For over three hundred years, the Qafa family name has been synonymous with fighting for Albanian independence. Since the 1600s, Qafa men have lost their lives and taken lives fighting against the Ottoman Turks, the Yugoslavian Serbs, and the communists. Simon Qafa tells the story of Pjeter Cup Qafa, his father, who was known as "the legend of the mountains" for his role as one of the most important freedom fighters of his day. Simon's life is chronicled here with a roller coaster journey from his childhood in Albania and Kosovo, the seminary in Rome, prison in New York, and as a family man and active advocate against communism.

For over three-hundred years, the Qafa family name has been synonymous with fighting for Albanian independence. Since the 1600's, Qafa men have lost their lives and taken lives fighting against the Ottoman Turks, the Yugoslavian Serbs, and the communists. Simon Qafa tells the story of Pjeter Cup Qafa, his father who was known as "the legend of the mountains" for his role as one of the most important freedom fighters of his day.Simon's life is chronicled here with a roller coaster journey from his childhood in Albania and Kosovo, the seminary in Rome, prison in New York, and as a family man and active advocate against communism.

Masterful in its simplicity, Chronicle in Stone is a touching coming-of-age story and a testament to the perseverance of the human spirit. Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy’s eyes, we see the terrors of World War II as he witnesses fascist invasions, allied bombings, partisan infighting, and the many faces of human cruelty—as well as the simple pleasures of life. Evacuating to the countryside, he expects to find an ideal world full of extraordinary things, but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy’s story are tantalizing fragments of the city’s history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

The romantic landscapes and exotic cultures of Arabia have long captured the int- ests of both academics and the general public alike. The wide array and incredible variety of environments found across the Arabian peninsula are truly dramatic; tro- cal coastal plains are found bordering up against barren sandy deserts, high mountain plateaus are deeply incised by ancient river courses. As the birthplace of Islam, the recent history of the region is well documented and thoroughly studied. However, legendary explorers such as T.E. Lawrence, Wilfred Thesiger, and St. John Philby discovered hints of a much deeper past during their travels across the subcontinent. Drawn to Arabia by the magnifcent solitude of its vast sand seas, these intrepid adventurers learned from the Bedouin how to penetrate its deserts and returned with stirring accounts of lost civilizations among the wind-swept dunes. We now know that, prior to recorded history, Arabia housed countless peoples living a variety of lifestyles, including some of the world’s earliest pastoralists, c- munities of incipient farmers, fshermen dubbed the “Ichthyophagi” by ancient Greek geographers, and Paleolithic big-game hunters who were among the frst humans to depart their ancestral homeland in Africa. In fact, some archaeological investigations indicate that Arabia was inhabited by early hominins extending far back into the Early Pleistocene, perhaps even into the Late Pliocene.

Mirza Asadullah Khan (1797–1869), popularly, Ghalib, is the most influential poet of the Urdu language. He is noted for the ghazals he wrote during his lifetime, which have since been interpreted and sung by different people in myriad ways. Ghalib’s popularity has today extended beyond the Indian subcontinent to the Hindustani diaspora around the world. In this book, Gopi Chand Narang studies Ghalib’s poetics by tracing the archetypical roots of his creative consciousness and enigmatic thought in Buddhist dialectical philosophy, particularly in the concept of shunyata. He underscores the importance of the Mughal era’s Sabke Hindi poetry, especially through Bedil, whom Ghalib considered his mentor. The author also engages with Ghalib criticism that has flourished since his death and analyses the important works of the poet, including pieces from early Nuskhas and Divan-e Ghalib, strengthening this central argument. Much has been written about Ghalib’s life and his poetry. A marked departure from this dominant trend, Narang’s book looks at Ghalib from different angles and places him in the galaxy of the great Eastern poets, stretching far beyond the boundaries of India and the Urdu language.

The legacy of Islam seeks to give an account of those elements in the culture of Europe which are derived from the Islamic world. It was under the patronage of the Islamic Empire that the arts and sciences which this book descirbes flourished.

This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.

On Sufism; includes brief biography of Mīām Mīra, Indian Muslim saint.