"Full of gorgeous language and wild insights."—Nick Flynn Set in the beleaguered heart of Indiana’s opioid crisis, Brian Allen Carr’s timely and tender novel about a teen struggling to find his place in the world—and come up with $800 rent—is at once a moving rumination on the hopeful power of story and a harrowing insight into modern America. It is a book you won’t soon forget. Seventeen-year-old Riggle is living in rural Indiana with his uncle and uncle’s girlfriend after the death of his parents. Now his uncle is missing, probably on a drug binge. It’s Monday, and $800 in rent is due Friday. Riggle, who’s been suspended from school, has to either find his uncle or get the money together himself. His mission exposes him to a motley group of Opioid locals—encounters by turns perplexing, harrowing, and heartening. With empathy and insight, Carr explores what it’s like to be a high school kid in the age of Trump—a time of economic inequality, addiction, Confederate flags, and mass shootings. Through the voice of its unforgettable protagonist—charismatic, confused, searching, by turns cynical and naïve, wise and impulsive—Opioid, Indiana pierces to the heart of our moment.

An electric tale of apocalypse, sex and time travel from one of the Caribbean's most extraordinary cultural figures.

"A Divine Comedy of our times."—John Irving, author of The World According to Garp "This book is a miracle.”—Junot Díaz, Pulitzer Prize-winning author of The Brief, Wondrous Life of Oscar Wao A 2022 ReLit Award Finalist • A Winnipeg Free Press Top Read of 2021 Following Original Prin, a NYTBR Editor’s Choice and Globe and Mail Best Book, Dante’s Indiana is an extraordinary journey through the divine comedies and tragedies of our time. Middle-aged, married, but living on his own, Prin has lost his way. Desperate for money and purpose, he moves to small-town Indiana to work for an evangelical millionaire who’s building a theme park inspired by Dante’s Inferno. He quickly becomes involved in the difficult lives of his co-workers and in the wider struggles of their opioid-ravaged community while trying to reconcile with his distant wife and distant God. Both projects spin out of control, and when a Black teenager is killed, creationists, politicians and protesters alike descend. In the midst of this American chaos, Prin risks everything to help the lost and angry souls around him while searching for his own way home. Affecting and strange, intimate and big-hearted, Dante’s Indiana is a darkly divine comedy for our time.

A mesmerizing, poignant saga of love and loss firmly grounded in the Midwestern landscape by National Book Award finalist Laird Hunt. On a dark and lovely winter night, Noah Summers sits before a roaring fire, drifting between sleep and recollection, trying to make sense of a lifetime of psychic visions and his family’s tumultuous history on an Indiana farmstead. Decades have passed since Noah first fell in love with Opal, a brilliant but unstable young woman whose penchant for flames separated the couple after just forty-two idyllic days of married life. Despite the challenges they each faced, their love never wavered in the long years that followed, sustained by letters, memories, and the bonds of family. Indiana, Indiana establishes the world Laird Hunt returned to in National Book Award finalist Zorrie and introduces the character of Zorrie Underwood for the first time. Written in a masterful elegiac style reminiscent of William Faulkner and Marilynne Robinson, Indiana, Indiana is a beautiful and surreal story that illuminates the heart of rural America.

In the Philadelphia neighborhood known as the Badlands, drug gangs rule absolutely. Each time a life is lost in the carnage of the local drug wars, a boldly drawn chalk outline of a body appears on the street leading up to City hall: a teenaged dealer, a priest, a little girl with a jump rope. Ofelia Santoro rides her bicycle through the dark, decaying streets, looking for her fourteen-year-old-son, Gabriel. She’s afraid of what she might find. Gabriel has fallen in with the most savage of the drug dealers, but now wants to get out—if he can. In this gritty, fast-moving novel, acclaimed Philadelphia Inquirer columnist Steve Lopez brings home the violence that is scarring America’s vast urban wastelands, and the humanity that might save them. “An unfancy prose is streaked by strong, cinematic images . . . Lopez aims to prick consciences, in the tradition of the documentary novelist, and he does so with considerable style.”—The Daily Telegraph “Lopez has done what Balzac, Dickens . . . and Dostoevsky did so masterfully: he has taken a torch to the back of the cave and returned to tell us what he has seen.” –Pete Hamill, The Philadelphia Inquirer

Poetry. LGBTQIA Studies. Pine maps a secret relationship between two women in the South, where certain kinds of desire --queer desire, in particular --have historically been hidden and feared. Creating new landscapes of identity by reimagining form, modifying villanelles, sonnets, elegies, thank-you notes, and dictionary entries, Pine's imagistic and metaphorical associations between the body and the natural world form a queer ecology of longing and loss.

""These are new Cubans. Twenty-first-century Marielitos. Balseros, as the bartender had referred to them. I know, because my mom tells me that these are the kinds of Cubans I need to stay away from." In eight captivating stories, In This World of Ultraviolet Light navigates tensions between Cubans, Cuban Americans, and the larger Latinx community. Though these stories span many locations-from a mulch manufacturing facility on the edge of Big Cypress National Preserve to the borderlands between Georgia and the Carolinas-they are overshadowed by an obsession with Miami as a place that exists in the popular imagination. Beyond beaches and palm trees, Raul Palma goes off the beaten path to portray everyday people clinging to their city and struggling to find cultural grounding. As Anjali Sachdeva writes, "This is fiction to steal the breath of any reader, from any background." Boldly interrogating identity, the discomfort of connection, and the entanglement of love and cruelty, In This World of Ultraviolet Light is a nuanced collection of stories that won't let you go"--

The long-awaited memoir from one of the most acclaimed radical writers in American literature. Described by the London Review of Books as one of “the most brilliant critics writing in America today,” Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments. With I Can Give You Anything but Love, Gary Indiana has composed a literary, unabashedly wicked, and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post–summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality. Interspersed throughout his vivid recollections are present-day chapters set against the louche culture and raw sexuality of Cuba, where he has lived and worked occasionally for the past fifteen years. Connoisseurs will recognize in this—his most personal book yet—the same mixture of humor and realism, philosophy and immediacy, that have long confused the definitions of genre applied to his writing. Vivid, atmospheric, revealing, and entertaining, this is an engrossing read and a serious contribution to the genres of gay and literary memoir.

Winner of the 2020 Michael Waters Poetry Prize. On the brink of climate catastrophe, a mother grappling with her choice to bring children into an apocalyptic world sends her daughters into the woods of fairy tale as a rite of initiation. The woods carry her fears of extinction--devastating fires, rising seas, and the predatory dangers of girlhood--but also contain the transformative magic of love, interdependence, and renewal. AND IF THE WOODS CARRY YOU roots into the wild heart of motherhood, where worry and wonder intertwine. Poetry. California Interest. Women's Studies.

Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Chapter Six -- Chapter Seven -- Chapter Eight -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Chapter Twelve