink, Logan delves into the history of inkmaking and the science of distilling pigment from the natural world. Readers will learn how to forage for materials such as soot, rust, cigarette butts, peach pits, and black walnut, then how to mix, test, and transform these ingredients into rich, vibrant inks that are sensitive to both place and environment. Organized by color, and featuring lovely minimalist photography throughout, Make Ink combines science, art, and craft to instill the basics of ink making and demonstrate the beauty and necessity of engaging with one of mankind’s oldest tools of communication. “Logan demystifies the process, encouraging experimentation and taking a fresh look at urban environments.” —NPR “The book is full of inspiration and takes a lot of the mystery out of ink making, at least at its simplest level. And it also reminds me why I love ink—any ink or liquid color as much as I do.” —The Well-Appointed Desk “Quite a few recipes . . . that use color from the kitchen: carrots, black beans, blueberries, turmeric, and onion skins all make beautiful ink colors.” —Design Observer “Make Ink opens up about methods, providing an open source guide to DIY ink.” —CityLab

'It is the duty of historians to be, wherever they can, accurate, precise, humane, imaginative - using moral imagination above all – and even-handed.' - Alan Atkinson The second of three volumes of the landmark, award-winning series The Europeans in Australia gives an account of early settlement by Britain. It tells of the political and intellectual origins of this extraordinary undertaking that began during the 1780s, a decade of extraordinary creativity and the climax of the European Enlightenment. Volume Two, Democracy, takes the story from around 1815 to the early 1870s. By exploring the nineteenth-century ‘communications revolution’ Atkinson casts new light on the way Australia first found its place in a ‘global’ world. This volume is more than a story of geography and politics. It describes the way people thought and felt. Throughout the trilogy Atkinson traces subtle and sudden shifts of ‘common imagination’ by analysing the lives of both powerful and ordinary Australians. He sets out the ideas and the imagery that moved and marked the people. This book, like all his work, is grounded in thorough and rigorous scholarship yet imbued with compassion and insight. Written ‘from the inside’, it is – as he says – history ‘caught up with the flesh and memory it describes’. The culmination of an extraordinary career in the writing and teaching of Australian history,The Europeans in Australia grapples with the Australian historical experience as a whole from the point of view of the settlers from Europe. Ambitious and unique, it is the first such large, single-author account since Manning Clark’s A History of Australia.