In this period of globalization, many individuals are trying to upgrade the life and for that most of them are now migrating to other lands. In the process of getting settle in new land they encounter many problems. The issue of migration and immigration brings forward the question of exile, identity, assimilation, memory, nostalgia, hopelessness, uprootedness, hybridity and so on. Indian writers have beautifully picked up experiences of such people and penned them down. Such writing is called ‘Diaspora Literature’, wherein immigrant experiences have been shared through literature. This type of literature includes expatriate stories, refugee chronicles and immigrant narratives. The present anthology Indian Diaspora Literature: A Critical Evaluation covers as many as twenty articles where the authors have discussed innumerable issues and challenges as confronted by Indian immigrants due to their distance and dislocation from their familiar homeland to the alien hostland, irrespective of what kind of exile they follow: forced or voluntary. Apart from bringing into surface the migratory problems, the anthology also sheds light on the complexities that arise out of such migration. Some of the notable Indian writers who have been given room in this book are V. S. Naipaul, Amitav Ghosh, Rohinton Mistry, Jhumpa Lahiri, Chitra Banerjee Divakaruni, Anita Desai and Kiran Desai to name a few. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.

The Indian diaspora is the largest diasporic movement from Asia, with the Indian community numbering over twenty-five million around the world. Its large scale encompasses a kaleidoscopic community from disparate regions, languages, cultural heritages, religions, and traditions within the subcontinent. The many peoples of the Indian diaspora have growing social and economic impacts on their new homes, but maintain their cultural bonds with India. This volume offers a thorough analysis of the diasporic practices of the Indian communities in essays covering a number of fields, such as literature, cultural studies, and film studies. The contributors deal with the Indian diaspora’s historical and contemporary connotations, its theoretical framework, the cultural hybridizations that emerge from diaspora, and other topics touching on the cultural and social effects of the spread of Indian peoples around the globe.

About the Author Dipak Giri- M.A. (Double), B.Ed. - is a Ph. D. Research Scholar in Raiganj University, Raiganj, Uttar Dinajpur (W.B.). He is working as an Assistant Teacher in Katamari High School (H.S.), Cooch Behar, West Bengal. He is an Academic Counsellor in Netaji Subhas Open University, Cooch Behar College Study Centre, Cooch Behar, West Bengal. He was formerly Part Time Lecturer in Cooch Behar College, Vivekananda College and Thakur Panchanan Mahila Mahavidyalaya, West Bengal and worked as a Guest Lecturer in Dewanhat College, West Bengal. Along with this book on Indian Diaspora Literature, he has also edited eight books on Indian English Drama, Indian English Novel, Postcolonial English Literature, New Woman in Indian Literature, Indian Women Novelists in English, Homosexuality in Contemporary Indian Literature, Transgender in Indian Context and Mahesh Dattani. He is a well-known academician and has published many scholarly research articles in books and journals of both national and international repute. His area of studies includes Post-Colonial Literature, Indian Writing in English, Dalit Literature, Feminism and Gender Studies. About the Book The anthology Immigration and Estrangement in Indian Diaspora Literature: A Critical Study attempts to study diasporic sensibilities in writings of Indian Diaspora writers. The book mainly focuses its study on the sense of displacement and dislocation rising due to immigration from homeland to hostland as found in writings of Indian Diaspora writers. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.

Exploring the work of key writers from across the globe, this significant contribution to diaspora theory constitutes a major study of the literature and other cultural texts of the Indian diaspora.

