This book is a unique Russian-English reference work that provides learners of Russian with well-formed factual conversational statements from over fifty national areas. It is the first Russian-English reference work to arrange complete sentences according to their meaning. For ease of use, Russian sentences with their English translators are arranged in parallel columns on the same page. Extensive indices in both Russian and English make it simple to find the exact page number for individual words in sentences, sentence meanings and important concepts. The glossary explains all of the symbols used in the grammatical formulas of syntactic models in the body of the book and gives definitions of terms that are used in defining the various types of informational expressions. This book will be of use to beginning students of Russian for finding the most usual conversational expressions. Advanced students will find it useful in courses and seminars on the expression of functions and notions in Russian and developing the skill of multiple expression of the same meaning.

This book is a unique Russian-English reference work that provides learners of Russian with well-formed factual conversational statements from over fifty national areas. It is the first Russian-English reference work to arrange complete sentences according to their meaning. For ease of use, Russian sentences with their English translators are arranged in parallel columns on the same page. Extensive indices in both Russian and English make it simple to find the exact page number for individual words in sentences, sentence meanings and important concepts. The glossary explains all of the symbols used in the grammatical formulas of syntactic models in the body of the book and gives definitions of terms that are used in defining the various types of informational expressions. This book will be of use to beginning students of Russian for finding the most usual conversational expressions. Advanced students will find it useful in courses and seminars on the expression of functions and notions in Russian and developing the skill of multiple expression of the same meaning.

This book brings together selected revised papers representing a multidisciplinary approach to language, music, and gesture, as well as their interaction. Among the number of multidisciplinary and comparative studies of the structure and organization of language and music, the presented book broadens the scope with the inclusion of gesture problems in the analyzed spectrum. A unique feature of the presented collection is that the papers, compiled in one volume, allow readers to see similarities and differences in gesture as an element of non-verbal communication and gesture as the main element of dance. In addition to enhancing the analysis, the data on the perception and comprehension of speech, music, and dance in regard to both their functioning in a natural situation and their reflection in various forms of performing arts makes this collection extremely useful for those who are interested in human cognitive abilities and performing skills. The book begins with a philosophical overview of recent neurophysiological studies reflecting the complexity of higher cognitive functions, which references the idea of the baroque style in art being neither linear nor stable. The following papers are allocated into 5 sections. The papers of the section “Language-Music-Gesture As Semiotic Systems” discuss the issues of symbolic and semiotic aspects of language, music, and gesture, including from the perspective of their notation. This is followed by the issues of "Language-Music-Gesture Onstage" and interaction within the idea of the "World as a Text." The papers of “Teaching Language and Music” present new teaching methods that take into account the interaction of all the cognitive systems examined. The papers of the last two sections focus on issues related primarily to language: The section "Verbalization Of Music And Gesture" considers the problem of describing musical text and non-verbal behavior with language, and papers in the final section "Emotions In Linguistics And Ai-Communication Systems” analyze the ways of expressing emotions in speech and the problems of organizing emotional communication with computer agents.

Semantic externalism is the view that the meanings of referring terms, and the contents of beliefs that are expressed by those terms, are not fully determined by factors internal to the speaker but are instead bound up with the environment. The debate about semantic externalism is one of the most important but difficult topics in philosophy of mind and language, and has consequences for our understanding of the role of social institutions and the physical environment in constituting language and the mind. In this long-needed book, Jesper Kallestrup provides an invaluable map of the problem. Beginning with a thorough introduction to the theories of descriptivism and referentialism and the work of Frege and Kripke, Kallestrup moves on to analyse Putnam’s Twin Earth argument, Burge’s arthritis argument and Davidson’s Swampman argument. He also discusses how semantic externalism is at the heart of important topics such as indexical thoughts, epistemological skepticism, self-knowledge, and mental causation. Including chapter summaries, a glossary of terms, and an annotated guide to further reading, Semantic Externalism an ideal guide for students studying philosophy of language and philosophy of mind.

In The Dynamics of Meaning, Gennaro Chierchia tackles central issues in dynamic semantics and extends the general framework. Chapter 1 introduces the notion of dynamic semantics and discusses in detail the phenomena that have been used to motivate it, such as "donkey" sentences and adverbs of quantification. The second chapter explores in greater depth the interpretation of indefinites and issues related to presuppositions of uniqueness and the "E-type strategy." In Chapter 3, Chierchia extends the dynamic approach to the domain of syntactic theory, considering a range of empirical problems that includes backwards anaphora, reconstruction effects, and weak crossover. The final chapter develops the formal system of dynamic semantics to deal with central issues of definites and presupposition. Chierchia shows that an approach based on a principled enrichment of the mechanisms dealing with meaning is to be preferred on empirical grounds over approaches that depend on an enrichment of the syntactic apparatus. Dynamics of Meaning illustrates how seemingly abstract stances on the nature of meaning can have significant and far-reaching linguistic consequences, leading to the detection of new facts and influencing our understanding of the syntax/semantics/pragmatics interface.

“Providing up-to-date, in-depth coverage of the central question, and written and edited by some of the foremost practitioners in the field, this timely new edition will no doubt be a go-to reference for anyone with a serious interest in the philosophy of language.” Kathrin Glüer-Pagin, Stockholm University Now published in two volumes, the second edition of the best-selling Companion to the Philosophy of Language provides a complete survey of contemporary philosophy of language. The Companion has been greatly extended and now includes a monumental 17 new essays – with topics chosen by the editors, who curated suggestions from current contributors – and almost all of the 25 original chapters have been updated to take account of recent developments in the field. In addition to providing a synoptic view of the key issues, figures, concepts, and debates, each essay introduces new and original contributions to ongoing debates, as well as addressing a number of new areas of interest, including two-dimensional semantics, modality and epistemic modals, and semantic relationism. The extended “state-of-the-art” chapter format allows the authors, all of whom are internationally eminent scholars in the field, to incorporate original research to a far greater degree than competitor volumes. Unrivaled in scope, this volume represents the best contemporary critical thinking relating to the philosophy of language.

Hearing Harmony offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the repertory’s typical harmonic transformations (such as chord substitution) and harmonic ambiguities. Doll provides readers with a novel explanation of the assorted aural qualities of chords, and how certain harmonic effects result from the interaction of various melodic, rhythmic, textural, timbral, and extra-musical contexts, and how these interactions can determine whether a chordal riff is tonally centered or tonally ambiguous, whether it sounds aggressive or playful or sad, whether it seems to evoke an earlier song using a similar series of chords, whether it sounds conventional or unfamiliar.

This book provides an exploration of the intersection between the McCarthy Era and the theory of free expression, as well as the implications of that intersection for both historical and constitutional inquiry.

This book constitutes the refereed proceedings of the Second Asia Information Retrieval Symposium, AIRS 2005, held in Jeju Island, Korea, in October 2005. The 32 revised full papers and 36 revised poster papers presented were carefully reviewed and selected from 136 papers submitted. All current issues in information retrieval are addressed: applications, systems, technologies and theoretical aspects of information retrieval in text, audio, image, video and multi-media data. The papers are organized in topical sections on relevance/retrieval models, multimedia IR, natural language processing in IR, enabling technology, Web IR, question answering, document/query models, a special session: digital photo album, TDT/clustering, multimedia/classification, and two poster and demo sessions.

This edited volume examines the ways in which rapidly changing technologies and patterns of media use influence, and are influenced by, our emotional experiences. Following introductory chapters outlining common conceptual frameworks used in the study of emotion and digital media effects, this book is then organized around four general areas highlighting the intersection of technology use and emotional experience: how people experience, and researchers measure, emotions in response to digital media use; potential emotional harms and enrichments resulting from online behaviors; the socio-emotional dynamics of online interaction; and emotion's role in engagement with online information. Chapters span a wide range of topics, including physiological and neuroscientific responses to new media, virtual reality, social media and well-being, technology addiction, cyberbullying, online hate and empathy, online romantic relationships, self-presentation online, information seeking, message sharing, social support, polarization, misinformation, and more. Through a social scientific lens, contributing authors provide nuanced, interdisciplinary perspectives on these salient social phenomena, offering cogent reviews and critiques of the literatures and avenues for future research. In essence, this volume highlights the centrality of emotions in understanding how ever-present media technologies influence our lived experiences.