Mark Tully is incomparable. No foreign commentator has a greater understanding of the passions, the contradictions, the charms and the resilience that constitute India. In India in Slow Motion, Tully and his colleague Gillian Wright delve further than ever before into this nation of over one billion people, attempting to unravel a culture that, famously, has always resisted unravelling. India in Slow Motion is the account of a journey that for Tully and Wright has no true beginning or end. Covering a diverse range of subjects-from Hindu extremism to child labour, Sufi mysticism to the crisis in agriculture, the persistence of political corruption to the problem of Kashmir-this book challenges the preconceptions others have about India, as well as those India has about itself. India is often depicted as a victim of forces too wild to be controlled-of post-colonial malaise, of religious strife, of the caste system, of a corrupt bureaucratic machine. India in Slow Motion refutes this, probing into the heart of the Indian experience and arguing that change is possible and that solutions do exist. In the process it brings the country and its people brilliantly alive.

A provocative, humorous, searching and deeply humane portrait of India. This book is an account of a journey that for Tully and Wright has no true beginning or end. Covering a diverse range of subjects, from Hindu extremism to child labor, Sufi mysticism to the crisis in agriculture.

Sir Mark Tully is one of the world's leading writers and broadcasters on India, and the presenter of the much loved radio programme 'Something Understood'. In this fascinating and timely work, he reveals the profound impact India has had on his life and beliefs, and what we can all learn from this rapidly changing nation. Through interviews and anecdotes, he embarks on a journey that takes in the many faces of India, from the untouchables of Uttar Pradesh to the skyscrapers of Gurgaon, from the religious riots of Ayodhya to the calm of a university campus. He explores how successfully India reconciles opposites, marries the sensual with the sacred, finds harmony in discord, and treats certainty with suspicion.

India’s Westernized elite, cut off from local traditions, ‘want to write a full stop in a land where there are no full stops’. From that striking insight Mark Tully has woven a superb series of ‘stories’ which explore Calcutta, from the Kumbh Mela in Allahabad (probably the biggest religious festival in the world) to the televising of a Hindu epic. Throughout, he combines analysis of major issues with a feel for the fine texture and human realities of Indian life. The result is a revelation. 'The ten essays, written with clarity, warmth of feeling and critical balance and understanding, provide as lively a view as one can hope for of the panorama of India.’ K. Natwar-Singh in the Financial Times

Since the Indian economy was liberated from bureaucratic, socialist controls in 1991, it has developed rapidly. A country once renowned for the backwardness of its industries, its commerce and its financial market is now viewed as potentially one of the major world economies of the twenty-first century. But there are many questions which need to be asked about the sustainability of this rapid economic growth and its effect on the stability of the country. Have the changes had any impact on the poor and marginalised? Can India's democracy contain the mounting resentment of those left out of the new economic order? Can a high growth rate be sustained with India's notoriously corrupt and inefficient governance? Can the development of its creaking infrastructure be speeded up? How is India going to feed itself unless agriculture is reformed? This timely book will answer these questions through interviews with industrialists and cricketers, God men and farmers, plutocrats and former untouchables. Full of fascinating stories of real people at a time of great change, it will be of interest to economists, business people, diplomats, politicians, as well as to those who love to travel and who take an interest in the rapid growth of one of the world's largest countries, and what this means to us in the West.

India is heralded as the world's largest democracy. Yet, there is now growing alarm about its democratic health. To Kill a Democracy gets to the heart of the matter. Combining poignant life stories with sharp scholarly insight, it rejects the belief that India was once a beacon of democracy but is now being ruined by the destructive forces of Modi-style populism. The book details the much deeper historical roots of the present-day assaults on civil liberties and democratic institutions. Democracy, the authors also argue, is much more than elections and the separation of powers. It is a whole way of life lived in dignity, and that is why they pay special attention to the decaying social foundations of Indian democracy. In compelling fashion, the book describes daily struggles for survival and explains how lived social injustices and unfreedoms rob Indian elections of their meaning, while at the same time feeding the decadence and iron-fisted rule of its governing institutions. Much more than a book about India, To Kill A Democracy argues that what is happening in the country is globally important, and not just because every third person living in a democracy is an Indian. It shows that when democracies rack and ruin their social foundations, they don't just kill off the spirit and substance of democracy. They lay the foundations for despotism.

Stories Of Depth And Eloquence That Take Us To The Very Heart Of The Indian Experience For More Than Twenty Years Mark Tully Was The Bbc Chief Of Bureau In Delhi And His Name And His Voice Became Synonymous With The Country He Had Made His Home. For Years He Sent Back Dispatches Interpreting The Subcontinent To The Outside World, But The 'Truth' Of India Is Remarkably Resistant To Reportage. Imbued With His Love For India And Informed By His Vast Experience, Mark Tully Has Woven Together A Series Of Extraordinary Stories. All The Stories Are Set In Uttar Pradesh And Tell Of Very Different Lives. Of A Barren Wife Who Visits A Holy Man And Subsequently Conceives-But Is It A Miracle Or Something More Worldly? Of A Son'S Carefully Laid Plot To Take Revenge Against His Father'S Murderer, With A Surprising Twist When His Case Comes To Court. Of A Daughter, Persuaded By Her Friends To Spurn An Arranged Marriage, Whose Romance Ends In Blackmail. Of A Man'S Inability To Overcome The Conventions Of Caste And Go Into Business, Which Leads To His Wife Breaking Purdah And Taking Control Of The Family. In These And In Other Stories, Mark Tully Delicately Probes The Nuances Of Life In India.

