Juliana O'Farrell is alarmed when her daughter, Lily, turns thirteen and her powers fail to manifest as expected, leading Juliana to seek the help of the Charmed Ones to locate the young witch's missing powers.

Set in the late 1700s, a tale of magic and fate, triumph and heartbreak, and the powerful bonds between mothers and daughters unfolds in this spellbinding novel from a master storyteller. Brittany, 1762 There hasn’t been a witch born in the Orchière clan for generations. According to the elders, that line is dead, leaving the clan vulnerable to the whims of superstitious villagers and the prejudices of fearmongering bishops. Ursule Orchière has been raised on stories of the great witches of the past. But the only magic she knows is the false spells her mother weaves over the gullible women who visit their fortune-telling caravan. Everything changes when Ursule comes of age and a spark of power flares to life. Thrilled to be chosen, she has no idea how magic will twist and shape her future. Guided by an ancient grimoire and the whispers of her ancestors, Ursule is destined to walk the same path as the great witches of old. But first, the Orchière magical lineage must survive. And danger hovers over her, whether it’s the bloodlust of the mob or the flames of the pyre. ​Return to the world of A Secret History of Witches with the bewitching tale of Ursule Orchière and her discovery of magical abilities that will not only change the course of her life but every generation that comes after her. For more from Louisa Morgan, check out: A Secret History of Witches The Witch's Kind The Age of Witches

"A pioneer work in…the sexual structuring of society. This is not just another book about witchcraft." —Edmund S. Morgan, Yale University Confessing to "familiarity with the devils," Mary Johnson, a servant, was executed by Connecticut officials in 1648. A wealthy Boston widow, Ann Hibbens was hanged in 1656 for casting spells on her neighbors. The case of Ann Cole, who was "taken with very strange Fits," fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events at Salem. More than three hundred years later, the question "Why?" still haunts us. Why were these and other women likely witches—vulnerable to accusations of witchcraft and possession? Carol F. Karlsen reveals the social construction of witchcraft in seventeenth-century New England and illuminates the larger contours of gender relations in that society.

A compelling book urging modern women to reconnect with their inborn femimine powers. Reclaim your inner witch with the magical rituals, divination tools, spells and ancient wisdom in this revolutionary book. A witch is a woman in her power. She's wise, a healer, someone who is aligned with the cycles of Mother Nature and the phases of the Moon. Yet for so long, the word 'witch' has had negative connotations - being used as an insult, a slur and to perpetuate fear. In this book, third generation hereditary witch Lisa Lister explains the history behind witchcraft, why in past centuries the word 'witch' has led women to be tortured, drowned and burned at the stake, and why the witch is now waking once again in women across the world today. This book will help women to remember, reconnect and reclaim the word 'witch' and its power. It explores the many different versions of witchcraft and their core principles and practices, and shares ancient wisdom made relevant for waking witches, including how to: · Align your energy with the wheel of the year, the sabbats and the cycles of the Moon · Connect with and trust your intuition · Use divination tools such as oracle cards, scrying and rune reading · Cast circles, create altars and set sacred space · Work with the elements of nature and use herbs and crystals · Discover and work with five different aspects of the witch: the Force of Nature, the Creatrix, the Healer, the Oracle and the Sorceress · Rediscover your powers and manifest your reality with spell casting Lisa also shares her own journey to reclaiming the word 'witch', along with personal, hands-on rituals and spells from her family lineage of gypsy witch magic.

Three years after the conclusion of his trilogy, On This Earth, A Shadow Falls Across the Ravaged Land, Nick Brandt returns to East Africa to photograph the escalating changes to the continent's natural world. In a series of epic panoramas, Brandt records the impact of man in places where animals used to roam, but no longer do. In each location, Brandt erects a life size panel of one of his animal portrait photographs, setting the panels within a world of explosive urban development, factories, wasteland and quarries. The people within the photographs are oblivious to the presence of the panels and the animals featured in them, who are now no more than ghosts in the landscape. Some of the animals in the panels appear to be looking out at these destroyed landscapes with sadness, as if lamenting the loss of the world they once inhabited. By the end, we see that it is not just the animals who are the victims in this out of control world, but also the humans. Inherit the Dust also includes plates of the original portraits of the animals that are featured in the life-size panels, the unique emotional animal portraiture for which Brandt is recognized. There are also two essays by the artist: a text about the crisis facing the conservation of the natural world in East Africa, and behind-the-scenes descriptions of Brandt's elaborate production process, with accompanying documentary photographs.