As a literary genre, Indian short story, next to poetry, is the most popular and accepted form of literature for its variety and nuance of Indian experience. Evolving over time, it has gained wide currency among people. Even after its recourse to traditional rules of the craft, Indian short story amazingly presents itself an original and distinctive form of art. Developed out of contemporary native literature and western storytelling technique, Indian short story presents an amalgation of two different literary traditions which has become unique and distinctive in course of time and long been catering to the taste of people. Ever since its origin, it has already witnessed a plethora of Indian writers who have made significant contributions to this genre by encapsulating the essence of Indian life and culture. They are Rabindranath Tagore, Munshi Premchand, R.K. Narayan, Mulk Raj Anand, Ismat Chughtai, Ruskin Bond, Khushwant Singh, Saadat Hasan Manto, Ashapurna Devi, Jhumpa Lahiri, Anita Desai, Kiran Desai, Chitra Banerjee Divakaruni, Anita Nair, Qurratulain Hyder, Namita Gokhale, Madhulika Liddle , just to name a few. At present Indian short story has taken a wider form, much more than earlier and almost every writer has started trying her or his hand at this field that it is too difficult for one to sum up the whole in one singular work. Still this present book is an endeavour to compile the works of major Indian short story writers in a short but comprehensive way in order to supply the best possible materials to readers, writers, academics, scholars and students who wish to do further studies in this field. There are twenty six chapters in this book which together presents a rich tapestry of this genre. Hopefully this book will march towards many unexplored realms exciting many curious minds, restarting many fruitful dialogues and invigorating many fresh and new ideas among academics, scholars and students alike.

By bringing queer theory to bear on ideas of diaspora, Gayatri Gopinath produces both a more compelling queer theory and a more nuanced understanding of diaspora. Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive. Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching.

Diaspora criticism takes the concept 'diaspora' as its object of inquiry and provides a framework for discussing displaced communities in a way that takes contemporary social, cultural and economic pressures into account. It also offers an alternative to Postcolonial Studies. This book is the first to provide an accessible overview of the critical trends in Diaspora criticism and to critically evaluate the major Diaspora critics and their models, with the aim of adding to the debate on methodology. This authoritative account will be of interest to those working in Diaspora Studies and its related fields of History, Literature, Art, Sociology, Population and Migration Studies, Politics, and Ethnic and Postcolonial Studies.

This volume brings into focus a range of emergent issues related to women in the Indian diaspora. The conditions propelling women’s migration and their experiences during the process of migration and settlement have always been different and very specific to them. Standing ‘in-between’ the two worlds of origin and adoption, women tend to experience dialectic tensions between freedom and subjugation, but they often use this space to assert independence, and to redefine their roles and perceptions of self. The central idea in this volume is to understand women’s agency in addressing and redressing the complex issues faced by them; in restructuring the cultural formats of patriarchy and gender relations; managing the emerging conflicts over what is to be transmitted to the following generations,; renegotiating their domestic roles and embracing new professional and educational successes; and adjusting to the institutional structures of the host state. The essays included in the volume discuss women in the Indian diaspora from multidisciplinary perspectives involving social, economic, cultural, and political aspects. Such an effort privileges diasporic women’s experiences and perspectives in the academia and among policy makers.

What do R.K. Narayan, G.V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi, and Salman Rushdie have in common? They represent Indian writing in English over five decades. Vilified by many cultural nationalists for not writing in native languages, they nonetheless present a critique of the historical and cultural conditions that promoted and sustained writing in English. They also have in common a counterrealist aesthetic that asks its own social, political, and textual questions. This book is about the need to look at the tradition of Indian writing in English from the perspective of counterrealism. The departure from the conventions of mimetic writing not only challenges the limits of realism but also enables Indo-Anglian authors to access formative areas of colonial experience. Kanaganayakam analyzes the fiction of writers who work in this vibrant Indo-Anglian tradition and demonstrates patterns of continuity and change during the last five decades. Each chapter draws attention to what is distinctive about the artifice in each author while pointing to the features that connect them. The book concludes with a study of contemporary writing and its commitment to non-mimetic forms.

Studies In Postcolonial Literature Contains Twenty-Three Papers And Two Interviews With Two Eminent Writers On Different Genres Poetry, Fiction, Short Fiction And Drama Of Postcolonial Literature. It Deals With Literatures In English Outside The Anglo-American Tradition. The Book Focuses On How Postcolonial Literature Assumes An Identity Of Its Own In Spite Of The Writers Drawn From Different Countries With Distinct National Identities. This Is A Very Useful Book For The Students As Well As The Teachers Who Intend To Do An Extensive Study Of Postcolonial Literature.