Once a colossus dominating the globe, Europe today is a doddering convalescent. Sluggish economic growth, high unemployment, an addiction to expensive social welfare entitlements, a dwindling birth-rate among native Europeans, and most important, an increasing Islamic immigrant population chronically underemployed yet demographically prolific--all point to a future in which Europe will be transformed beyond recognition, a shrinking museum culture riddled with ever-expanding Islamist enclaves. Decline and Fall tells the story of this decline by focusing on the larger cultural dysfunctions behind the statistics. The abandonment of the Christian tradition that created the West's most cherished ideals--a radical secularism evident in Europe's indifference to God and church--created a vacuum of belief into which many pseudo-religions have poured. Scientism, fascism, communism, environmentalism, multiculturalism, sheer hedonism-- all have attempted and failed, sometimes bloodily, to provide Europeans with an alternative to Christianity that can show them what is worth living and dying for. Meanwhile a resurgent Islam, feeding off the economic and cultural marginalization of European Muslims, knows all too well not just what is worth dying for, but what is worth killing for. Crippled by fashionable self-loathing and fantasies of multicultural inclusiveness, Europeans have met this threat with capitulation instead of strength, appeasement and apologies instead of the demand that immigrants assimilate. As Decline and Fall shows, Europe's solution to these ills--a larger and more powerful European Union--simply exacerbates the problems, for the EU cannot address the absence of a unifying belief that can spur Europe even to defend itself, let alone to recover its lost grandeur. As these problems worsen, Europe will face an unappetizing choice between two somber destinies: a violent nationalistic or nativist reaction, or, more likely, a long descent into cultural senescence and slow-motion suicide.

Non-Stop India By Mark Tully Jugaar can loosely be translated as muddling through, or making do. This is undoubtedly a valuable talent and has seen India through numerous crises which could have destabilised a country that is less adaptable - four wars, for example. But while jugaar can be seen to have served India well in the past, it has a downside. It has led to a dangerous complacency, the belief that as India has muddled through so many times before, there is no need for urgency in tackling the problems it faces. In Non Stop India veteran journalist Mark Tully draws on his unmatched knowledge of India, garnered from thirty years of living in, and reporting from, the country, to examine how this approach impacts on her much-touted prospects of becoming an economic super-power. From Maoist conflicts to huge industrial houses; from the Tiger project to farmer suicides; from the Ramayana to the remote valleys of the north-east, Tully examines India's myriad negotiations with modernity and her prospects for the next century and beyond. Today, India is likely to become one of the major economies of the twenty- first century. But many unresolved questions remain about the sustainability of such growth and its effect on the stability of the nation. Veteran journalist Mark Tully draws on thirty years of reporting India and travels the length and breadth of the country to find the answers. Have the changes had any impact on the poor and marginalised? How can the development of the country's creaking infrastructure be speeded up to match its huge advances in technology and industry? With a gift for finding the human stories behind the headlines, he looks at the pressing concerns in different areas of life such as governance, business, spirituality and ecology. In revealing interviews with captains of industry and subsistence farmers, politicians and Dalits, spiritual leaders and bandits, Mark Tully captures the voices of the nation. From the survival of India's languages and the protection of wildlife, to the nation's thriving industries and colourful public affairs, Non-Stop India is a testament to India's vibrant history and incredible potential, offering an unforgettable portrait of this emerging superpower at a pivotal moment of its history. About The Author Sir Mark Tully was born in Calcutta, India in 1935. He was the Chief of Bureau, BBC, New Delhi for twenty-two years, was knighted in the New Year's Honours list in 2002 and was awarded the Padma Bhushan in 2005. Today, his distinguished broadcasting career includes being the regular presenter of the contemplative BBC Radio 4 programme Something Understood. His books include No Full Stops in India, The Heart of India, India in Slow Motion (with his partner and colleague Gillian Wright), and India's Unending Journey. He lives in New Delhi.

Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's Empire (1964), the Fluxus work Disappearing Music for Face (1965), Michael Snow's So Is This (1982), and Derek Jarman's Blue (1993), he shows how motionless films defiantly showcase the static while collapsing the boundaries between cinema, photography, painting, and literature. Analyzing four categories of static film--furniture films, designed to be viewed partially or distractedly; protracted films, which use extremely slow motion to impress stasis; textual films, which foreground the static display of letters and written words; and monochrome films, which display a field of monochrome color as their image--Remes maps the interrelations between movement, stillness, and duration and their complication of cinema's conventional function and effects. Arguing all films unfold in time, he suggests duration is more fundamental to cinema than motion, initiating fresh inquiries into film's manipulation of temporality, from rigidly structured works to those with more ambiguous and open-ended frameworks. Remes's discussion integrates the writings of Roland Barthes, Gilles Deleuze, Tom Gunning, Rudolf Arnheim, Raymond Bellour, and Noel Carroll and will appeal to students of film theory, experimental cinema, intermedia studies, and aesthetics.