In this revealing study, the author suggests that ancient Israel was a 'magic society' like those around it, and similar in many respects to a number of magic-using 'savage' societies studied by modern social anthropology. Although the Old Testament attempts to distinguish between priestly and prophetic divination, this distinction was not sharply drawn in ancient times. References to divination in fact are found in all genres of Israelite literature, implying that many of these practices were performed throughout Israelite society. 'Cryer's investigation of divination in ancient Israel is a masterful synthesis of social and historical analyses of an important yet neglected topic' (Ronald E. Simkins, Catholic Biblical Quarterly).

The heaven and earth were clearly separated. Within the vast expanse of space, there were numerous geniuses. The king who ruled this world rushed out of his peak to intimidate the people of this world. The apocalypse failed to break into the human world, and a strange and novel life began after his rebirth. Sour and bitter, taste everything, love and hate, make people wish they were dead. The re-emergence of experts to unite the world was only to uncover the secret of his rebirth and to set up a trap.

The Gospel Sounds Like the Witch's Spell is a highly detailed ethnography about how the Jopadhola in eastern Uganda talk about, interpret and cope with death, illness and other misfortunes. The book presents a provocative discussion that critiques the idea of the revival of witchcraft in the neo-liberalised contemporary world, as represented by the 'modernity model of witchcraft', and attempts to formulate a 'spiderweb model' that connects witchcraft to contemporary society in a more complex manner. The book is a unique ethnography of the collective memory of indigenous knowledge and local historicity. The author moves the reader from curse to misfortune to fortune as he plots the notion of 'curse' as deeply embedded in the Adhola way of life. He weaves between culture, religion, state and modernity with lived experience. Did the concept of witchcraft unwittingly endear the Adhola to the Christian way of life because of the presence of the notion of 'curse' in the Bible or make them less susceptible to the vagaries of modernity compared to their neighbours? These are some of the questions that the author puts on the table in a deeply reflective manner. The phenomenon of witchcraft is given an intriguing angle that invites the reader to reexamine earlier anthropological writings on the subject among African peoples.

NEW YORK TIMES BESTSELLER • Following their adventures in The Bear and the Nightingale and The Girl in the Tower, Vasya and Morozko return in this stunning conclusion to the bestselling Winternight Trilogy, battling enemies mortal and magical to save both Russias, the seen and the unseen. “A tale both intimate and epic, featuring a heroine whose harrowing and wondrous journey culminates in an emotionally resonant finale.”—Publishers Weekly (starred review) NAMED ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE Vasilisa Petrovna is an unforgettable heroine determined to forge her own path. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse. Now Moscow has been struck by disaster. Its people are searching for answers—and for someone to blame. Vasya finds herself alone, beset on all sides. The Grand Prince is in a rage, choosing allies that will lead him on a path to war and ruin. A wicked demon returns, determined to spread chaos. Caught at the center of the conflict is Vasya, who finds the fate of two worlds resting on her shoulders. Her destiny uncertain, Vasya will uncover surprising truths about herself as she desperately tries to save Russia, Morozko, and the magical world she treasures. But she may not be able to save them all. Praise for The Winter of the Witch “Katherine Arden’s Winternight Trilogy isn’t just good—it’s hug-to-your-chest, straight-to-the-favorites-shelf, reread-immediately good, and each book just gets better. The Winter of the Witch plunges us back to fourteenth-century Moscow, where old gods and new vie for the soul of Russia and fate rests on a witch girl’s slender shoulders. Prepare to have your heart ripped out, loaned back to you full of snow and magic, and ripped out some more.”—Laini Taylor “Luxuriously detailed yet briskly suspenseful . . . a striking literary fantasy informed by Arden’s deep knowledge.”—Kirkus Reviews (starred review)

Based on long-term medical anthropological research in northern Ghana, the author analyses issues of health and healing, of gender, and of the control and use of money in a changing rural African setting. He describes the culture of medical pluralism, so typical for neo-colonial states, and people's choices of "traditional" (local) medicine (plants and sacrifices), Islamic medicine (charms and various written solutions) and "modern" therapy (biomedicine, in particular western pharmaceuticals). He concludes that the rural-urban divide is a fiction, that demarcations between these areas are frequently blurred, linked by a postcolonial, capitalist discourse of local markets, regional economies and national structures, which frequently emerge in local African settings but often originate in global and multinational markets.