Biographical history of the author's family, beginning with her great-great grandfather, Lazar (Eleazar) Horowitz who was born in 1804 and continuing up to the present.

From the million-copy Sunday Times bestseller comes a breathtaking story of family secrets and forbidden love. Idyllic Cornwall, a lost garden, a love story from long ago . . . A hundred years ago, Lamorna Cove, a tiny, picturesque bay in Cornwall, was the haunt of a colony of artists. Today, Mel Pentreath hopes it will be a place she can escape the pain of losing her mother and a broken love affair, and gradually put her life back together. Renting a cottage in the enchanting grounds of Merryn Hall, Mel embraces her new surroundings and offers to help her landlord Patrick restore the overgrown garden. Soon she is daring to believe her life can be rebuilt. Then Patrick finds some old paintings in the attic, and as he and Mel investigate the identity of the artist, they are drawn into an extraordinary tale of illicit passion and thwarted ambition from a century ago, a tale that resonates in their own lives. But how long can Mel's idyll last before reality breaks in and everything is threatened? Praise for Rachel Hore: 'Compelling, engrossing and moving; a perfect holiday indulgence' SANTA MONTEFIORE 'Fascinating, hugely readable . . . Rachel Hore's research and her mastery of the subject is deeply impressive' JUDY FINNIGAN 'Engrossing and romantic, it's a wonderful story of family secrets and the choices women make' JANE THYNNE 'Another of this year's top offerings' Daily Mail 'Pitched perfectly for a holiday read' Guardian 'A tender and thoughtful tale' Sunday Mirror 'A romantic read' Good Housekeeping 'A perfect escapist treat for your next holiday - if you can wait that long' Eastern Daily Press

"A hauntingly witty, illustrated debut in the vein of Edward Gorey, that explores the power and mystery of human memory, by artist Cecilia Ruiz"--

This 1922 fiction by Henry St. John Cooper, beautifully depicts social life, customs and Man-woman relationships in England. Cooper (1869 – 1926) was a creative English novelist of school and adventure fiction. Best known for creating, in 1908, the character Pollie Green, considered one of the most popular schoolgirl heroines,"According to his son, Cooper also wrote many "authorless" Sexton Blake stories for the Union Jack. His novel Sunny Ducrow was adapted into a 1926 film, Sunny Side Up. Excerpt from The Garden of Memories "They are wealthy folk, the Elmacotts, and they love their garden and pride themselves on it and hold that in all Sussex no soil can produce finer flowers and sweeter fruit, and though in this year of grace seventeen hundred and three the house, which is the Manor House of the Parish of Homewood, has no great antiquity, being scarce more than sixty years old, it has about it that completeness, those niceties of detail, the neatness and the order and the well being that are found only in the home which is ruled by a house-proud mistress."

Moveable Gardens explores how biodiversity and food can counter the alienation caused by displacement. By offering in-depth studies on a variety of regions, this volume carefully considers various forms of sanctuary making within communities, and seeks to address how carrying seeds, plants, and other traveling companions is an ongoing response to the grave conditions of displacement in today’s world. The destruction of homelands, fragmentation of habitats, and post-capitalist conditions of modernity are countered by thoughtful remembrance of tradition and the migration of seeds, which are embodied in gardening, cooking, and community building. Moveable Gardens highlights itineraries and sanctuaries in an era of massive dislocation, addressing concerns about finding comforting and familiar refuges in the Anthropocene. The worlds of marginalized individuals who live in impoverished rural communities, many Indigenous peoples, and refugees are constantly under threat of fracturing. Yet, in every case, there is resilience and regeneration as these individuals re-create their worlds through the foods, traditions, and plants they carry with them into their new realities. This volume offers a new understanding of the performances and routines of sociality in the face of daunting market forces and perilous climate transformations. These traditions sustained our ancestors, and they may suffice to secure a more meaningful, diverse future. By delving into the nature of nostalgia, burrowing into memory and knowledge, and embracing the specific wonders of each deeply rooted or newly displaced community, endlessly valuable ways of being and understanding can be preserved. Contributors: Guntra A. Aistara, Aida Curtis, Terese V. Gagnon, John Hartigan Jr., Tracey Heatherington, Taylor Hosmer, Hayden S. Kantor, Melanie Narciso, Virginia D. Nazarea, Emily F. Ramsey, Krishnendu Ray, David Sutton, James R. Veteto, Marc N. Williams

