Trains are unlikely to ever again run between Ennis and Kilkee. For what was a railway is now a disjointed succession of pieces linking not just places but in a way two worlds: one unhurried and traditional, the other brash, frenzied and modern. This work paints a picture of a time when the railway breathed life into West Clare.

Despite its isolation on the western edge of Europe, Ireland occupies vast amounts of space on the music maps of the world. Although deeply rooted in time and place, Irish songs, dances and instrumental traditions have a history of global travel that span the centuries. Whether carried by exiles, or distributed by commercial networks, Irish traditional music is one of the most popular World Music genres, while Clare, on Ireland's Atlantic seaboard, enjoys unrivaled status as a "Home of the Music," a mecca for tourists and aficionados eager to enjoy the authentic sounds of Ireland. For the first time, this remarkable soundscape is explored by an insider-a fourth generation Clare concertina player, uilleann piper and an internationally recognized authority on Irish traditional music. Entrusted with the testimonies, tune lore, and historic field recordings of Clare performers, Gearóid Ó hAllmhuráin reveals why this ancient place is a site of musical pilgrimage and how it absorbed the impact of global cultural flows for centuries. These flows brought musical change inwards, while simultaneously facilitating outflows of musical change to the world beyond - in more recent times, through the music of Clare stars like Martin Hayes and the Kilfenora Céilí Band. Placing the testimony of music and music makers at the center of Irish cultural history and working from a palette of disciplines, Flowing Tides explores an Irish soundscape undergoing radical change in the period from the Napoleonic Wars to the Great Famine, from the birth of the nation state to the meteoric rise-and fall-of the Celtic Tiger. It is essential reading for all interested in Irish/Celtic music and culture.

When the award-winning Irish Times' journalist Rosita Boland was a schoolgirl she had--in common with all Irish children--amap of Ireland. Iconic in its pinks, greens and yellows, the Educational Company map was a staple of the Irish schoolhouse. As the author matured and changed, so did the unique country she grew to know first-hand. With deep affection and curiosity, she followed her very own map from those by-gone schooldays to take the reader on a tour of Irelnad, a tour like no other

"Ghosts of Kilrush" is the heartfelt memoir of a young English boy, abandoned by his father in small town in western Ireland, who was raised as a beloved son by an Irish family who treated him as their own. Riley takes a look back as he affectionately recalls the many colorful characters who influenced his childhood.

A history of the man who served as Chief Mechanical Engineer for the Southern Railway and the many locomotives he developed. Oliver Bulleid’s locomotives guides the reader in the quest to understand what motivated Mr Bulleid in his work as a senior engineer and manager, and tries, with as little bias as is reasonable, to make sense of some of the more controversial aspects of his activities. For example, why did OVB not pursue the ideal of a 2-8-2 for the Southern Railway? How did the ‘Leader’ project go so much out of control? What role did Bulleid play in the massive dieselization program in Ireland when he was CME there? How did the 0-6-6-0T turf-burning steam locomotive fit in with Ireland’s traction policy, or did it? And why did ninety of his steam locomotives and ninety-four of ‘his’ diesels have to be rebuilt to make them either more economical or more reliable? These are fundamental questions to which the book provides the reader with answers based on the author’s experiences or on those of people who knew Bulleid. OVB’s undoubted successes are illustrated in words and photographs, too, to provide a hopefully balanced picture of one of Britain’s more exciting railway engineers. “This book is a well written overview of the Bulleid era, by a competent engineer who can express himself in layman’s terms.” —Martin Shill, Industrial Railway Society “The book deserves a place on the bookshelf of every student of locomotives, especially Bulleid's By current standards, it is good value, and it was a pleasure to examine it.” —The Railway Observer

He had met her three times and three times forgotten all about her... William Barrow finds himself in lonely retirement in West Cork. Once an internationally renowned pianist, a terrible skin disease has attacked his hands and made it impossible for him to perform. All he can play, haltingly, is Ravel's Concerto for the Left Hand. Tara is a piano teacher with barely enough pupils to pay the month's rent. In the local café, the elegant writing of a job advertisement catches her eye: 'Wanted. Housekeeper.' She begins to work in William's house, keeping to herself the knowledge that they have met three times before – encounters that have changed her life, to which he is oblivious. When William stumbles upon a well in the back garden, Tara finds herself longing for revenge. She spins tales of a mythical saint, of the healing powers of the water and of the moss that surrounds it. But as the moss begins to heal William's troubled hands, the lines between legend and reality begin to blur, and past and present collide in unexpected ways. Gripping and lyrical, The Well of Saint Nobody is a story of love, secrets and the elusive possibility of second chances.

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