Being a female modern day Robin Hood came with risks—like being caught. Seth Maxwell was too smart for his own good . . . and I was now in the position where I had to make a deal with the devil himself. Get turned over to the authorities, or agree to be this man’s plaything for two weeks. It was an indecent invitation, but one I couldn’t resist . . .

The Indecent Series complete collection includes all three books in the series: INDECENT PROPOSAL It wasn’t every day that I was shot at by a sniper. But this was now my life, being hunted by someone my (dead) ex-fiancé had crossed. They thought I had something he’d taken, and they weren’t going to stop until they had what they wanted. I went to the best security company around, but what I ended up with was a bodyguard who was as hot and tempting as he was grumpy and annoyingly bossy. Vaughn reluctantly took me on as a client, despite my inability to pay, and put me in his own personal safehouse with a set of rules to follow. But a few of those rules? Yeah, I broke them just because I knew it would provoke him. What I didn’t anticipate was the kind of punishment he decided to dole out . . . and it wasn’t long before we went from enemies, to lovers, and an indecent proposal was struck between us. We both swore it was all temporary, but the closer Vaughn gets to finding out who is after me and why, I realize walking away from this man might be much harder than I’d ever imagined. INDECENT SECRETS Bryce Rivers is gorgeous, arrogant, and nothing like I anticipated. That’s okay, because I’m not going to be what he expected, either. Seducing him should have been a piece of cake, until I discover he’s hiding a few indecent secrets of his own. Secretly infiltrating myself into this land development company wasn’t about the money, it was about making a difference. When I heard that the head of the organization had died and his nephew had inherited the entire corporation, I thought I finally stood a chance to persuade him to my way of thinking. The new guy wasn’t at all what I’d expected. For a reported “recluse”, he was surprisingly charming, intelligent, and had a rapier wit that matched my own. Our attraction was mutual and scorching hot, which made it incredibly easy to seduce my way into his life and hopefully use that influence to steer him to make changes. The man knew how to set my sheets on fire, but he wasn’t easily swayed. This might have started out as something impersonal between us, but the more I got to know him, the harder I fell for him, which wasn’t the plan. I could only hope that once I made my true motives known that I wouldn’t end up destroying something more valuable—us. And then I discovered that I wasn’t the only one hiding secrets . . . INDECENT DEMANDS Being a female modern day Robin Hood came with risks—like being caught. Seth Maxwell was too smart for his own good . . . and I was now in the position where I had to make a deal with the devil himself. Get turned over to the authorities, or agree to be this man’s plaything for two weeks. It was an indecent invitation, but one I couldn’t resist . . .

Intricate, intimate, difficult, and confrontational poems that push at the boundaries of selfhood, skin, culture, sexuality, and blood.

The Indecent Screen explores clashes over indecency in broadcast television among U.S.-based media advocates, television professionals, the Federal Communications Commission, and TV audiences. Cynthia Chris focuses on the decency debates during an approximately twenty-year period since the Telecommunications Act of 1996, which in many ways restructured the media environment. Simultaneously, ever increasing channel capacity, new forms of distribution, and time-shifting (in the form of streaming and on-demand viewing options) radically changed how, when, and what we watch. But instead of these innovations quelling concerns that TV networks were too often transmitting indecent material that was accessible to children, complaints about indecency skyrocketed soon after the turn of the century. Chris demonstrates that these clashes are significant battles over the role of family, the role of government, and the value of free speech in our lives, arguing that an uncensored media is so imperative to the public good that we can, and must, endure the occasional indecent screen.

While Detroit has been a major focus in urban history, little has been written on censorship in the very city that—due to shifting legalities, the urban crisis, and racial tensions—profoundly shaped media suppression in the United States. By examining censorship in film and literature, Indecent Detroit recounts the evolution of media control from the end of WWII through the 1970s, when the US saw a major change in the legal mechanisms used to censor media due to court rulings that curtailed censorship laws. Ben Strassfeld reveals how Detroit altered its censorial tactics and rhetoric from an obscenity-based system of censorship centered in the Detroit Police Department to a regulatory model based in zoning law that was then expanded nationwide. This shift was connected to broader social and political trends, including the sexual revolution, that led the public to increasingly turn against censorship. A must-read for film and media scholars, Indecent Detroit highlights how one Midwest city's ordinance was imitated across the country after it was upheld by the US Supreme Court, making this more than a local curiosity but also an influential model for the cultural, political, and moral control of urban space through media regulation.