1943: Polish underground fighter John Wiernicki is captured and beaten by the Gestapo, then shipped to Auschwitz. In this chilling memoir, Wiernicki, a Gentile, details "life" in the infamous death camp, and his battle to survive, physically and morally, in the face of utter evil. The author begins by remembering his aristocratic youth, an idyllic time shattered by German invasion. The ensuing dark days of occupation would fire the adolescent Wiernicki with a burning desire to serve Poland, a cause that led him to valiant action and eventual arrest. As a young non-Jew, Wiernicki was acutely sensitive to the depravity and injustice that engulfed him at Auschwitz. He bears witness to the harrowing selection and extermination of Jews doomed by birth to the gas chambers, to savage camp policies, brutal SS doctors, and rampant corruption with the system. He notes the difference in treatment between Jews and non-Jews. And he relives fearful unexpected encounters with two notorious "Angels of Death": Josef Mengele and Heinz Thilo. War in the Shadow of Auschwitz is an important historical and personal document. Its vivid portrait of prewar and wartime Poland, and of German concentration camps, provides a significant addition to the growing body of testimony by gentile survivors and a heartfelt contribution to fostering comprehension and understanding.

The Nazi invasion of Poland was the first step in an unremittingly brutal occupation, one most infamously represented by the network of death camps constructed on Polish soil. The systematic murder of Jews in the camps has understandably been the focus of much historical attention. Less well-remembered today is the fate of millions of non-Jewish Polish civilians, who—when they were not expelled from their homeland or forced into slave labor—were murdered in vast numbers both within and outside of the camps. Drawing on both German and Polish sources, In the Shadow of Auschwitz gives a definitive account of the depredations inflicted upon Polish society, tracing the ruthless implementation of a racial ideology that cast ethnic Poles as an inferior race.

A personal journey into a family’s history gradually becomes a historical investigation into the lesser known tragedy of the Nazi’s mass arrests of prominent French Jews and their imprisonment at the “camp of slow death” just fifty miles from Paris. “This story has haunted me since I was a child,” begins Anne Sinclair in a personal journey to find answers about her own life and about her grandfather’s, Léonce Schwartz. What her tribute reveals is part memoir, part historical documentation of a lesser known chapter of the Holocaust: the Nazi’s mass arrest, in French the word for this is rafle and there is no equivalent in English that captures the horror, on December 12, 1941 of influential Jews—the doctors, professors, artists and others at the upper levels of French society—who were then imprisoned just fifty miles from Paris in the Compiègne-Royallieu concentration camp. Those who did not perish there, were taken by the infamous one-way trains to Auschwitz; except for the few to escape that fate. Léonce Schwartz was among them.

George Mantello, First Secretary of the El Salvador Consulate in Geneva from 1942 to 1945, defied strict censorship to launch a press campaign against the daily deportation of 12,000 Hungarian Jews to Auschwitz. This is the true story of one man’s efforts to bring horrific news of the Nazi genocide to the Swiss public and to the rest of the world. Armed with this information, prominent Swiss church leaders and theologians condemned the unfolding Holocaust from their pulpits, spurring large public demonstrations. In 400 articles appearing in 120 newspapers, Mantello reached opinion makers throughout the world community. International pressure halted the Hungarian deportations, and Mantello distributed thousands of Salvadoran citizenship papers to Jews in Nazi-occupied territories. In addition to Mantello’s role, Kranzler shows how Swiss theologians such as karl barth and paul Vogt mobilized thousands of Christians against the Germans and against the indifference of the Swiss government and the International Red Cross. This fresh look at the intersection of politics and religion also allows for a new assessment of Swiss complicity in the crimes of the Nazi Third Reich.

No Past Tense is the biography of Katarina (Kati) Kellner and William (Willi) Salcer, two Czech Jews who as teenagers were swept up by the Holocaust in Hungary and survived Auschwitz and Mauthausen, respectively. Covering their entire lives, weaving in first person 'real time' voices as if watching a documentary about themselves, the unique structure of No Past Tense provides a distinctive 'whole life' view of the Holocaust. The book begins with their childhoods, education in Budapest, and 16-year-old Kati meeting 19-year-old Willi in the Jewish ghetto in Plesivec, a Slovak village annexed by Hungary in 1938. After liberation from the camps they returned to discover most Jews were gone, and the villagers did not want them back. In defiance, Kati took up residence in a shed on her family's property, and in reclaiming what was hers, won Willi's heart. They lived as smugglers in post-war Europe until immigrating illegally to Palestine in 1946. Describing Palestine, they talk frankly about rarely addressed issues such as prejudice against 'newcomers' from other Jews. Willi built tanks for the Haganah, the underground Jewish army, and supported the War of Independence but refused to move into homes abandoned by Palestinian Arabs. After discharge from the Israeli Air Force, Willi founded the country's first rubber factory and headed the association of Israeli manufacturers at only 28. In 1958, saying he did not want the children to know war, Willi convinced Kati to move to America. He did not tell her that punitive tax fines, imposed when the government needed money due to the crisis in the Sinai, shook his faith in Israel. Once in America, after a few bad investments, Willi lost all their money and for the first time Kati suffered panic attacks. But Willi rebuilt his fortune, while Kati rediscovered her courage, and started living again.

