A harrowing, pulse-pounding race for survival that New York Times bestselling author D. J. MacHale says “will leave you breathless.” Michael Prasad knows he shouldn’t go out on the Mars surface alone. It’s dangerous. His parents have forbidden it. And the anxiety he feels almost every time he puts on a spacesuit makes it nearly impossible for him to leave the safety of the colony. But when his best friend, Lilith, suggests they sneak out one night, he can’t resist the chance to prove everyone—including himself—wrong. As the two ride along the Mars surface in a stolen rover, miles from the colony, a massive solar flare hits the planet, knocking out power, communication, and navigation systems, and the magnetic field that protects the planet from the sun’s deadly radiation. Stranded hours from home with an already limited supply of food, water, and air, Michael and Lilith must risk everything if they’re to get back to the colony alive.

"The most dishonorable act that can dishonor a man." Such is Félix Grandet’s unsparing view of bankruptcy, adding that even a highway robber—who at least "risks his own life in attacking you"—is worthier of respect. Indeed, the France of Balzac’s day was an unforgiving place for borrowers. Each year, thousands of debtors found themselves arrested for commercial debts. Those who wished to escape debt imprisonment through bankruptcy sacrificed their honor—losing, among other rights and privileges, the ability to vote, to serve on a jury, or even to enter the stock market. Arguing that French Revolutionary and Napoleonic legislation created a conception of commercial identity that tied together the debtor’s social, moral, and physical person, In the Red and in the Black examines the history of debt imprisonment and bankruptcy as a means of understanding the changing logic of commercial debt. Following the practical application of these laws throughout the early nineteenth century, Erika Vause traces how financial failure and fraud became legally disentangled. The idea of personhood established in the Revolution’s aftermath unraveled over the course of the century owing to a growing penal ideology that stressed the state’s virtual monopoly over incarceration and to investors’ desire to insure their financial risks. This meticulously researched study offers a novel conceptualization of how central "the economic" was to new understandings of self, state, and the market. Telling a story deeply resonant in our own age of ambivalence about the innocence of failures by financial institutions and large-scale speculators, Vause reveals how legal personalization and depersonalization of debt was essential for unleashing the latent forces of capitalism itself.

Insightful study that identifies the underlying factors contributing to countries continually accumulating immense debt

In 'The Red Book', compiled between 1914 and 1930, Jung develops his principal theories of archetypes, the collective unconscious & the process of individuation.

The highly-anticipated sequel to Sunday Times bestseller The Black Book ___________________________ Detective Billy Harney exposes an evil lurking deep within his city - but it also brings his own past demons to light... To Billy Harney, the newest member of Chicago PD's elite strike force, getting shot in the head, stalked by a state's attorney, and accused of murder by his fellow cops is all part of breaking a case. So, when a drive-by shooting on the Chicago's West Side turns political, he doesn't shy away from leading the investigation. As the easy answers prove to be the wrong ones, Harney's quest to expose the evil that's rotting the city from the inside out takes him to the one place he vowed never to return to: his own troubled past. ___________________________ Readers think The Red Book is one of James Patterson's best ever thrillers: 'One of the best books by James Patterson that I have read, and I've read them all.' 'It kept me on the edge of my seat. I didn't actually want this one to end.' 'The perfect police detective novel.' 'The Red Book is everything you expect from a James Patterson book: fast-paced, gripping, twists and turns at every corner.' 'A definite page-turner which I guarantee you won't want to put down, another gem from Patterson.' 'Fans will love it, and if you're not yet a fan then you will be after reading.' 'To say this book is intense is an understatement. It is one of the most enjoyable reads I have had in a long time.'

Walter Mosley is one of America’s bestselling novelists, known for his critically acclaimed series of mysteries featuring private investigator Easy Rawlins. His writing is hard-hitting, often limned with a political subtext, and aimed at a broad audience. Years ago, when Mosley was working on a doctorate in political theory, he envisioned writing very different kinds of books from those for which he has become celebrated. But once you’ve been tagged as a novelist, and in Mosley’s case, a genre writer, even a bestselling one, it is hard to get an airing for ideas that cross those boundaries. Folding the Red into the Black has grown out of Mosley’s public talks, which have gotten both enthusiastic and agitated responses, making him feel the ideas in those talks should be explored in greater depth. Mosley’s is an elastic mind, and in this short polemic he frees himself to explore some novel ideas. He draws on personal experiences and insights as an African-American, a Jew, and one of our great writers to present an alternative manifesto of sorts: “We need to throw off the unbearable weight of bureaucratic capitalist and socialist demands; demands that exist to perpetuate these systems, not to praise and raise humanity to its full promise. And so I propose the word, the term Untopia.”

A leading observer of Chinese literature, society, and politics lifts the veil on the culture wars that have raged between officials and dissidents in the period before and after the June 4, 1989 Tiananmen Square massacre.

DeMoss gathers insights for living wisely from history, Scripture, and a lifetime of listening. The result is a handy, accessible book that gives readers a new way to enjoy lasting success in the work world and beyond.

Late in 2004, Maggie Nelson was looking forward to the publication of her book Jane: A Murder, a narrative in verse about the life and death of her aunt, who had been murdered thirty-five years before. The case remained unsolved, but Jane was assumed to have been the victim of an infamous serial killer in Michigan in 1969. Then, one November afternoon, Nelson received a call from her mother, who announced that the case had been reopened; a new suspect would be arrested and tried on the basis of a DNA match. Over the months that followed, Nelson found herself attending the trial with her mother and reflecting anew on the aura of dread and fear that hung over her family and childhood--an aura that derived not only from the terrible facts of her aunt's murder but also from her own complicated journey through sisterhood, daughterhood, and girlhood. The Red Parts is a memoir, an account of a trial, and a provocative essay that interrogates the American obsession with violence and missing white women, and that scrupulously explores the nature of grief, justice, and empathy.

A Gentleman's Guide to Vice and Virtue meets Miss Fisher's Murder Mystery in this rollicking romp of truth, lies, and troubled pasts. New Year's Eve, 1929. Millie is running the show at the Cloak & Dagger, a swinging speakeasy in the French Quarter, while her aunt is out of town. The new year is just around the corner, and all of New Orleans is out to celebrate, but even wealthy partiers' diamond earrings can't outshine the real star of the night: the boy in the red dress. Marion is the club's star performer and his fans are legion--if mostly underground. When a young socialite wielding a photograph of Marion starts asking questions, Millie wonders if she's just another fan. But then her body is found crumpled in the courtyard, dead from an apparent fall off the club's balcony, and all signs point to Marion as the murderer. Millie knows he's innocent, but local detectives aren't so easily convinced. As she chases clues that lead to cemeteries and dead ends, Millie's attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who's offered to help her solve the case. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks.