“Whatever else will be said about her—and you can bet there will be plenty, because Barbara was no stranger to controversy—the one thing that is true above all else is that she was the most important person in lesbian publishing in the world. Without her boldness and her audacity, there might not be the robust lesbian publishing industry there is today.” —Teresa DeCrescenzo Barbara Grier—feminist, activist, publisher, and archivist—was many things to different people. Perhaps most well known as one of the founders of Naiad Press, Barbara’s unapologetic drive to make sure that lesbians everywhere had access to books with stories that reflected their lives in positive ways was legendary. Barbara changed the lives of thousands of women in her lifetime. For the first time, historian Joanne Passet uncovers the controversial and often polarizing life of this firebrand editor and publisher with new and never before published letters, interviews, and other personal material from Grier’s own papers. Passet takes readers behind the scenes of The Ladder, offering a rare window onto the isolated and bereft lives lesbians experienced before the feminist movement and during the earliest days of gay political organizing. Through extensive letters between Grier and her friend novelist Jane Rule, Passet offers a virtual diary of this dramatic and repressive era. Passet also looks at Grier’s infamous “theft” of The Ladder’s mailing list, which in turn allowed her to launch and promote Naiad Press, the groundbreaking women’s publishing company she founded with partner Donna McBride in 1973. Naiad went on to become one of the leaders in gay and lesbian book publishing and for years helped sustain lesbian and feminist bookstores—and readers—across the country.

"Stephen Vider considers how the meanings of domesticity shifted for gay men and lesbians from the late 1960s to early 1980s, from a site of supposed isolation or deviance, to a source of identity, community, and pleasure. His manuscript reveals the multiple uses, appeals, and limits of domesticity for LGBTQ people in the post-World War II period, in their efforts to make social and sexual connections, and to appeal for expanded rights and freedoms. For example, the 1970s witnessed an efflorescence of gay communal households that proved to be seedbeds for alternative modes of domesticity, using the privacy of domestic space to achieve broader social and political changes. Vider brings a novel perspective to gay identity and culture, examining domesticity as a meeting point between practices and discourse, the local and national, the private and the public"--

As the author of four humorous memoirs, activist and comedian Fay Jacobs returns with her newest tall tales, Fried & Convicted, Rehoboth Beach Uncorked. And, as you’d expect, It’s chock-full of Fay’s signature witty, wise, and often laugh-out-loud commentary about the craziness of contemporary life in the diverse and welcoming resort town of Rehoboth Beach on the Delaware Coast. This time, though, everyone’s favorite “Sit-Down Comic” grapples with the insanity of a high-tech bra, cartoon bladders in prescription advertising, and refusing to act her age . . . Fried & Convicted was written over the last few years and culminates with Election Day, 2016. It chronicles the joy of gaining equal marriage rights for same-sex couples, tales of Icelandic lagoons, Provincetown adventures, and much ado about lesbians of a certain age. It tells a few harrowing personal stories, such as Bonnie’s unnerving medical diagnosis, the time Fay went kayaking with alligators, and how she came up with a public relations scheme to rescue her pal’s purloined pooch. And through it all, she finds a way to make it provocative, political, occasionally heartwarming, and reliably hilarious. Featuring Fay’s latest magazine columns plus new, never before published material, Fried & Convicted is a pleasure for longtime fans and new readers alike. Come along for the ride—you’ll be happy you did! Fay Jacobs spent thirty years in Washington, DC working in journalism and public relations. Her latest project is a one-woman show, Aging Gracelessly: 50 Shades of Fay, which is being performed in theatres around the country. She lives in Rehoboth Beach with her wife of thirty-four years and a Miniature Schnauzer.

