A Pulitzer Prize winner’s memoir of her search for her enigmatic father is “an absolute stunner . . . probing, steel-nerved, moving in ways you’d never expect” (New York Times). “In the summer of 2004 I set out to investigate someone I scarcely knew, my father. The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things—obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.” So begins Susan Faludi’s extraordinary inquiry. When the feminist writer learned that her 76-year-old father—long estranged and living in Hungary—had undergone sex reassignment surgery, her investigation turned personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known? Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. Her struggle to come to grips with her father’s metamorphosis takes her across borders—historical, political, religious, sexual—to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape? “Riveting . . . Ms. Faludi unfolds her father’s story like the plot of a detective novel.” —Wall Street Journal “Penetrating and lucid . . . rich [and] arresting.” —New York Times Book Review “A gripping exploration of sexual, national, and ethnic identity.” —Kirkus Reviews, starred review

A lucid and delicate exploration of memory and grief from the author of Essayism.

A history of 20th century Germany as experienced by three ordinary Germans.

Creak... Crash... BOO! Shivering skeletons, ghostly pirates, chattering corpses, and haunted graveyards...all to chill your bones! Share these seven spine-tingling stories in a dark, dark room.

The author tells her story of being a Latina in the Jim Crow South.

In the latest chiller from million-copy-seller K.R. Alexander, author of THE COLLECTOR and THE FEAR ZONE, an app that allows you to see ghosts can only lead you to horrifying sights... Do you think an app that allows you to see ghosts would be cool? Well, prepare to be haunted... even when your phone is off.

In this acclaimed psychological mystery, Jinx Kingsley, a prominent photographer and millionaire’s daughter, wakes up in an exclusive hospital suffering from amnesia. Not only can she not remember the car accident that caused her memory loss, but she doesn’t remember that her impending wedding has been called off or that her former fiancé and his girlfriend have been brutally murdered in the same way her first husband had been ten years before. Now she must try to piece together her memories in order to determine her innocence. With deft psychological explorations and shocking twists, Walters brings the story to an awe-inspiring conclusion.

In a dark, dark room, in a soft, soft voice, tell a scary story! Newly reillustrated, this classic I Can Read full of spooky stories is perfect for beginning readers who love a bit of a scare. Victor Rivas’s silly and spooky art will introduce a new generation to stories inspired by traditional folktales like “The Teeth,” “In the Graveyard,” “The Green Ribbon,” “In A Dark, Dark Room,” “The Night It Rained,” “The Pirate,” and “The Ghost of John.” The original edition has won many state awards and is an ALA Notable Children’s Book. In a Dark, Dark Room is a Level Two I Can Read book, geared for kids who read on their own but still need a little help.

R. K. Narayan (1906—2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. In The Dark Room, Narayan’s portrait of aggrieved domesticity, the docile and obedient Savitri, like many Malgudi women, is torn between submitting to her husband’s humiliations and trying to escape them. Written during British rule, this novel brings colonial India into intimate focus through the narrative gifts of this master of literary realism.

"Murder and glamour set in the ambiguous and claustrophobic world of an exclusive New England prep school"--