Many times in our lives we try to make sense of why God does the things he does. We ask him to reveal his plans to us, but he is silent, nowhere to be found. Set in the 1920’s, In the Shadows of Love is a faith-based story centered around Romans 8:28: “And we know that all things work together for good to them that love God, to them who are the called according to his purpose” (KJV). It’s the story of how God’s invisible hand never stops working, always shaping history for the good of his children, even when it doesn’t seem possible. Alina Foster lives a life of misery and despair from the moment she was brought into the world. Her mother died giving birth to her. Her father is hostile toward her, blaming her for his wife’s death. With no hopes of a brighter future, Alina trades one miserable life for another, enduring a long hard-filled life on the crime-ridden streets of Kirkville, a rural Midwestern town. After years of searching for purpose and meaning to her existence, God brings an extraordinary little gift into her life that changes the course of her destiny forever.

Lulu is different to others. Once, she believed, she had a friend to love her. Then that friend betrayed her and Lulu learned that hate is safer than love. When she begins her new life at the Court of St Jerome in the Old Sea City, she finds people who must fight their personal demons of hatred, ambition and greed. Embraced in St Jerome's fold, Lulu learns to trust again, perhaps even to love. Nothing, however, is as it seems and Lulu discovers that love doesn't always wear the face of the one you yearn to call beloved. Lyrical and atmospheric, buoyed by touches of magical realism, this compelling spiritual story explores the sacrifices people make in the pursuit of their dreams. Lulu's quest, and that of Jamila and Zahra too, is to find the divine love that will fulfil their hopes and save their souls...if they can recognise the masks of those who seek to lead them astray.

A woman reporter in a Latin American country and a photographer are sent on a routine assignment. The two uncover a hideous crime, the revelation of which could challenge the terrorism of the military regime.

The third in Gilbert Hernandez’s line of original hardcovers featuring Love and Rockets’ “Fritz” in her guise as a Z-movie actress (the first two were Chance in Hell and The Troublemakers) is a trippy thriller that stars Fritz in no fewer than three roles. A beautiful waitress (Fritz, of course) and her hospital nurse brother (also Fritz) visit their estranged father, a once successful but now retired writer (amazingly enough, also Fritz), in order to find out the true reason why their mother committed suicide. When dad’s health fails, the siblings are then more concerned with the money he might leave them. The story weaves in and out of reality and hallucination and possibly back in forth in time, and to complicate things further, the sister is sexually obsessed with a mysterious man throughout the tale ― or is it her brother (at one point posing as his sister so that he might gain his and her inheritance) that is so hot and bothered by this mystery stud? And that’s only the tip of the iceberg.

(Guitar Book). Bassist James Jamerson was the embodiment of the Motown spirit and groove the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD! Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award!

Tricia Levenseller, author of Daughter of the Pirate King, is back with an epic YA tale of ambition and love in The Shadows Between Us... “They’ve never found the body of the first and only boy who broke my heart. And they never will.” Alessandra is tired of being overlooked, but she has a plan to gain power: 1) Woo the Shadow King. 2) Marry him. 3) Kill him and take his kingdom for herself. No one knows the extent of the freshly crowned Shadow King’s power. Some say he can command the shadows that swirl around him to do his bidding. Others say they speak to him, whispering the thoughts of his enemies. Regardless, Alessandra knows what she deserves, and she’s going to do everything within her power to get it. But Alessandra’s not the only one trying to kill the king. As attempts on his life are made, she finds herself trying to keep him alive long enough for him to make her his queen—all while struggling not to lose her heart. After all, who better for a Shadow King than a cunning, villainous queen? “Tricia Levenseller’s latest, The Shadows Between Us, is a decadent and wickedly addictive fantasy, full of schemes and court intrigue, and delightful descriptions of food, which I am always a fan of.” —Kendare Blake, #1 New York Times bestselling author of the Three Dark Crowns series

Shadows of Love By: James Atchison This eloquent collection of poetry is written in "old-style free verse." It follows love's life path, from dreaming to the end of love aftermath. Atchison believes it will resonate with a lot of readers and invoke memories.

