Infinity, Faith, and Time is an exploration of Renaissance literature and the importance of a powerful tradition of Christian-Platonist rational spirituality derived from St Augustine and Nicholas of Cusa. John Spencer Hill argues that this tradition had

In Part 1 Hill examines the effect of the idea of spatial infinity on seventeenth-century literature, arguing that the metaphysical cosmology of Nicholas of Cusa provided Renaissance writers, such as Pascal, Traherne, and Milton, with a way to construe the vastness of space as the symbol of human spiritual potential. Focusing on time in Part 2, Hill reveals that, faced with the inexorability of time, Christian humanists turned to St Augustine to develop a philosophy that interpreted temporal passage as the necessary condition of experience without making it the essence or ultimate measure of human purpose. Hill's analysis centres on Shakespeare, whose experiments with the shapes of time comprise a gallery of heuristic time-centred fictions that attempt to explain the consequences of human existence in time. Infinity, Faith, and Time reveals that the sixteenth and seventeenth centuries were a period during which individuals were able, with more success than in later times, to make room for new ideas without rejecting old beliefs.

This remarkable work offers an analytical exploration of the nature of divine eternity and God's relationship to time.

According to Robert John Russell, one of the foremost scholars on relating Christian theology and science, the topic of “time and eternity” is central to the relation between God and the world in two ways. First, it involves the notion of the divine eternity as the supratemporal source of creaturely time. Second, it involves the eternity of the eschatological New Creation beginning with the bodily Resurrection of Jesus in relation to creaturely time. The key to Russell's engagement with these issues, and the purpose of this book, is to explore Wolfhart Pannenberg’s treatment of time and eternity in relation to mathematics, physics, and cosmology. Time in Eternity is the first book-length exposition of Russell’s unique method for relating Christian theology and the natural sciences, which he calls “creative mutual interaction” (CMI). This method first calls for a reformulation of theology in light of science and then for the delineation of possible topics for research in science drawing on this reformulated theology. Accordingly, Russell first reformulates Pannenberg’s discussion of the divine attributes—eternity and omnipresence—in light of the way time and space are treated in mathematics, physics, and cosmology. This leads him to construct a correlation of eternity and omnipresence in light of the spacetime framework of Einstein’s special relativity. In the process he proposes a new flowing time interpretation of relativity to counter the usual block universe interpretation supported by most physicists and philosophers of science. Russell also replaces Pannenberg’s use of Hegel’s concept of infinity in relation to the divine attributes with the concept of infinity drawn from the mathematics of Georg Cantor. Russell then addresses the enormous challenge raised by Big Bang cosmology to Christian eschatology. In response, he draws on Pannenberg’s interpretation both of the Resurrection as a proleptic manifestation of the eschatological New Creation within history and the present as the arrival of the future. Russell shows how such a reformulated understanding of theology can shed light on possible directions for fundamental research in physics and cosmology. These lead him to explore preconditions in contemporary physics research for the possibility of duration, copresence, retroactive causality, and prolepsis in nature.

This story about faerie began as a vision. In his newest work, Lee Morgan follows a cacophony of visions with sharp, bright edges to them that have lain claim to his heart and hands. In what is clearly a work of the heart, Lee bypasses rational intellect guiding the reader to experience the touch, scent and feel of the Faerie Faith through symbol and suggestion. Sounds of Infinity is divided into three parts, the work of the Head, the work of the Heart and the work of the Hands. The second is a work of occult fiction that meditates upon the themes discussed in Part One in the form of a woven narrative. The final part is a practical grimoire that leads the reader through the door to physically manifests the vision they have shared in parts one and two. This is not just a book, but an experience, one which culminates not at the end of reading the volume but in the consummation known in the art of ritual.

Reprint of the original, first published in 1865. A critique on the Hamiltonian Theory of limitation, including some strictures upon the theories of Rev. Henry L. Mansel and Mr. Herbert Spencer.

A Christian view of time, space and the universe, emphasizing the superiority of Scripture to all other sources of knowledge and dealing helpfully with the Big Bang theory of origins, extraterrestrial intelligence, the spiritual realm, and much else.