Nelson Mandela is about to die. Again. Black militants and white nationalists prepare for war as a politician's daughter is killed in mysterious circumstances. Incredulous Moshoeshoe- Goth DJ and part-time isangoma-is hired to find out what really happened. Forced to partner with a tragically uncool white Pentecostal preacher, Incredulous must use his knowledge of local lore, his occult powers and his connections in the alternative scene to prevent a South African civil war. Incredulous Moshoeshoe and the Lightning Bird is like Frank Peretti making out with Samuel L Jackson at a Black Panther rally. It's Dracula for DJs, Supernatural for the subcontinent. Afrocentric urban fantasy with a Spotify playlist for a chapter list and monsters as fresh as a highveld thunderstorm. Praise-songs for Incredulous Moshoeshoe and the Lightning Bird 'Langley's blend of pop culture, humour, politics and horror is a blast and reading it is to be air dropped directly into a wild world, fizzing with energy and ideas. While the rest of us keep mining the same old monsters time and again, he opens up a rich cave of folklore too long ignored. Recommended.' -- Peter Laws, author of Purged and The Frighteners 'A unique and thoroughly engaging tale, sardonically animated and richly crafted as only JW Langley can. It's Africa, her lore, and her people, through an imaginative lens of irreverent reverence.' -- Ashton Nyte, author of Waiting for a Voice. 'The motto of the Montag Press Collective is 'Books Worth Burning, ' and Jonty Langley's modern African folk-tale Incredulous Moshoeshoe and the Lightning Bird fits the bill perfectly. In its brilliant mélange of traditional African folk characters such as the Tokoloshe and the eponymous Lightning Bird himself with a cross-section of diverse twenty-first-century subculture figures, from Goths to racist punk cops, from Marxist-antifascists to Afrikaner politicians, Incredulous Moshoeshoe (what a sublime name!) and the Lightning Bird has literally everything that the firemen from Station 451 would hate. Which makes it the perfect book for you - who follow Montag and Clarisse into the forest - to pick up. And memorise.' -- Charles S. Kraszewski, author of Accomplices, You Ask? 'This is the book Stephen King would have written if he was possessed by the mischievous spirit of Douglas Adams, and was also an African, a poet and more than a little mentally disturbed.' -- Helgard deBarros, author of The Second Skin. 'This is a terrific book. JW Langley plays with language like a dolphin plays with waterspouts - not many writers could come up with a simile like, "Fat and slow as a successful lion". Incredulous Moshoeshoe riffs on music, theology, politics, and much else besides. I don't know whether to describe it as divine humanism or humane divinity. Either way, it's brilliant.' -- Mark Woods, author of Does the Bible Really Say That? 'To borrow a phrase, this guy can "preach like a motherfucker". Italics mine, because it's a line I wish I'd written. The soul-flaying juxtaposition of sun-scoured sand and silver black glitter perfectly evokes the searing unknown and dim- remembered familiarity permeating JW Langley's aggressively alien South Africa. Like a child possessed by dark and alien things, the novel wears a skin that can only hint at what writhes inside. Incredulous Moshoeshoe navigates a world both modern and ancient, as open as a drawn gun and as closed off as beaten wife. There are old stories here, told in a new and incomparable manner that demands as much as it promises. A relentless, kinetic tale of monsters inhabiting the darkness within and without, rich with spitfire dialogue and unforgettable characters. Memorable as dancefloor blowjob.' -- Paul d. Miller, author of Albrecht Drue, ghostpuncher.

Chaka is a genuine masterpiece that represents one of the earliest major contributions of black Africa to the corpus of modern world literature. Mofolos fictionalized life-story account of Chaka (Shaka), translated from Sesotho by D. P. Kunene, begins with the future Zulu kings birth followed by the unwarranted taunts and abuse he receives during childhood and adolescence. The author manipulates events leading to Chakas status of great Zulu warrior, conqueror, and king to emphasize classic tragedys psychological themes of ambition and power, cruelty, and ultimate ruin. Mofolos clever nods to the supernatural add symbolic value. Kunenes fine translation renders the dramatic and tragic tensions in Mofolos tale palpable as the richness of the authors own culture is revealed. A substantial introduction by the translator provides valuable context for modern readers.

Reexamines the history of South Africa, traces the development of apartheid, and describes the anti-apartheid movement

Popular Politics in the History of South Africa, 1400–1948 offers an inclusive vision of South Africa's past. Drawing largely from original sources, Paul Landau presents a history of the politics of the country's people, from the time of their early settlements in the elevated heartlands, through the colonial era, to the dawn of Apartheid. A practical tradition of mobilization, alliance, and amalgamation persisted, mutated, and occasionally vanished from view; it survived against the odds in several forms, in tribalisms, Christian assemblies, and other, seemingly hybrid movements; and it continues today. Landau treats southern Africa broadly, concentrating increasingly on the southern Highveld and ultimately focusing on a transnational movement called the 'Samuelites'. He shows how people's politics in South Africa were suppressed and transformed, but never entirely eliminated.

This series of publications aims to fill the gaps in our history, highlighting in particular the significant roles played by black leaders form all walks of life.

The third Canadian edition of this anthology has been substantially revised and updated for a contemporary audience; a selection of classic essays from earlier eras has been retained, but the emphasis is very much on twenty-first-century expository writing. There is also a focus on issues of great importance in twenty-first-century Canada, such as climate change, the Truth and Reconciliation Commission, the Jian Ghomeshi trial, Facebook, police discrimination, trans rights, and postsecondary education in the humanities. Works of different lengths and levels of difficulty are represented, as are narrative, descriptive and persuasive essays—and, new to this edition, lyric essays. For the new edition there are also considerably more short pieces than ever before; a number of op-ed pieces are included, as are pieces from blogs and from online news sources. The representation of academic writing from several disciplines has been increased—and in some cases the anthology also includes news reports presenting the results of academic research to a general audience. Also new to this edition are essays from a wide range of the most celebrated prose writers of the modern era—from Susan Sontag, Eula Biss, and Michel Foucault to Anne Carson and Ta-Nehisi Coates. The anthology also offers increased diversity of representation—including, for example, a larger proportion of First Nations writers and women writers than previous Canadian editions. Unobtrusive explanatory notes appear at the bottom of the page, and each selection is preceded by a headnote that provides students with information regarding the context in which the piece was written. Each reading is also followed by questions for discussion. A unique feature is the inclusion of a set of additional notes on the anthology’s companion website—notes designed to be of particular help to EAL students and/or students who have little familiarity with Canadian culture. The anthology is accompanied by two companion websites. The student website features additional readings and interactive writing exercises (as well as the additional notes). The instructor website provides additional discussion questions and, for a number of the anthology selections, background information that may be of interest.