The incredible story of the Auschwitz-Birkenau tattooist and the woman he loved. Lale Sokolov is well-dressed, a charmer, a ladies' man. He is also a Jew. On the first transport of men from Slovakia to Auschwitz in 1942, Lale immediately stands out to his fellow prisoners. In the camp, he is looked up to, looked out for, and put to work in the privileged position of Tatowierer - the tattooist - to mark his fellow prisoners, forever. One of them is a young woman, Gita, who steals his heart at first glance. His life given new purpose, Lale does his best through the struggle and suffering to use his position for good. This story, full of beauty and hope, is based on years of interviews author Heather Morris conducted with real-life Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov. It is heart-wrenching, illuminating, and unforgettable. 'Morris climbs into the dark miasma of war and emerges with an extraordinary tale of the power of love' - Leah Kaminsky

Throughout the book, Marcus brings a variety of perspectives to bear on the question of how Italian filmmakers are confronting the Holocaust, and why now given the sparse output of Holocaust films produced in Italy from 1945 to the early 1990s.

Examines the struggle to ensure that war crimes which took place during the Second World War were prosecuted.

‘She touched the photograph in its gilt frame that was always on her desk, of a young, thin woman with very short hair and a baby in her arms. She had one last story to tell. Theirs. And it began in hell on earth.’ It is 1942 and Eva Adami has boarded a train to Auschwitz. Barely able to breathe due to the press of bodies and exhausted from standing up for two days, she can think only of her longed-for reunion with her husband Michal, who was sent there six months earlier. But when Eva arrives at Auschwitz, there is no sign of Michal and the stark reality of the camp comes crashing down upon her. As she lies heartbroken and shivering on a thin mattress, her head shaved by rough hands, she hears a whisper. Her bunkmate, Sofie, is reaching out her hand... As the days pass, the two women learn each other’s hopes and dreams – Eva’s is that she will find Michal alive in this terrible place, and Sofie’s is that she will be reunited with her son Tomas, over the border in an orphanage in Austria. Sofie sees the chance to engineer one last meeting between Eva and Michal and knows she must take it even if means befriending the enemy… But when Eva realises she is pregnant she fears she has endangered both their lives. The women promise to protect each other’s children, should the worst occur. For they are determined to hold on to the last flower of hope in the shadows and degradation: their precious children, who they pray will live to tell their story when they no longer can. A heart-breaking story of survival, where life or death relies on the smallest chance and happiness can be found in the darkest times. Fans of The Choice and The Tattooist of Auschwitz will fall in love with this beautiful novel. Readers are captivated by The Child of Auschwitz: ‘This hauntingly heart-breaking story is one of pure, instinctual survival. It is a story of fierce friendships, unbreakable spirits, and the most powerful love possible … I was so spellbound by this captivating, riveting read that I could not put it down until I read every last word.’ Goodreads Reviewer, ⭐⭐⭐⭐⭐ ‘This book grabbed me from the first sentence and didn't let me go for the entire journey. I had goosebumps while reading… It is a beautiful story.’ Goodreads Reviewer, ⭐⭐⭐⭐⭐ ‘You will cry, you will be addicted from the start and will find it hard to put down. This book ranks high on my favourite books list a BRILLIANT book and worth far more than 5* in my opinion EXCELLENT.’ Goodreads Reviewer, ⭐⭐⭐⭐⭐ ‘A book that plays with your emotions, sad and poignant in parts and a book I just couldn’t put down. A compelling, haunting story. Read it in one day.’ Goodreads Reviewer, ⭐⭐⭐⭐⭐ ‘This stunning historical fiction in the setting of Auschwitz will haunt me for a long time to come. It’s a story of love, hope and told through a combination of the present and the past flashbacks. It completely captivated me that I read it in a day because I just couldn’t stop’ Goodreads Reviewer, ⭐⭐⭐⭐⭐ ‘The Child of Auschwitz by Lily Graham. Such a beautifully written, incredible story of love, loss, friendship, family… this book was very, very good.’ Abbygabbyreadsrightnow, ⭐⭐⭐⭐⭐ ‘This beautiful story needs to be read and cherished.’ Netgalley Reviewer,⭐⭐⭐⭐⭐ ‘This story will stay with me. And despite the despicable conditions love can be born of the situation.. if I could rate higher than five stars I would. Superb!’ Goodreads Reviewer, ⭐⭐⭐⭐⭐ ‘I found this such an emotional and evocative read and it kept me gripped and turning those pages well into the night. …Great characterization and rich descriptive prose that made you feel the cold and their everyday hunger and agony made this a 5 stars highly recommended read from me.’ Netgalley Reviewer, ⭐⭐⭐⭐⭐ ‘An emotional roller coaster of a read. Parts were horrific, saddening, shocking, heart warming, I think I went though every emotion possible whilst reading it ... An absolute must read.’ BytheLetter Book Reviews

The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical, and political issues. Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah, and Art Spiegelman's "comic book" Maus. LaCapra also considers the Historians' Debate in the aftermath of German reunification and the role of psychoanalysis in historical understanding and critical theory. In six essays, LaCapra addresses a series of related questions. Are there experiences whose traumatic nature blocks understanding and disrupts memory while producing belated effects that have an impact on attempts to address the past? Do some events present moral and representational issues even for groups or individuals not directly involved in them? Do those more directly involved have special responsibilities to the past and the way it is remembered in the present? Can or should historiography define itself in a purely scholarly and professional way that distances it from public memory and its ethical implications? Does art itself have a special responsibility with respect to traumatic events that remain invested with value and emotion?