The story that you have asked me to tell you does not begin with the pitiful ugliness of Lloyd’s death. It begins on a long-ago day in August when the sun seared my blistered face and I was nine years old and my father and mother sold me to a strange man. Memory, the narrator of Petina Gappah’s The Book of Memory, is an albino woman languishing in Chikurubi Maximum Security Prison in Harare, Zimbabwe, after being sentenced for murder. As part of her appeal, her lawyer insists that she write down what happened as she remembers it. The death penalty is a mandatory sentence for murder, and Memory is, both literally and metaphorically, writing for her life. As her story unfolds, Memory reveals that she has been tried and convicted for the murder of Lloyd Hendricks, her adopted father. But who was Lloyd Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers? Moving between the townships of the poor and the suburbs of the rich, and between past and present, the 2009 Guardian First Book Award–winning writer Petina Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory.

After her parents die, Kate Willoughby receives a visit of condolence from a little-known uncle, accompanied by two sons, one of whom becomes her lover. What Kate does not realize is that while she sleeps the lover robs houses.

This “elegant and haunting novel of war, art and memory" (The Independent) award-winning novel from the acclaimed author of The Gift of Rain follows the only Malaysian survivor of a Japanese wartime camp as she begins working for an exiled former gardener of the Emporer. Malaya, 1951. Yun Ling Teoh, the scarred lone survivor of a brutal Japanese wartime camp, seeks solace among the jungle-fringed tea plantations of Cameron Highlands. There she discovers Yugiri, the only Japanese garden in Malaya, and its owner and creator, the enigmatic Aritomo, exiled former gardener of the emperor of Japan. Despite her hatred of the Japanese, Yun Ling seeks to engage Aritomo to create a garden in memory of her sister, who died in the camp. Aritomo refuses but agrees to accept Yun Ling as his apprentice "until the monsoon comes." Then she can design a garden for herself. As the months pass, Yun Ling finds herself intimately drawn to the gardener and his art, while all around them a communist guerilla war rages. But the Garden of Evening Mists remains a place of mystery. Who is Aritomo and how did he come to leave Japan? And is the real story of how Yun Ling managed to survive the war perhaps the darkest secret of all?

"Owen Dwyer and Derek Alderman examine civil rights memorials as cultural landscapes, offering the first book-length critical reading of the monuments, museums, parts, streets, and sites dedicated to the African-American struggle for civil rights and interpreting them is the context of the Movement's broader history and its current scene. In paying close attention to which stories, people, and places are remembered and which are forgotten, the authors present an engaging account of an unforgettable story."--BOOK JACKET.

In the wise and beautiful second collection from the acclaimed, Pulitzer Prize-winning #1 New York Times bestselling author of All the Light We Cannot See, and Cloud Cuckoo Land, "Doerr writes about the big questions, the imponderables, the major metaphysical dreads, and he does it fearlessly" (The New York Times Book Review). Set on four continents, Anthony Doerr's new stories are about memory, the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. Every hour, says Doerr, all over the globe, an infinite number of memories disappear. Yet at the same time children, surveying territory that is entirely new to them, push back the darkness, form fresh memories, and remake the world. In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In "The River Nemunas," a teenage orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. "Village 113," winner of an O'Henry Prize, is about the building of the Three Gorges Dam and the seed keeper who guards the history of a village soon to be submerged. And in "Afterworld," the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson. Every story in Memory Wall is a reminder of the grandeur of life--of the mysterious beauty of seeds, of fossils, of sturgeon, of clouds, of radios, of leaves, of the breathtaking fortune of living in this universe. Doerr's language, his witness, his imagination, and his humanity are unparalleled in fiction today.