'ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel 'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times Winner of the James Tait Black Memorial Prize and the International Dublin Literary Award 'Astoundingly good' The Times 'Dazzling' Observer 'Timeless' Spectator The extraordinary prize-winning debut from Andrew Miller - a highly imaginative, atmospheric first novel At the dawn of the Enlightenment, a man is born unable to feel pain. A source of wonder and scientific curiosity as a child, he rises through the ranks of Georgian society to become a brilliant surgeon. Yet as a human being he fails, for he can no more feel love and compassion than pain. Until, en route to St Petersburg to inoculate the Empress Catherine, he meets his nemesis and saviour. PRAISE FOR ANDREW MILLER 'Unique, visionary, a master at unmasking humanity' Sarah Hall 'A writer of very rare and outstanding gifts' Independent on Sunday 'A highly intelligent writer, both exciting and contemplative' The Times 'A wonderful storyteller' Spectator

'ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel 'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times Winner of the James Tait Black Memorial Prize and the International Dublin Literary Award 'Astoundingly good' The Times 'Dazzling' Observer 'Timeless' Spectator The extraordinary prize-winning debut from Andrew Miller - a highly imaginative, atmospheric first novel At the dawn of the Enlightenment, a man is born unable to feel pain. A source of wonder and scientific curiosity as a child, he rises through the ranks of Georgian society to become a brilliant surgeon. Yet as a human being he fails, for he can no more feel love and compassion than pain. Until, en route to St Petersburg to inoculate the Empress Catherine, he meets his nemesis and saviour. PRAISE FOR ANDREW MILLER 'Unique, visionary, a master at unmasking humanity' Sarah Hall 'A writer of very rare and outstanding gifts' Independent on Sunday 'A highly intelligent writer, both exciting and contemplative' The Times 'A wonderful storyteller' Spectator

'ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel 'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times 'Exceptional' Sunday Times 'Powerful and lively' Financial Times 'A delight' Time Out The extraordinary fourth novel from the Booker-shortlisted author of Oxygen In a world where people slaughter the innocent without mercy or retribution, how can we have faith in humanity, or the future? Clem Glass, a photojournalist, returns from Africa to London convinced there is no hope for mankind. Yet after his sister falls ill and he takes her back to the West Country of their childhood, he cannot ignore the decency and kindness he encounters, or the pulse of goodness in his own heart. When news comes offering Clem the chance to confront the author of his nightmares, he must choose what sort of man to be. PRAISE FOR ANDREW MILLER 'Unique, visionary, a master at unmasking humanity' Sarah Hall 'A writer of very rare and outstanding gifts' Independent on Sunday 'A highly intelligent writer, both exciting and contemplative' The Times 'A wonderful storyteller' Spectator

“A fascinating, totally seductive read!” —Eula Biss, author of Notes from No Man’s Land: American Essays and On Immunity: An Inoculation “A book built of brain and nerve and blood and heart. . . . Irreverent and astute. . . . Pain Studies will change how you think about living with a body.” —Elizabeth McCracken, author of Thunderstruck and Bowlaway “A thrilling investigation into pain, language, and Olstein’s own exile from what Woolf called ‘the army of the upright.’ On a search path through art, science, poetry, and prime-time television, Olstein aims her knife-bright compassion at the very thing we’re all running from. Pain Studies is a masterpiece.” —Leni Zumas, author of The Listeners and Red Clocks In this extended lyric essay, a poet mines her lifelong experience with migraine to deliver a marvelously idiosyncratic cultural history of pain—how we experience, express, treat, and mistreat it. Her sources range from the trial of Joan of Arc to the essays of Virginia Woolf and Elaine Scarry to Hugh Laurie’s portrayal of Gregory House on House M.D. As she engages with science, philosophy, visual art, rock lyrics, and field notes from her own medical adventures (both mainstream and alternative), she finds a way to express the often-indescribable experience of living with pain. Eschewing simple epiphanies, Olstein instead gives us a new language to contemplate and empathize with a fundamental aspect of the human condition. Lisa Olstein teaches at the University of Texas at Austin and is the author of four poetry collections published by Copper Canyon Press. Pain Studies is her first book of creative nonfiction.

