This collection presents essays that lay out the author’s Christian approach to film criticism and reviews that exemplify this critic at his most perceptive. Including interviews with award-winning actors and directors, this volume draws heavily on the author’s academic expertise and his decade of experience as an acclaimed film journalist. Whether examining the latest Hollywood blockbuster, a topical documentary, or an indie festival favorite, the book subtly, but carefully, draws attention to how films can speak to Christians and how Christian voices can enrich the conversations around their meaning and relevance.

This collection presents essays that lay out the authorâ (TM)s Christian approach to film criticism and reviews that exemplify this critic at his most perceptive. Including interviews with award-winning actors and directors, this volume draws heavily on the authorâ (TM)s academic expertise and his decade of experience as an acclaimed film journalist. Whether examining the latest Hollywood blockbuster, a topical documentary, or an indie festival favorite, the book subtly, but carefully, draws attention to how films can speak to Christians and how Christian voices can enrich the conversations around their meaning and relevance.

Maybe you’re troubled by the disconnect between the words you speak and the life you live. Maybe you’d like to see your faith become more active and life-changing in the world around you. Pastor Kerry and Chris Shook felt that way. Even though their calling involved preaching and teaching, they became weary of sermons and words. They felt a gap between what they were saying and the needs of people around them. They decided to do something about it. Be the Message is their story of waking up to the gospel—not just a gospel of words and sermons, but the gospel of intention and action and people. They discovered a profound secret: You Are the Gospel As they explored the deeper truths of scripture, the verse “the word of God lives in you” came alive. Digging deeper, they discovered that the gospel message is really about life message—your life lived out. God’s call to you is simple: Be the Message Be the Message opens up a new world of understanding about what God calls you to. As the Shooks learned, the gospel is not about what you say. It’s about who you are and what you do—and how you can be God’s hands and feet in the world. What would happen if we talked about God less and walked with God more? Be the Message reminds us that Christianity was meant to be a faith of action, not a faith of words. Yet often we sacrifice doing something for the sake of talking about it. When we actually act out on our faith, we find our faith grows even more. You can do more than nothing. People’s lives are changed when you allow your life to be the gospel to the world. Living out the gospel in the world today is both simple and costly. The Shooks explore that paradox through biblical stories and their own experience of making a decision to live out the gospel in practical ways. Choosing to be the gospel changed their family, church and personal relationships with God. How can it change your life?

The unexpectedly entertaining story of how the Church of England lost its place at the centre of English public life - now updated with new material by the authors including comments on the book's controversial first publication. The Church of England still seemed an essential part of Englishness, and even of the British state, when Mrs Thatcher was elected in 1979. The decades which followed saw a seismic shift in the foundations of the C of E, leading to the loss of more than half its members and much of its influence. In England today 'religion' has become a toxic brand, and Anglicanism something done by other people. How did this happen? Is there any way back? This 'relentlessly honest' and surprisingly entertaining book tells the dramatic and contentious story of the disappearance of the Church of England from the centre of public life. The authors – religious correspondent Andrew Brown and academic Linda Woodhead – watched this closely, one from the inside and one from the outside. That Was the Church, That Was shows what happened and explains why.

Culture in the Anteroom introduces an English-speaking readership to the full range of Siegfried Kracauer's work as novelist, architect, journalist, sociologist, historian, exile critic, and theorist of visual culture. This interdisciplinary anthology---including pieces from Miriam Bratu Hansen, Andreas Huyssen, Noah Isenberg, Lutz Koepnick, Eric Rentschler, and Heide Schlüpmann---brings together literary and film scholars, historians and art historians, sociologists, and architects to address the scope and current relevance of a body of work dedicated to investigating all aspects of modernism and modernity. The contributors approach Kracauer's writings from a variety of angles, some by placing them in dialogue with his contemporaries in Weimar Germany and the New York Intellectuals of the 1940s and '50s; others by exploring relatively unknown facets of Kracauer's oeuvre by considering his contributions to architectural history, the history of radio as well as other new media, and museum and exhibition culture.

The more you look around the world, at the chaos, conflict, horror and repression in the name of religious ideology, not least in the lands very close to India, the more you realise how Nehru, for all his imperfections, got the biggest question right. Now that India is finally positioning itself for a spectacular economic takeoff, it is not the right time to endanger that by opening the can of worms that is communalism.

