Richard Dyer's 'In the Space of a Song' takes an in-depth look at the use of songs in film. Songs take up space and time in film and the way they do so indicates a great deal about the songs themselves, the nature of the feelings they present, and who is allowed to present feelings how, when and where. This book explores this perception.

Songs take up space and time in films. Richard Dyer's In the Space of a Song takes off from this perception, arguing that the way songs take up space indicates a great deal about the songs themselves, the nature of the feelings they present, and who is allowed to present feelings how, when and where. In the Space of a Song explores this perception through a range of examples, from classic MGM musicals to blaxploitation cinema, with the career of Lena Horne providing a turning point in the cultural dynamics of the feeling. Chapters include: The perfection of Meet Me in St. Louis A Star Is Born and the construction of authenticity ‘I seem to find the happiness I seek’: Heterosexuality and dance in the musical The space of happiness in the musical Singing prettily: Lena Horne in Hollywood Is Car Wash a musical? Music and presence in blaxploitation cinema In the Space of a Song is ideal for both scholars and students of film studies.

Blast through the galaxy to our own solar system and explore the mysteries of space to a rocking beat. Packed with educational endnotes about space exploration and more. A QR code on the book provides access to video animation and audio.

Discusses activities astronauts do while they're in space.

If you have a mission, a dream to explore, but no one like you has achieved it before... Meet Dr. Ellen Ochoa-a determined space pioneer with a stellar symphony of talents. Growing up in a family of immigrants, Ellen dreamed of becoming a professional flutist, but all of that changed when she discovered engineering in college. Though she was told that field of study wasn't for girls, the bright young scientist refused to give up-ultimately becoming a NASA astronaut who shattered barriers and rocketed to success! The Astronaut With a Song for the Stars: The Story of Dr. Ellen Ochoa is the fourth book in a riveting educational series about the inspiring lives of amazing scientists. In addition to the illustrated rhyming tale, you'll find a complete biography, fun facts, a colorful timeline of events, and even a note from Dr. Ochoa herself!

Meet the claymates: two balls of clay that can become anything--even best friends! What can you do with two blobs of clay? Create something amazing! But don't leave them alone for too long. Things might get a little crazy. In this photographic friendship adventure, the claymates squish, smash, and sculpt themselves into the funniest shapes imaginable. But can they fix a giant mess before they're caught in the act?

The authoritative story of the headline-making discovery of gravitational waves—by an eminent theoretical astrophysicist and award-winning writer. From the author of How the Universe Got Its Spots and A Madman Dreams of Turing Machines, the epic story of the scientific campaign to record the soundtrack of our universe. Black holes are dark. That is their essence. When black holes collide, they will do so unilluminated. Yet the black hole collision is an event more powerful than any since the origin of the universe. The profusion of energy will emanate as waves in the shape of spacetime: gravitational waves. No telescope will ever record the event; instead, the only evidence would be the sound of spacetime ringing. In 1916, Einstein predicted the existence of gravitational waves, his top priority after he proposed his theory of curved spacetime. One century later, we are recording the first sounds from space, the soundtrack to accompany astronomy’s silent movie. In Black Hole Blues and Other Songs from Outer Space, Janna Levin recounts the fascinating story of the obsessions, the aspirations, and the trials of the scientists who embarked on an arduous, fifty-year endeavor to capture these elusive waves. An experimental ambition that began as an amusing thought experiment, a mad idea, became the object of fixation for the original architects—Rai Weiss, Kip Thorne, and Ron Drever. Striving to make the ambition a reality, the original three gradually accumulated an international team of hundreds. As this book was written, two massive instruments of remarkably delicate sensitivity were brought to advanced capability. As the book draws to a close, five decades after the experimental ambition began, the team races to intercept a wisp of a sound with two colossal machines, hoping to succeed in time for the centenary of Einstein’s most radical idea. Janna Levin’s absorbing account of the surprises, disappointments, achievements, and risks in this unfolding story offers a portrait of modern science that is unlike anything we’ve seen before.

A groundbreaking study of the interaction of poetry, performance, and the built environment in ancient Greece. Winner of the PROSE Award for Best Book in Classics by the Association of American Publishers In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"—and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built—and a new model for studying the ancient world.

This compelling collection of stories explores the powerful impact that music has in our lives—especially in the lives of teens. Each story strikes a new note: Ron Koertge introduces us to the boys in the band—the marching band; Joseph Bruchac contributes a Native American boy with no rhythm whatsoever; Jennifer Armstrong writes about what was perhaps the first battle of the bands—during the American Civl War; and David Levithan offers up a love song that speaks powerfully to an unintended audience. But while each story is different, they combine into a harmonic song of praise—for the depths music can reach in us, and the power it has to bind us together.

"Let me tell you a secret--if you have a heart song, anything is possible. Even magic " Kaya is looking for her heart song--the song that happy hearts sing. Her search takes her on a journey deep into the jungle where a broken down carousel waits for a very special song to make it turn again.