In this landmark collection, William T. Vollmann offers a kaleidoscopic retrospective of the visual artwork he has produced over four decades, with new commentary from Vollmann on his process, inspiration, and the many intersections with his writing. The celebrated author of over twenty-five books (among them the National Book Award-wining novel Europe Central; the seven-volume Rising Up and Rising Down, based on Vollmann's career as a war correspondent; and the two-volume climate change investigation Carbon Ideologies), Vollmann's equally ambitious and prolific career as a photographer, printmaker, and painter reflects the artist's deep interest in people existing on the margins, a profound empathy for his subjects, and the humility and generosity to meet them on their terms. Shadows of Love, Shadows of Loneliness includes Kodachrome slides of Afghan Mujahideen from 1982; a handmade watercolor sketchbook from Subarctic Canada, complete with inscriptions to Vollmann from local Inuit teenagers; gum bichromate prints of American landscapes from Maui to Mount Desert Island; silver gelatin portfolios of insurgents, refugees, prostitutes, police, and criminals all over the world; photogenic drawings of Tahitian women; transgender self-portraits of "Dolores"; Bible woodblock prints in which God and everyone else is female; acrylic paintings of California landscapes; cyanotypes, platinotypes, salt prints, and gold-toned Vandykes, to name just a few. Complementing these selections is a series of essays commissioned especially for this book to lay out Vollmann's views on what photographs can and should say, how he chooses what to represent (beauty, suffering, compassion, love, desire, ideology), thoughts on photographic consensuality, and any number of technical descriptions. Particularly useful for Vollmann fans and scholars are the cross-references between these artistic and photographic projects and his books.

Growing up in a tranquil wilderness, Teal Swan had a childhood that was anything but serene. Horrors lurked behind the façade of the perfect houses and pious community of the surrounding towns, and Teal attracted undue attention because of her unusually powerful extrasensory abilities. At the hands of a local cult member, she barely survived 13 years of horrendous abuse – and even after her escape, she was left powerless, lost, hurting, and with no way to cope. Gradually, and incredibly, Teal forged her way from the edge of despair to a sliver of light . . .and eventually emerged from the darkness into the full dawn of self-love. Here, she shows how you, too, can achieve the feelings of worthiness that may be long missing from your life. Now a recognized spiritual luminary, Teal documents how she dug herself out of self-hate, and details the remarkable trail for others to get to the same place. Shadows Before Dawn encompasses both Teal’s compelling story, told with raw intensity, and her resolute, no-nonsense how-to guide to healing from even the deepest levels of suffering. Offering a comprehensive self-love tool kit, Teal shares powerful exercises, insights, and perspective grounded in spirituality, and lets you choose which techniques are right for you. Teal’s resonating words will sit with your soul long after you put this book down and will serve as guideposts on the way to complete self-love – no matter who you are or where you are in life.

Publishers Weekly “Top 10 Book of the Year” selection “Begins as entertaining slapstick, subtly metamorphoses into fable. . . . As [the narrator’s] vivid imaginary world fuses with reality this deceptively ethereal novel advances toward a dark and startling finale.” —Wall Street Journal Laid off from his job, Damián Lobo obsessively imagines himself as a celebrity being interviewed on TV. After committing an act of petty theft at an antiques market, he finds himself trapped inside a wardrobe and delivered to the seemingly idyllic home of a husband, wife, and their internet-addicted teenage daughter. There, he sneaks from the shadows to serve as an invisible butler, becoming deeply and disastrously involved with his unknowing host family. Every thread of the plot is ingeniously tied together, creating a potent admixture of parable, love story, and thriller. Millás masterfully reveals the everyday as innately surreal as he renders the unbelievable tangible and the trivial fantastical, and full of dark humor. Juan José Millás is the recipient of Spain’s most prestigious literary prizes: the Premio Nadal, Premio Planeta, and Premio Nacional de Narrativa. A regular contributor to El País, Millás has also won many awards for his journalism. He is the author of several short story collections and works of nonfiction as well as over a dozen novels, including From the Shadows, the first of his novels to be published in North America. He lives in Madrid.