"An extraordinary saga." —David Grann, New York Times bestselling author of Killers of the Flower Moon The mesmerizing account of a granddaughter's search for a World War II family history hidden for sixty years Growing up in Paris as the daughter of a German mother and an Irish father, Svenja O'Donnell knew little of her family's German past. All she knew was that her great-grandparents, grandmother, and mother had fled their home city of Königsberg near the end of World War II, never to return. But everything changed when O'Donnell traveled to the city—now known as Kaliningrad, and a part of Russia—and called her grandmother, who uncharacteristically burst into tears. "I have so much to tell you," Inge said. In this transporting and illuminating book, the award-winning journalist vividly reconstructs the story of Inge's life from the rise of the Nazis through the brutal postwar years, from falling in love with a man who was sent to the Eastern Front just after she became pregnant with his child, to spearheading her family's flight as the Red Army closed in, her young daughter in tow. Ultimately, O'Donnell uncovers the act of violence that separated Inge from the man she loved; a terrible secret hidden for more than six decades. A captivating World War II saga, Inge's War is also a powerful reckoning with the meaning of German identity and inherited trauma. In retracing her grandmother's footsteps, O'Donnell not only discovers the remarkable story of a woman caught in the gears of history, but also comes face-to-face with her family's legacy of neutrality and inaction—and offers a rare glimpse into a reality too long buried by silence and shame.

'A lyrical, engrossing and essential read' - Sathnam Sanghera 'A superbly nuanced reclamation of history and family secrets' - Brian Van Reet, author of Spoils What does it mean to be on the wrong side of history? Svenja O'Donnell’s beautiful, aloof grandmother Inge never spoke about the past. All her family knew was that she had grown up in a city that no longer exists on any map: Königsberg in East Prussia, a footnote in history, a place that almost no one has heard of today. But when Svenja impulsively visits this windswept Baltic city, something unlocks in Inge and, finally, she begins to tell her story. It begins in the secret jazz bars of Hitler’s Berlin. It is a story of passionate first love, betrayal, terror, flight, starvation and violence. As Svenja teases out the threads of her grandmother’s life, retracing her steps all over Europe, she realises that there is suffering here on a scale that she had never dreamt of. And finally, she uncovers a desperately tragic secret that her grandmother has been keeping for sixty years. Inge's War listens to the voices that are often missing from our historical narrative – those of women caught up on the wrong side of history. It is a book about memory and heritage that interrogates the legacy passed down by those who survive. It also poses the questions: who do we allow to tell their story? What do we mean by family? And what will we do in order to survive?

In 1945, amidst the ruins of a bomb-damaged German home a tattered book, Deutschland Erwache, was recovered as a souvenir by a British soldier. This rare and invaluable primary resource now forms the basis of The Rise of Hitler Illustrated, which is a photographic record of Hitlers' rise to power from when he was born in 1889, as he took over the hearts and minds of the German people, and his eventual arrival at the top.??The original book is typical of the propaganda of the time, with the obvious non-critical acceptance of everything that Adolf Hitler was and what he stood for. It attempts to present him as a peace–loving man, who wanted nothing other than quiet in his 'beloved Alps', who dearly loved children and was kind to all. But as we all know, the truth was completely different. He was a man who, despite his unbounded evilness, was able to assert limitless power over a nation before creating maximum misery for millions.??When found, the original book was divest of its cover and all the worse for wear, but Trevor Salisbury has gone to every effort to salvage some of the images, the result – a fresh and new perspective that sheds light on Hitler's control of Germany. It is a welcome addition to Pen & Sword's highly acclaimed Images of War series.

'When I close my eyes, I dream of peace.', said 14 year old Aleksandar, just after enduring a dressing change of the terrible burn wounds he suffered from a Molotov cocktail explosion. His words became the title of this book, which presents the thoughts & paintings of children in the former Yugoslavia, as they deal with war related psychological trauma. The material was gathered by UNICEF during its work in the former Yugoslavia.

