Inspired by Indian, Chinese and French traditions, Indochine Style takes you into the heart of this exciting and eclectic world. The book is a visual spectacle with over 250 stunning colour photographs that celebrate the best of Vietnamese and Laotian architecture, interiors and crafts. From villas to resorts, from the nostalgic to the modern, Barbara Walker, shares her insights on the intriguing and beautiful world of Indochine Style.

* This revised edition in a new size and contemporary layout features some of the most beautiful homes and commercial spaces in Indochina* The book is a visual spectacle with over 300 specially commissioned colours photographs* Comprehensive text is written in a personal and warm manner * Includes architectural drawings

"Southern Vietnamese Modernist Architecture" features beautiful architectural photography that illustrates the outstanding accomplishment of the people of southern Vietnam in developing a mid-century modernist architecture that is extraordinary in the world. Especially for Americans, Vietnam has been a war instead of a country. The world didn’t notice that the Vietnamese were simultaneously constructing modern apartment buildings, houses, large public buildings, and public housing as they developed a new nation. And the world didn’t anticipate that this architecture would be so overtly modernist rather than an adaption of traditional Vietnamese designs to the continuation of colonial architecture. In the mid-twentieth century, southern Vietnamese architects developed a version of modernist architecture that accommodated the tropical climate and reflected the identity of a newly-independent culture. It demonstrates the innate sense of design of Vietnamese and it represented the outlook of the people of southern Vietnam as they looked towards the future, even in the face of war. The vast quantity and quality of Vietnamese modernist buildings constructed throughout southern Vietnam made Vietnam an unrecognized center of modernism in the world. Most importantly, the southern Vietnamese as a culture embraced modernism, and it became the vernacular architecture of the culture for dwellings. This architecture features an interplay between masses and voids that provides a much more vibrant version of modernist architecture. This style fills the gaps between the functionalism of the International Style and the quest for identity and spirit that has been lacking in modernism worldwide. American architect Mel Schenck is a long-term immigrant to Vietnam and has been studying this architecture since he was surprised by the extent and quality of modernist architecture in Saigon when he first lived there in 1971/72. He and photographer Alexandre Garel accumulated a database of 400 buildings and 4,000 photographs in southern Vietnam to serve a comprehensive analysis of the history and characteristics of this distinctive architecture. Architectural historians, aficionados of modernist architecture, and anyone interested in Vietnamese culture will find that this book is a positive story about Vietnamese aspirations for independence and the value of modernist architecture in living in the world today.

With over 220 striking photographs and insightful commentary, this Vietnamese design book captures the essence of Vietnamese style and art. Vietnam has long captured the imagination of travelers, both real and armchair. It is an appealing country, filled with natural beauty, tranquil village life and fascinating cities. Vietnam also has an inimitable architectural and interior design style, the product of its rich cultural heritage and the various influences of Chinese, French and other Western colonialism. Vietnam Style is an exploration of the balancing act between traditional vernacular design and architecture and the outside influences of colonialism. The unusual and striking new design styles created by melding these elements are a true cultural kaleidoscope of Vietnam today. Chinese-style shophouses, temples with Indian influences, Thai-style palaces, French Colonial civic and domestic buildings, and the variety of tribal and native wooden houses present in Vietnam Style offer an intimate look into the vibrant, yet virtually unknown world of modern Vietnamese architecture and design.