Faith and Spirituality in Masters of World Cinema, Volume II continues the work presented in the first volume of this title, published by Cambridge Scholars Publishing in 2008. It provides informed yet accessible articles that will give readers an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume II contains essays dealing with canonical directors notably absent from the first entry of the series (such as Godard and Kurosawa) while also including examinations of contemporary auteurs who are still actively working (for example, Andersson, and von Trier). While retaining a truly international emphasisâ "it includes essays about directors from the United States, Canada, Iran, Sweden, India, Denmark, Italy, Mexico, Australia, and Japanâ "Volume II also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume II also demonstrate familiarity with film history and bring insight from such varied disciplines as New Testament Studies, Clinical Psychology, Art History, and Medieval History. It also seeks to broaden the understanding of â ~faithâ (TM) and â ~spirituality, â (TM) examining how the meaning of such terms changes as the cultures that produce the art that defines them continues to evolve.

Jane Austen's Emma: A Close Reading Companion is a chapter-by-chapter analysis of one of literature's first great novels. Morefield combines an academic's breadth of knowledge with a fan's enthusiasm to craft a reading companion that will help illuminate the novel regardless of whether the reader is approaching Austen's work for the first time or the twentieth. Deliberately crafted with the student in mind, this title offers lucid, specific, and often surprising interpretations of key passa ...

From twenty-seven of today’s leading writers, an anthology of original pieces on the author of Walden Features essays by Jennifer Finney Boylan • Kristen Case • George Howe Colt • Gerald Early • Paul Elie • Will Eno • Adam Gopnik • Lauren Groff • Celeste Headlee • Pico Iyer • Alan Lightman • James Marcus • Megan Marshall • Michelle Nijhuis • Zoë Pollak • Jordan Salama • Tatiana Schlossberg • A. O. Scott • Mona Simpson • Stacey Vanek Smith • Wen Stephenson • Robert Sullivan • Amor Towles • Sherry Turkle • Geoff Wisner • Rafia Zakaria • and a cartoon by Sandra Boynton The world is never done catching up with Henry David Thoreau (1817–1862), the author of Walden, “Civil Disobedience,” and other classics. A prophet of environmentalism and vegetarianism, an abolitionist, and a critic of materialism and technology, Thoreau even seems to have anticipated a world of social distancing in his famous experiment at Walden Pond. In Now Comes Good Sailing, twenty-seven of today’s leading writers offer wide-ranging original pieces exploring how Thoreau has influenced and inspired them—and why he matters more than ever in an age of climate, racial, and technological reckoning. Here, Lauren Groff retreats from the COVID-19 pandemic to a rural house and writing hut, where, unable to write, she rereads Walden; Pico Iyer describes how Thoreau provided him with an unlikely guidebook to Japan; Gerald Early examines Walden and the Black quest for nature; Rafia Zakaria reflects on solitude, from Thoreau’s Concord to her native Pakistan; Mona Simpson follows in Thoreau’s footsteps at Maine’s Mount Katahdin; Jennifer Finney Boylan reads Thoreau in relation to her experience of coming out as a trans woman; Adam Gopnik traces Thoreau’s influence on the New Yorker editor E. B. White and his book Charlotte’s Web; and there’s much more. The result is a lively and compelling collection that richly demonstrates the countless ways Thoreau continues to move, challenge, and provoke readers today.

Over the last two decades, the study of discourse in film and television has become one of the most promising research avenues in stylistics and pragmatics due to the dazzling variety of source material and the huge pragmatic range within it. Meanwhile, with the advent of streaming and the box set, film and television themselves are becoming separated by an increasingly blurred line. This volume closes a long-standing gap in stylistics research, bringing together a book-level pragmastylistic showcase. It presents current developments from the field from two complementary perspectives, looking stylistically at the discourse in film and the discourse of and around film. This latter phrase comes to mean the approaches which try to account for the pragmatic effects induced by cinematography. This might be the camera work or the lighting, or the mise en scène or montage. The volume takes a multimodal approach, looking at word, movement and gesture, in keeping with modern stylistics. The volume shows how pragmatic themes and methods are adapted and applied to films, including speech acts, (im)politeness, implicature and context. In this way, it provides systematic insights into how meanings are displayed, enhanced, suppressed and negotiated in both film and televisual arts.