Fully illustrated with archival photographs, this volume examines the development of this Cold War era armored vehicle. During the Second World War, the British infantry found itself lacking suitable transport to cope with the fast-moving German Blitzkrieg tactics. While various stopgap measures were implemented during the war, the postwar threats from nuclear, biological and chemical warfare made it imperative that a robust solution be found. By the 1960s, at the height of the Cold War, the AFV430 series was introduced. The FV300 and FV400 Cambridge carriers paved the way for the AFV430. Initially a basic armored personnel carrier, the series grew to cover a multitude of roles, including command, recovery, mortar, Swingfire, and remote mine clearing. This volume of the Images of War series describes in words and images the AFV430 and traces the development of infantry carriers for the British Army.

A collection of essays analyzing the fictional, mythic and visual representations of the Vietnam War which attempts to consider their value in articulating historical truths. Each essay aims to provide a starting point for further study.

In just 10 weeks from 8 December 1941 to mid February 1942, British and Imperial forces were utterly defeated by the numerically inferior Japanese under General Yamashita. British units fought hard on the Malayan mainland but the Japanese showed greater mobility, cunning and tactical superiority. Morale was badly affected by the loss of HMS Prince of Wales and Repulse to Japanese aircraft on 19 December as they sought out enemy shipping. Panic set in as military and civilians withdrew south to Singapore. Thought to be an impregnable fortress, its defences against land attacks were shockingly deficient. General Percival's leadership was at best uninspired and at worst incompetent. Once the Allied troops withdrew to Singapore it was only a matter of time before surrender became inevitable. To make matters worse reinforcements arrived but only in time to be made POWs. The whole catastrophe is brilliantly described in this highly illustrated book.

This pictorial history of the legendary American tank combines color photographs, commissioned illustrations and authoritative information. The M4 Sherman was one of the most famous tanks of the Second World War. Produced in greater numbers than any other Allied tank, it fought on every front, and continued to serve as a front-line fighting vehicle in the Korean War, the Arab-Israeli wars, and the Indo-Pakistani wars. This detailed history of the Sherman covers its design and development, its technical specifications, the many variants that were produced, and its operational role in conflicts across the world. While the Sherman outclassed the older German tanks it encountered when it first went into combat in 1942, it was vulnerable to the later German medium and heavy tanks such as the Panther, Tiger I, and Tiger II. Yet the Sherman was ultimately more effective than these superior German tanks because it was reliable, durable, cheaper to build, and extremely adaptable. The Sherman was converted into a tank-destroyer, an amphibious tank, a recovery vehicle, a mine-flail, a personnel carrier—and, after the Second World War, it was developed to confront more modern tanks in combat. Pat Ware's expert account of this remarkable fighting vehicle is accompanied by a series of color plates showing the main variants of the design as well as common ancillary equipment and unit markings. This is an essential reference work for World War II buffs and armored warfare enthusiasts.

The scale of death and destruction during the Battle of Stalingrad during late 1942 and early 1943 remains unprecedented in the history of warfare. The annihilation of General von Paulus’ 6th Army epitomised the devastating defeat of Hitler’s ambition to conquer Stalin’s Soviet Union. After the successful Operation Blue offensive 6th Army reached the River Volga north of Stalingrad in summer 1942. With over-extended supply lines and facing steely opposition, increasingly desperate attempts to seize the city repeatedly failed. Slowly 6th Army became encircled. The German High Command attempted a number of relief attempts, notably Field Marshal von Manstein’s ‘Winter Storm’ but all were defeated by the tenacity of the enemy and the Russian winter. To their credit the men of 6th Army fought to the end but by February 1943 the last pockets of German resistance were either destroyed or had surrendered. Thanks to a superb collection of unpublished photographs, this Images of War book provides an absorbing insight into the dramatic events of the last months of 6th Army’s doomed existence.

A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.