In a documentarian investigation of the major LGBTQ archives in the United States, Queer Literacies: Discourses and Discontents identifies the homophobic discourses that prevailed in the twentieth-century by those discursive forces that also sponsored the literacy acquisition of the nation. Mark McBeth tracks down the evidence of how these sponsors of literacy—families, teachers, librarians, doctors, scientists, and government agents—instituted heteronormative platforms upon which public discourses were constructed. After pinpointing and analyzing how this disparaging rhetoric emerged, McBeth examines how certain LGBTQ advocates took counter-literacy measures to upend and replace those discourses with more Queer-affirming articulations. Having lived contemporaneously while these events occurred, McBeth incorporate narratives of his own lived experience of how these discourses impacted his own reading, writing, and researching capabilities. In this auto-archival research investigation, McBeth argues that throughout the twentieth century, Queer literates revised dominant and oppressive discourses as a means of survival and world-making in their own words. Scholars of rhetoric, gender studies, LGBTQ studies, literary studies, and communication studies will find this book particularly useful.

Collecting the best of the underground blog Weird Sister, these unapologetic and insightful essays link contemporary feminism to literature and pop culture. Launched in 2014, Weird Sister proudly staked out a corner of the internet where feminist writers could engage with the literary and popular culture that excited or enraged them. The blog made space amid book websites dominated by white male editors and contributors, and also committed to covering literary topics in-depth when larger feminist outlets rarely could. Throughout its decade-long run, Weird Sister served as an early platform for some of contemporary literature’s most striking voices, naming itself a website that “speaks its mind and snaps its gum and doesn’t apologize.” Edited by founder Marisa Crawford, The Weird Sister Collection brings together the work of longtime contributors such as Morgan Parker, Christopher Soto, Soleil Ho, Julián Delgado Lopera, Virgie Tovar, Jennif(f)er Tamayo, and more, alongside new original essays. Offering nuanced insight into contemporary and historical literature, in conversation with real-life and timely social issues, these pieces mark a transitional and transformative moment in online and feminist writing.

In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women's liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature. With the freedom that the Women in Print movement inspired, southern lesbian feminists remade southernness as a site of intersectional radicalism, transgressive sexuality, and liberatory space. Including in her study well-known authors—like Dorothy Allison and Alice Walker—as well as overlooked writers, publishers, and editors, Harker reconfigures the southern literary canon and the feminist canon, challenging histories of feminism and queer studies to include the south in a formative role.

The new edition includes a new foreword that looks at the impact the original edition had on both the lesbian and the mainstream cultures. The authors have added individual afterwords, describing how their lives were changed when their book went mainstream.

I have found just the work for me, for I love it more all the time. Thus wrote one of several hundred professionally trained women who carried the gospel of books and libraries throughout the West during the early twentieth century. Pioneers in a profession, they regarded the West as a fertile field for their cultural crusade which included establishing traveling libraries in rural areas, participating in community-building activities, and professionalizing existing public and academic libraries and as a place where they could develop as independent women. Passet uses extensive archival material to provide a picture of the women librarians' experiences. She explores their education, family relationships, degree of autonomy, and reactions to the West. Her account is enlivened throughout by the words of the women themselves. It is further enriched by brief biographies of four women exemplifying the combination of personal and professional goals that motivated many women librarians to move west.

A collection of biographies of historical women that appeared in The Ladder, a pioneer lesbian newsletter published from 1956 to 1972.

On January 20, 1942, black oil mill worker Cleo Wright assaulted a white woman in her home and nearly killed the first police officer who tried to arrest him. An angry mob then hauled Wright out of jail and dragged him through the streets of Sikeston, Missouri, before burning him alive. Wright's death was, unfortunately, not unique in American history, but what his death meant in the larger context of life in the United States in the twentieth-century is an important and compelling story. After the lynching, the U.S. Justice Department was forced to become involved in civil rights concerns for the first time, provoking a national reaction to violence on the home front at a time when the country was battling for democracy in Europe. Dominic Capeci unravels the tragic story of Wright's life on several stages, showing how these acts of violence were indicative not only of racial tension but the clash of the traditional and the modern brought about by the war. Capeci draws from a wide range of archival sources and personal interviews with the participants and spectators to draw vivid portraits of Wright, his victims, law-enforcement officials, and members of the lynch mob. He places Wright in the larger context of southern racial violence and shows the significance of his death in local, state, and national history during the most important crisis of the twentieth-century.