The skies of Oxford are aflame with meteors the night Edgar Jones comes into the world–clearly this porter’s son, born in a small cottage in 1847, is no ordinary boy. While his mother is apprehensive about her restless, inquisitive child, Edgar’s father believes without a doubt that his son is destined for greatness. As the years pass, it becomes apparent that Edgar has a unique talent: He is a born inventor, and his gift for making is matched by a fierce will. Edgar turns his back on the scholarly life his father had intended for him and apprentices himself to a blacksmith. It is not long before his ingenuity and metalworking skills bring him to the attention of a maverick professor at Oxford University, a bone collector with plans for a museum of natural history. Finally, Edgar has the opportunity to showcase the singular gifts he’s learned in the hazardous soot and heat of the forge. But his great ability also becomes a curse, and his prominence is fraught with danger–both for him and for his family. Set at the dramatic midpoint of the nineteenth century, in a world on the cusp of change, The Ingenious Edgar Jones is an unforgettable coming-of-age story about the complexities of family life and the journey of one young man as he finds his place in a rapidly shifting world.

A British soldier flees to the Hebrides for reprieve from war while something else hunts for him in this historical thriller by the author of The Crossing. When Cap. John Lacroix returns home from Spain, wounded, unconscious, and alone, he believes that he has seen the worst of what men may do. It is 1809, and in England’s wars against Napoleon, the Battle of Corruna stands out as a humiliation: a once-proud army forced to retreat, civilized men reduced to senseless acts of cruelty. Slowly regaining his health, Lacroix journeys north to the misty isles of Scotland with the intent of forgetting the horrors of the war. Unbeknownst to him, however, something else has followed him back from the war—something far more dangerous than a memory . . . A New York Times Notable Book of 2019 “Miller’s writing is a source of wonder and delight.” —Hilary Mantel Praise for New We Shall Be Entirely Free “Mr. Miller strikes an impressive balance between adventure and atmosphere.” —The Wall Street Journal “Miller acutely imagines the war-scarred psychology of his characters . . . and uses the historical setting to great advantage.” —TheNew Yorker “Miller is in fine form here, mixing an unforgettable cat-and-mouse chase with a moving love story.” —Kirkus Reviews

"A collection of ten short stories that all take place in the same day about kids walking home from school"--

Captivating poems and visual art seek to bring comfort and solidarity to anyone living with Bipolar Disorder. In this remarkable debut, Shira Erlichman pens a love letter to Lithium, her medication for Bipolar Disorder. With inventiveness, compassion, and humor, she thrusts us into a world of unconventional praise. From an unexpected encounter with her grandmother’s ghost, to a bubble bath with Bjӧrk, to her plumber’s confession that he, too, has Bipolar, Erlichman buoyantly topples stigma against the mentally ill. These are necessary odes to self-acceptance, resilience, and the jagged path toward healing. With startling language, and accompanied by her bold drawings and collages, she gives us a sparkling, original view into what makes us human.

Each of us will know physical pain in our lives, but none of us knows when it will come or how long it will stay. Today as much as 10 percent of the population of the United States suffers from chronic pain. It is more widespread, misdiagnosed, and undertreated than any major disease. While recent research has shown that pain produces pathological changes to the brain and spinal cord, many doctors and patients still labor under misguided cultural notions and outdated scientific dogmas that prevent proper treatment, to devastating effect. In The Pain Chronicles, a singular and deeply humane work, Melanie Thernstrom traces conceptions of pain throughout the ages—from ancient Babylonian pain-banishing spells to modern brain imaging—to reveal the elusive, mysterious nature of pain itself. Interweaving first-person reflections on her own battle with chronic pain, incisive reportage from leading-edge pain clinics and medical research, and insights from a wide range of disciplines—science, history, religion, philosophy, anthropology, literature, and art—Thernstrom shows that when dealing with pain we are neither as advanced as we imagine nor as helpless as we may fear. Both a personal meditation and an intellectual exploration, The Pain Chronicles illuminates and makes sense of the all-too-human experience of pain—and confronts with extraordinary grace and empathy its peculiar traits, its harrowing effects, and its various antidotes.

Andy Miller is a sports atheist. The beautiful game, the roar of the crowd, winning, losing, taking part - these mean nothing to him. But at thirty he is worried. He thinks he's turning into a bit of a crank. So Andy decides that he must try to love sport - and just maybe it will love him back. He shivers for a season in the stands at QPR, braves the queues at Wimbledon, stays (reasonably) sober at the Boat Race, gets his money's worth at a WWF event. But to really show his commitment, he takes up the one sport now dear to his heart - crazy golf. Dreaming of putting glory, he heads for Europe and the International circuit. No one can accuse him of being a crank now . . .