In his latest soul-chilling novel, bestselling author Peter Straub tells of a famous children’s book author who, in the wake of a grotesque accident, realizes that the most basic facts of her existence, including her existence itself, have come into question. Willy Patrick, the respected author of the award-winning young-adult novel In the Night Room, thinks she is losing her mind–again. One day, she is drawn helplessly into the parking lot of a warehouse. She knows somehow that her daughter, Holly, is being held in the building, and she has an overwhelming need to rescue her. But what Willy knows is impossible, for her daughter is dead. On the same day, author Timothy Underhill, who has been struggling with a new book about a troubled young woman, is confronted with the ghost of his nine-year-old sister, April. Soon after, he begins to receive eerie, fragmented e-mails that he finally realizes are from people he knew in his youth–people now dead. Like his sister, they want urgently to tell him something. When Willy and Timothy meet, the frightening parallels between Willy’s tragic loss and the story in Tim’s manuscript suggest that they must join forces to confront the evils surrounding them.

When a group of students uses an experimental computer program that simulates their tenth high school reunion, they get an unsettling look at their possible futures.

In this deeply moving and life-affirming tale, a mother must nurture her five-year-old son through an unfathomable situation with only the power of their imagination and their boundless capacity to love. Written for the stage by Academy Award® nominee Emma Donoghue, this unique theatrical adaptation featuring songs and music by Kathryn Joseph and director Cora Bissett takes audiences on a richly emotional journey told through ingenious stagecraft, powerhouse performances, and heart-stopping storytelling. Room reaffirms our belief in humanity and the astounding resilience of the human spirit. This updated and revised edition was published to coincide with the Broadway premiere in Spring 2023.

A collection of stories by the winner of the 1999 John Simmons Short Fiction Award delves deeply into love as it is experience by the under-thirty generation--among Deadheads, gay teenage girls, depressed Peace Corps volunteers, and anorexic dancers. Original.

This night-light book is the perfect bedtime story! Bedtime has never been so much fun! Your child will be ready to hop into bed to listen to this storybook with its own Moon night light. The book offers a comforting and reassuring transition from daytime play to bedtime sleep. With a special night light in easy reach, lights-out for sleep is soothed with the friendly face of a gently dimming Moon. The press-on light gradually dims in 4 to 5 minutes.

A biography elucidating the Academy Award–nominee’s meteoric rise, his tragic end, and his legacy. At the dawn of the 1990s, a new crew of leading men—Johnny Depp, Nicolas Cage, Keanu Reeves, and Brad Pitt—was rocketing toward stardom. River Phoenix, however, stood in front of the pack. But behind Phoenix’s talent and beautiful public face was a young man who had been raised in a cult by nonconformist parents, who was burdened with supporting his family from a young age, and who eventually succumbed to addiction, dying of an overdose in front of the Viper Room, West Hollywood’s storied club, at twenty-three. Last Night at the Viper Room is part biography, part cultural history of the 1990s, and part celebration of a Hollywood icon gone too soon. Full of interviews from his fellow actors, directors, friends, and family, this book shows the role River Phoenix played in creating the place of the actor in our modern culture and the impact his work still makes today.

There have been countless crime dramas written about murder mysteries, but none written by two actual Police Chiefs. Co-Written by retired NYPD Deputy Chief John Cutter and retired City of Stamford Chief of Police Bob Nivakoff, The Squad Room touches on the real-life experiences of Chief Cutter and Chief Nivakoff, through the lens of fiction. The Squad Room tells the tale of NYPD Captain William “Bill” Morrison’s hunt to track down a ferocious serial killer and sexual predator that is terrorizing New York City. Morrison is a world-class investigator, a “Cop’s Cop,” with the respect of his peers, but his personal life is in disarray. His son, also a NYPD Officer, is dead, gunned down in the line of duty, leaving Bill a haunted shell of a man. His second marriage is in shambles as his only true loves are his children and “the job.” Morose, Morrison finds solace in an extra-marital affair, alcohol and the members of his Detective Squad, the men and women in blue that constitute his second family. You may believe you know what evil looks like, but The Squad Room shows you that the face of unspeakable horror can come in many forms. Morrison and his team are racing against time to identify and bring the murderer to justice. Meanwhile, his Detective Squad runs up against villains inside the system: a Chief and a Detective who got where they are by political maneuvering, rather than skill and merit. Cutter and Nivakoff don’t hold back—The Squad Room gives you a genuine insider’s view into the NYPD and the triumphs and tribulations that Police officers experience on a regular basis and the toll that policing takes on the mental and physical health of police officers and their families.

A searing erotic thriller perfect for those tantalized by A. R. Torre’s Deanna Madden series . . . Anything you can imagine. Everything you crave. For the members of The Raven Room, it’s every fantasy fulfilled. But for some, that desire is a matter of life and death. Drawn by a need he cannot control, Julian ventures to The Raven Room, a secret and exclusive sex club in the underbelly of Chicago. It goes beyond sex. It goes beyond kink. The Raven Room is the only place where Julian finds release from the dangerous urges that threaten to destroy the successful life he’s worked so hard to build. Meredith’s body can’t get enough of Julian. He has opened her sexual horizons to tempting new possibilities. But out of bed she’s an aspiring journalist, and The Raven Room is the story she’s been looking for. By writing an exposé on the club and its elite clientele, she plans to launch her career. But when the police link The Raven Room to the death of a young woman, it threatens to expose a number of powerful people—people who would kill to stay anonymous. And Meredith must decide how much she can trust the man who has laid bare her erotic nature—and how much she will sacrifice in order to protect him . . . “The Raven Room will have everything you could possibly want and more.” —San Francisco Book Review “With a cliffhanger ending, The Raven Room will leave readers wondering what will happen next.” —RT Book Reviews

TIME’S #1 FICTION TITLE OF THE YEAR • NEW YORK TIMES NOTABLE BOOK OF 2018 FINALIST for the MAN BOOKER PRIZE and the NATIONAL BOOK CRITICS CIRCLE AWARD LONGLISTED for the ANDREW CARNEGIE MEDAL An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“The Mars Room is the real deal, jarring, horrible, compassionate, funny.” It’s 2003 and Romy Hall, named after a German actress, is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: her young son, Jackson, and the San Francisco of her youth. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, portrayed with great humor and precision. Stunning and unsentimental, The Mars Room is “wholly authentic…profound…luminous” (The Wall Street Journal), “one of those books that enrage you even as they break your heart” (The New York Times Book Review, cover review)—a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It is audacious and tragic, propulsive and yet beautifully refined and “affirms Rachel Kushner as one of our best novelists” (Entertainment Weekly).

Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.