He's silent - but his touch speaks louder than words. At first sight, Savannah is drawn to the harsh appeal of a man who refuses to talk to her. Keenan's hard stare is arrogant and unapologetic. The quirk of his sensuous lips is cocky and in control. But there's more. There's something deeper he's trying to hide behind those steely grey eyes - a slight hint of vulnerability which captures her intrigue. She'd been warned, told that his silence hides a myriad of lies capable of affecting her career and relationships with loved ones. Only she can't help herself. Testing Keenan's defenses is an addiction she can't deny. Falling in lust is easy. Learning his secrets comes with a price. The cost? Her broken heart.

In an age when image and self-promotion increasingly dominate the rock industry, Van Morrison remains a proud, belligerent outsider. An intensely private man and a revelatory performer, he has communicated more deeply within the limits of rock songwriting—and has been less responsive to the obsessional inquiries of the media—than almost any other artist. Ever since connecting with classic American jazz, blues, and gospel music during his Belfast youth, Van Morrison has stayed one step ahead of fellow musicians, fans, and critics. From the explosive teenage days with Them, through the creation of 1968s seminal Astral Weeks, to the vocal and spiritual experimentation of Veedon Fleece and Into the Music, Morrison has never stopped developing complex lyrical and instrumental visions that defy easy classification. Enjoying commercial success, the recognition of a younger generation, and collaborations ranging from John Lee Hooker to Tom Jones, he continues to dazzle and beguile his audience.In this definitive survey of Van Morrison's life and music, John Collis charts the scale of his achievement and the sources of his creativity, and provides stimulating assessments of his music. Drawing on interviews with those closest to Morrison at every stage of his career, with a full discography and many rare photographs, Van Morrison: Inarticulate Speech of the Heart offers unique insight into one of rock's greatest singer-songwriters and most instantly recognizable voices.

Inarticulate Longings explores the contradictions of a social agenda for women that promoted both traditional roles and the promises of a growing consumer culture by examining the advertising industry in the early 20th century.

A vivid, 'well-tempered' exploration of the foundations of psycholinguistics, combining theoretical ideas with lyrical examples to explain high-level ideas in a lively, accessible way.

How did men become the stars of the Mexican intellectual scene? Dude Lit examines the tricks of the trade and reveals that sometimes literary genius rests on privileges that men extend one another and that women permit. The makings of the “best” writers have to do with superficial aspects, like conformist wardrobes and unsmiling expressions, and more complex techniques, such as friendship networks, prizewinners who become judges, dropouts who become teachers, and the key tactic of being allowed to shift roles from rule maker (the civilizado) to rule breaker (the bárbaro). Certain writing habits also predict success, with the “high and hard” category reserved for men’s writing and even film directing. In both film and literature, critically respected artwork by men tends to rely on obscenity interpreted as originality, negative topics viewed as serious, and coolly inarticulate narratives about bullying understood as maximum literary achievement. To build the case regarding “rebellion as conformity,” Dude Lit contemplates a wide set of examples while always returning to three figures, each born some two decades apart from the immediate predecessor: Juan Rulfo (with Pedro Páramo), José Emilio Pacheco (with Las batallas en el desierto), and Guillermo Fadanelli (with Mis mujeres muertas, as well as the range of his publications). Why do we believe Mexican men are competent performers of the role of intellectual? Dude Lit answers this question through a creative intersection of sources. Drawing on interviews, archival materials, and critical readings, this provocative book changes the conversation on literature and gendered performance.

This innovative book maps out a 'Renaissance' otherwise eclipsed by cultural and literary-critical investments in a period defined by the impact of classical humanism, Reformation poetics, and the flourishing of vernacular languages and literatures.

Finalist for the 2016 Man Booker Prize Winner of the 2016 Paris Review Plimpton Prize for Fiction A magnificent and ambitiously conceived portrait of contemporary life, by a genius of realism Nine men. Each of them at a different stage in life, each of them away from home, and each of them striving--in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel--to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man. Dark and disturbing, but also often wickedly and uproariously comic, All That Man Is is notable for the acute psychological penetration Szalay brings to bear on his characters, from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Steadily and mercilessly, as this brilliantly conceived book progresses, the protagonist at the center of each chapter is older than the last one, it gets colder out, and All That Man Is gathers exquisite power. Szalay is a writer of supreme gifts--a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos.