This index provides valuable information on the vast majority of reviews of poetry, fiction, and drama during the first 25 years of modern, formalized book reviewing in England. Forster introduces readers to the wealth of material in the two major review journals (Monthly Review and Critical Review), the two major magazines (Gentleman’s and London), and 11 other periodicals. She includes in her 3,023 entries information on format, price, and bookseller’s name taken from the books themselves. In her Introduction, Forster surveys some material concerning the reviewers’ public attitude to their self-appointed task to provide a background against which the reviewers’ literary judgments can be examined.

This pathbreaking collection of original essays surveys an important but neglected topic: anonymous publication in England for the Elizabethan age to the present. An impressive group of scholars analyzes a wide range of literary phenomena including: Shakespeare in 17th century commonplace books; the phrase 'By a Lady'; the implied author of an eighteenth century queer fiction; Bentley and the battle of books; essays by Equiano (?); the novel, 1750 - 1830; Frankenstein's unnamed monster; the co-authored pseudonym Michael Field; nineteenth century ghostwriting; and a postmodern hoax on national identity. The editor's introduction places the essays within the context of the historical trajectory of anonymous authorship. Essential reading for anyone interested in authorship and the history of the book.

Balay's "Early Periodical Indexes" is the most comprehensive guide available to the indexing of periodical literature from the 16th century until the end of the 19th century, limited in scope to European languages. The material itself is widely scattered, difficult to find, and until now without a systematic way to identify it. This extraordinarily useful tool lists and describes titles in a wide range of disciplines, including indexes published prior to 1900 that are restricted to periodicals (such as Poole's), those published later (such as Wellesley), as well as serial and topical bibliographies citing publications in all formats--and Balay explains the relationships among them. Electronic databases, both Web-based and CD-ROMs, are included. Indexes are by author, title, topical subjects, and dates of coverage. This landmark resource should be a familiar sight in every research library.

The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.

From its first issue, published on the 10th October 1802, Francis Jeffrey's "Edinburgh Review" established a strong reputation and exerted a powerful influence. This is a literary study of the "Edinburgh Review" for over fifty years. It contextualizes the periodical within the culture wars of the Romantic era.

This title was first published in 2001: Hundreds of European travelogues produced by British travellers between 1750 and 1800 remain out of sight in most libraries and have generally been out of print since the 18th century. While many people with a working knowledge of the 18th century are familiar with works including Sterne's "A Sentimental Journey" and Smollett's "Travels through France and Italy", those produced by less "literary" travellers are largely unknown. This study aims to recreate the world of 18th-century travel writing in order to illuminate its central role in shaping Britain's emerging sense of national identity - an identity which proves to be more complex an less homogeneous than some cultural and historical studies would suggest. The author finds that the developing discourse of national character is bound up with questions of gender: national and authorial virtue are projected in terms of appropriately gendered behaviour, for male and female travel writers alike. In turn, gender intersects with class, most obviously in the tendency to denigrate aristocratic travellers as effeminate and celebrate the more manly activities of the middle-class traveller. These then - national identity, authorship and gender - are the central preoccupations of the study

In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity--serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they've never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.

This book examines how Methodism and popular review criticism intersected with and informed each other in the eighteenth century. Methodism emerged at a time when the idea of a ‘public square’ was taking shape, a process facilitated by the periodical press. Perhaps more so than any previous religious movement, Methodism, and the publications associated with it, received greater scrutiny largely because of periodical literature and the emergence of popular review criticism. The book considers in particular how works addressing Methodism were discussed and critiqued in the era’s two leading literary periodicals – The Monthly Review and The Critical Review. Focusing on the period between 1749 and 1789, the study encompasses the formative years of popular review criticism and some of the more dramatic moments in the textual culture of early Methodism. The author illustrates some of the specific ways these review journals diverged in their critical approaches and sensibilities as well as their politics and religious opinions. The Monthly’s and the Critical’s responses to the Methodists’ own publishing efforts as well as the anti-Methodist critique are shown to be both multifaceted and complex. The book critically reflects on the pretended neutrality, reasonableness, and objectivity of reviewers, who at times found themselves negotiating between the desire to regulate literary tastes and the impulse to undermine the Methodist revival. It will be relevant to scholars of religion, history and literary studies with an interest in Methodism, print culture, and the eighteenth century.

Research lies at the heart of all academic disciplines. Research Within the Disciplines: Foundations for Reference and Library Instruction is an expansion of that concept. The book provides an overview of research practices and literacy standards in the various disciplines_humanities, music, social sciences, business, government publications, engineering, and sciences_to help shape library instruction and reference assistance. Conceived and developed by the reference librarians at the University of Denver, the book grew out of team discussions about teaching research and writing within the disciplines. The book's main objective is to provide a degree of orientation toward conducting research within specific disciplines and across others. The volume includes separate chapters on the broad disciplines covered in undergraduate education, as well as concluding chapters addressing interdisciplinary research and the role of instruction as a means of developing effective researchers. The continued necessity of understanding the foundations of research, whether within the physical library or via the electronic environment, remains an underlying concern, and the advice put forth by this team of practicing academic librarians is an important step to achieving this goal.

This collection of eight new essays investigates ways in which significant kinds of 18th-century writings were designed and received by different audiences. Rivers explores the answers to certain crucial questions about the contemporary use of books. This new edition contains the results of important new research by well known specialists in the field of book and publishing history over the last two decades.