Indian Comics Fandom (Vol. 7)

Events, reviews, interviews, artworks, fanfic, articles and news related to Indian Comics.

Indian Comics and Graphic Novels news, updates.

News and updates from Indian Comics Industry.

"Contains material originally published in magazine form as Spider-Man: India #1-4"-- P. [2] cover.

Collects Silver Surfer #1-5, All-New Marvel Now! Point One (Silver Surfer story).

Bloodsport’s first mission with the Squad goes pear-shaped as the Crime Syndicate captures Amanda Waller’s agent on Earth-3. By sending in a team to bring Bloodsport home, Waller may also be able to extract another Suicide Squad member for her new team, if she plays her cards right and doesn’t care who else she loses in the process. As part of the team heads into the Multiverse, Peacemaker gets a new assignment to track down and eliminate Levi Kamei-the new Swamp Thing!

Meet the Uncanny Inhumans. MEDUSA! BLACK BOLT! TRITON! READER! HUMAN TORCH?! BEAST?! It's eight months later and everything is different for the Inhumans. Medusa and Johnny Storm are an item. Black Bolt is running covert missions of his own. And something so big happened between the Inhumans and the X-Men that Beast is now on the side of the Inhumans. And if that's not enough, the most dangerous villain throughout Marvel's history is against them-KANG THE CONQUEROR. Don't miss what the epic team behind DEATH OF WOLVERINE (Charles Soule and Steve McNiven) have in store for you. COLLECTING: UNCANNY INHUMANS #0-4, FREE COMIC BOOK DAY 2015 (INHUMANS STORY).

This volume provides engaging accounts with transmedia practices in the long nineteenth century and offers model analyses of Victorian media (e.g., theater, advertising, books, games, newspapers) alongside the technological, economic, and cultural conditions under which they emerged in the Anglophone world. By exploring engagement tactics and forms of audience participation, the book affords insight into the role that social agents – e.g., individual authors, publishing houses, theatre show producers, lithograph companies, toy manufacturers, newspaper syndicates, or advertisers – played in the production, distribution, and consumption of Victorian media. It considers such examples as Sherlock Holmes, Kewpie Dolls, media forms and practices such as cut-outs, popular lectures, telephone conversations or early theater broadcasting, and such authors as Nellie Bly, Mark Twain, and Walter Besant, offering insight into the variety of transmedia practices present in the long nineteenth century. The book brings together methods and theories from comics studies, communication and media studies, English and American studies, narratology and more, and proposes fresh ways to think about transmediality. Though the target audiences are students, teachers, and scholars in the humanities, the book will also resonate with non-academic readers interested in how media contents are produced, disseminated, and consumed, and with what implications.

Through an exploration of subjects such as Gandhi impersonators, performance artists, and ritual participants, Mimetic Desires makes an intervention toward understanding the phenomenon of impersonation and guising in South Asia and the world. This volume defines impersonation as the temporary assumption of an identity or guise in social and aesthetic performance that is perceived as not one’s own, and guising as sartorial and kinetic play more generally. Interrogating the legitimacy of the purported dialectic between the “real/original” and “fake/dupe,” Mimetic Desires refutes the ordering of identity along the lines of a binary or dichotomy that presupposes the myth of an original identity. By peeling back the layers of performative masks to reveal the process of the masquerade itself, we can see that those with the most social capital are often those with the most power and opportunities to impersonate “up” and “down” social hierarchies. The book’s twelve chapters disclose sites and processes of sociopolitical power facilitated by normative markers of social status relating to race, ethnicity, gender, caste, class, and religion—and how those markers can be manipulated to express and enhance individual and group power. The first comprehensive study to focus on impersonation in South Asia, Mimetic Desires expands on previous scholarship on impersonation and guising in vernacular theatre, dance, public processions, and religious rituals. It is particularly in conversation with the robust scholarship on gender performance in South Asia’s theatrical and dance forms. Mimetic Desires explores some of the contexts and forms of impersonation in South Asia, with its remarkable array of performing arts, to gain insight into the very human and quotidian practices of impersonation and guising.