“A timely read. . . . [Nadelson’s] reporting, all from a personal lens, is up-to-date. . . . Like chocolate chips in a cookie, the book is studded with delicious photos old and new.” —Florence Fabricant, New York Times “A wonderfully lively, knowledgeable journey through the past and present of places that help make New York City what it is, and which we must cherish and (hopefully) preserve.” —Salman Rushdie New York might have Broadway, Times Square, and the Empire State Building, but the real heart and soul of the city can be found in the iconic places that have defined cool since “cool” became a word. Places like Di Palo’s in Little Italy, where you might stop in to pick up a little cheese only to find yourself in a long conversation—part friendly chat, part profound tutorial—with fourth-generation owner Lou Di Palo, sampling cheeses all the while. Or Raoul’s in SoHo, to enjoy a classic steak-frites in the company of downtown artists, celebrities, and dyed-in-the-wool locals. Or Minton’s Playhouse in Harlem, to be in the room where some young guys named Thelonious, Dizzy, and Charlie invented bebop. Or maybe Russ & Daughters, to pick up the city’s best lox and bagels, which they’ve been selling since 1914. A lifelong New Yorker, writer Reggie Nadelson celebrates her city and all the places that make it special. Part guidebook, part cultural history, part walk down memory lane, alive with the spirit and the grit of small, often family-owned businesses that have survived the Great Depression, World War II, 9/11, and the coronavirus lockdown, Marvelous Manhattan is a seductive and timely book for anyone who lives in New York, loves the city, lived there once, or wishes they had. Because that’s the thing about Manhattan: all you need to do is walk into the right place—say, Fanelli’s on Prince Street—sit down at the bar, order a drink, open this book, and suddenly you’re a New Yorker.

Intended as a reminder of Europe for soldiers and clerks of the empire, the city of Dalat, located in the hills of Southern Vietnam, was built by the French in an alpine locale that reminded them of home. This book uncovers the strange 100-year history of a colonial city that was conceived as a center of power and has now become a kitsch tourist destination famed for its colonial villas, flower beds, pristine lakes, and pastoral landscapes. Eric T. Jennings finds that from its very beginning, Dalat embodied the paradoxes of colonialism—it was a city of leisure built on the backs of thousands of coolies, a supposed paragon of hygiene that offered only questionable protection from disease, and a new venture into ethnic relations that ultimately backfired. Jennings’ fascinating history opens a new window onto virtually all aspects of French Indochina, from architecture and urban planning to violence, labor, métissage, health and medicine, gender and ethic relations, schooling, religion, comportments, anxieties, and more.

Take the popular decorating concept of Feng Shui to a whole new level with authentic information on how to create a Chinese aesthetic. Learn how to alleviate clutter and increase the flow of chi, the universal life force; discover ways of integrating Chinese furniture and decorative arts to decorating styles; and stroll through a rich collection of images from homes, museums, and galleries.

Jacquie Mouhot and Paaku the Lotus-Born are divided by six centuries but linked by a common curse. In medieval Cambodia, Paaku is an orphan whose community believes he may be a reluctant incarnation of a god, causing sectarian turmoil for the kingdom's leaders. Meanwhile, in 1921, Jacquie follows the footsteps of her grandfather, a famous explorer, to Indochina, where she becomes immersed in the tragedy of Paaku's history: a story simultaneously unfolding in the intertwined present and past, a story in which she still has a vital role to play.

Politics and culture are at once semi-autonomous and intertwined. Nowhere is this more revealingly illustrated than in urban design, a field that encompasses architecture and social life, traditions and modernization. Here aesthetic goals and political intentions meet, sometimes in collaboration, sometimes in conflict. Here the formal qualities of art confront the complexities of history. When urban design policies are implemented, they reveal underlying aesthetic, cultural, and political dilemmas with startling clarity. Gwendolyn Wright focuses on three French colonies--Indochina, Morocco, and Madagascar--that were the most discussed, most often photographed, and most admired showpieces of the French empire in the early twentieth century. She explores how urban policy and design fit into the French colonial policy of "association," a strategy that accepted, even encouraged, cultural differences while it promoted modern urban improvements that would foster economic development for Western investors. Wright shows how these colonial cities evolved, tracing the distinctive nature of each locale under French imperialism. She also relates these cities to the larger category of French architecture and urbanism, showing how consistently the French tried to resolve certain stylistic and policy problems they faced at home and abroad. With the advice of architects and sociologists, art historians and geographers, colonial administrators sought to exert greater control over such matters as family life and working conditions, industrial growth and cultural memory. The issues Wright confronts--the potent implications of traditional norms, cultural continuity, modernization, and radical urban experiments--still challenge us today.

An Introduction to the History of Southeast Asian Architecture chronicles the architectural heritage of 11 Southeast Asian countries, delving into the major influences and historical development of vernacular architecture and buildings in the region. Accompanied by hundreds of photos, the buildings featured in the book tell the fascinating stories of each country’s developments from prehistoric times until the present day.