Set against a ticking clock, this "haunting" and "atmospheric" thriller pits a ruthless cult against a mother's love, revealing that our darkest secrets are the hardest ones to leave behind (Sally Hepworth, New York Times bestselling author of The Good Sister). Four days to go Amy has only ever known life in the Clearing, amidst her brothers and sisters--until a newcomer, a younger girl, joins the "family" and offers a glimpse of the outside world. Three days to go Freya is going to great lengths to seem like an "everyday mum," even as she maintains her isolated lifestyle, hoping to protect her young son and her dog. Two days to go When news breaks of a missing girl--a child the same age as Freya's son, Billy--Amy and Freya find themselves headed for a shocking collision. One day to go

"A former police academy classmate and protaegae asks Tracy to help solve a cold case that involves the suspicious suicide of a Native American high school girl forty years earlier. But as Tracy probes one small town's memory and finds dark, well-concealed secrets hidden within the community's fabric, her own life may be endangered"--

Susan Frybort steps into the eye of bewildering times with a fresh collection of encouraging poems that bravely speak to the many facets of life. Connections, transitions, loss, and change meet us in the center of our hearts. Look to the Clearing will offer a cornerstone of comfort and validation in the moments most needed. It will assure you that there is a way out of the dark, a promise tucked inside each purposeful season and a calm, benevolent grace walking beside you on your path towards home. We move through dense forest into open glades on our journey, creating experiences of going from shadow to light, from enclosure into spaciousness- allowing for a different level of perspective, appreciation, and acceptance. Each poem is a loving reminder of a place waiting for you to softly land. A place to integrate, be nurtured, or rest. A place of much needed restoration, where the sunlight filters through the leaves to offer clarity.

Toni Morrison, the only living American Nobel laureate in literature, published her first novel in 1970. In the ensuing forty plus years, Morrison's work has become synonymous with the most significant literary art and intellectual engagements of our time. The publication of Home (May 2012), as well as her 2011 play Desdemona affirm the range and acuity of Morrison's imagination. Toni Morrison: Forty Years in The Clearing enables audiences/readers, critics, and students to review Morrison's cultural and literary impacts and to consider the import, and influence of her legacies in her multiple roles as writer, editor, publisher, reader, scholar, artist, and teacher over the last four decades. Some of the highlights of the collection include contributions from many of the major scholars of Morrison's canon: as well as art pieces, music, photographs and commentary from poets, Nikki Giovanni and Sonia Sanchez; novelist, A.J. Verdelle; playwright, Lydia Diamond; composer, Richard Danielpour; photographer, Timothy Greenfield-Sanders; the first published interview with Morrison's friends from Howard University, Florence Ladd and Mary Wilburn; and commentary from President Barack Obama. What distinguishes this book from the many other publications that engage Morrison's work is that the collection is not exclusively a work of critical interpretation or reference. This is the first publication to contextualize and to consider the interdisciplinary, artistic, and intellectual impacts of Toni Morrison using the formal fluidity and dynamism that characterize her work. This book adopts Morrison's metaphor as articulated in her Pulitzer-Prize winning novel, Beloved. The narrative describes the clearing as "a wide-open place cut deep in the woods nobody knew for what. . . . In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees." Morrison's Clearing is a complicated and dynamic space. Like the intricacies of Morrison's intellectual and artistic voyages, the Clearing is both verdant and deadly, a sanctuary and a prison. Morrison's vision invites consideration of these complexities and confronts these most basic human conundrums with courage, resolve and grace. This collection attempts to reproduce the character and spirit of this metaphorical terrain.

In his critically acclaimed new novel, Tim Gautreaux fashions a classic and unforgettable tale of two brothers struggling in a hostile world. In a lumber camp in the Louisiana cypress forest, a world of mud and stifling heat where men labor under back-breaking conditions, the Aldridge brothers try to repair a broken bond. Randolph Aldridge is the mill’s manager, sent by his father—the mill owner—to reform both the damaged mill and his damaged older brother. Byron Aldridge is the mill's lawman, a shell-shocked World War I veteran given to stunned silences and sudden explosions of violence that make him a mystery to Randolph and a danger to himself. Deep in the swamp, in this place of water moccasins, whiskey, and wild card games, these brothers become embroiled in a lethal feud with a powerful gangster. In a tale full of raw emotion as supple as a saw blade, The Clearing is a mesmerizing journey into the trials that define men’s souls.

In arresting, but harrowing, prose, James Daschuk examines the roles that Old World diseases, climate, and, most disturbingly, Canadian politics--the politics of ethnocide--played in the deaths and subjugation of thousands of aboriginal people in the realization of Sir John A. Macdonald's "National Dream." It was a dream that came at great expense: the present disparity in health and economic well-being between First Nations and non-Native populations, and the lingering racism and misunderstanding that permeates the national consciousness to this day. " Clearing the Plains is a tour de force that dismantles and destroys the view that Canada has a special claim to humanity in its treatment of indigenous peoples. Daschuk shows how infectious disease and state-supported starvation combined to create a creeping, relentless catastrophe that persists to the present day. The prose is gripping, the analysis is incisive, and the narrative is so chilling that it leaves its reader stunned and disturbed. For days after reading it, I was unable to shake a profound sense of sorrow. This is fearless, evidence-driven history at its finest." -Elizabeth A. Fenn, author of Pox Americana "Required reading for all Canadians." -Candace Savage, author of A Geography of Blood "Clearly written, deeply researched, and properly contextualized history...Essential reading for everyone interested in the history of indigenous North America." -J.R. McNeill, author of Mosquito Empires

This was the last collection of new poems to appear during Robert Frost's lifetime and it became a national best-seller upon publication. Nominated for the National Book Award for Poetry and selected as an ALA Notable Book for that year, this classic includes "The Gift Outright," which Frost recited at JFK's inauguration on January 20, 1961.

When Hannah Green's dog comes out of the woods carrying a sneaker that contains a partially decomposed foot, she thinks it's the worst thing that could ever happen to her. She is wrong. Hannah and her best friend, Ashley, decide to play detective but find themselves in the middle of a decades-old mystery. What is the strange old woman Mama Bayole hiding in her decrepit farmhouse? Why is the local librarian so determined to prevent them from researching town history? Who is following them around Hopedale, New Hampshire? The girls make a shocking discovery about what has been happening in the woods behind Hannah's house. As they get closer to the truth, things take a dangerous turn, and they play a deadly game of cat-and-mouse that may end up costing them their lives.