Peer Gynt, a naughty little boy who disobeys his mother to stay out searching for treasure, discovers a magnificent cave that leads him deep into the heart of another world. Peer Gynt is a naughty little boy who often steals, plays mean tricks, and never helps his mother. More than anything else, Peer enjoys searching for treasures near his cottage in the mountains of Norway. Every day he leaves his cottage to go treasure hunting, and every day his mother asks him to be home before dark. However, one nighta particularly magical nightPeer decides to ignore his mothers request and continues searching for treasure long after the sun has set. He discovers a marvelous cave, the likes of which hes never seen before. Certain that there must be magnificent treasures within, Peer ventures deep inside the cave. His expedition leads him straight to the center of the mountain, into the hall of the Mountain King. As mischievous Peer Gynt soon learns, the Mountain Kingdom is a land of the extraordinary. He finds himself face-to-face with beings of myth and magic and a greater danger than hes ever encountered in his life. Will he survive to tell his mother where hes been?

Simplified Masterwork Solo.

Discover the spellbinding magic of In the Hall of The Mountain King in this musical retelling of Peer Gynt—push the button on each beautiful scene to hear the vivid sound of an orchestra playing from Grieg’s score. This tale of a boy’s adventure through the valleys and mountains of the Norwegian countryside begins at a wedding feast far, far away. Peer Gynt is bored and he’s longing for adventure. After sneaking off from the party, he finds himself at a peaceful lake where he meets some dairy people. When he lies about his escapades riding reindeer through the sky, they dare him to go to the lair of the Mountain King, the king of the trolls. The king’s halls are dark and spooky, and it isn’t long before Peer is captured. How will he escape? And will he learn the importance of humility and the value of friends? As you and your little one journey through the magical scenes, you will press the buttons to hear 10 excerpts from the score. Readers should press firmly on the pages to activate the sounds, encouraging interactive learning and introducing children to this beautiful piece of music. At the back of the book, find a short biography of the composer, Edvard Grieg, with details about his composition of Peer Gynt. Next to this, you can replay the musical excerpts and, for each of them, read a discussion of the instruments, rhythms, and musical techniques that make them so powerful. A glossary defines musical terms. The Story Orchestra series brings classical music to life for children through gorgeously illustrated retellings of classic ballet, opera, and program music stories paired with 10-second sound clips of orchestras playing from their musical scores. Also available from the Story Orchestra series: The Magic Flute, I Can Play (vol 1), Carnival of the Animals, The Sleeping Beauty, The Nutcracker, and Four Seasons in One Day. Manufacturer’s note: please pull the white tab out of the back of the book before use. Sound buttons require a firm push in the exact location to work, which may be hard for young children. All sound clips are 10 seconds long. The perfect primer to introduce children to classical music.

Easy Piano Arrangement from Grieg's Peer Gynt Suite A SilverTonalities Arrangement! Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead!

In the Hall of the Mountain King Halloween Classics for Easy Piano A delightful and whimsical collection of spooky Classics for Easy Piano, capturing both the playful spirit of Halloween and the rich history of Classical Music 8 Classical Arrangements for Beginner and Novice Pianists by SilverTonalities! From Bach to Mussorgsky, each piece brings a touch of eerie elegance to Halloween Festivities Preview, pages 1-2 Dance for the Followers of the Night from Purcell’s Fairy Queen, pages 3-6 Danse Macabre by Camille Saint Saens, pages 7-12 In the Hall of the Mountain King from Grieg’s Peer Gynt Suite, pages 13-16 A Night on Bald Mountain by Mussorgsky, pages 17-19 Ride of the Valkyries by Wagner, pages 20-22 Sorcerer’s Apprentice by Dukas, pages 23-26 Toccata and Fugue by Bach, pages 27-34 Witches Dance, Opus 4 Number 2 by Kullak, pages 35-38

An integrated elementary listening program for music classes, regular classes, libraries and home use. Includes 20 great musical selections complete with historical information, composer/arranger biographical information, musical features sketches, cross-curricular connections and anticipated outcomes. Meets the National Music Standards.

Seven songs on the CD are the core of seven lessons that also include multi-cultural selections. The music selections reinforce the national music standards for the Music Educator's National Conference for pre-K, 1st and 2nd grade children. A Listening Map for each orchestral selection is included to help motivate and focus students along with creative activities.

Dracula and Frankenstein's Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color.

Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive. Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.

The volume for the 50th season, 1940/41, includes "Repertoire, 1891-1941" [62] p. and "Solists, 1891-1941" [5] p.